Somewhere, in the underlining story of Hellraiser: Judgment, there’s a good idea. In its brisk 81 minutes, which somehow manages...
Film director David Chirchirillo’s latest feature, Bad Match, has garnered quite a bit of attention since its initial release in...
Revenge, the feature debut of French director Coralie Fargeat, is a miraculously visceral experience. It brilliantly reclaims the controversial exploitation subgenre of the rape-revenge film, all while delivering a stylish and thrilling bloodbath. Among horror and exploitation fare, the subgenre of the rape revenge film has always been especially divisive....
The Queen of Hollywood Blvd is a stylish homage to grindhouse crime film that stands out as a visually stunning...
Fantastical drama Cold Skin tells a tale of loneliness, fear, and humanity in presence of beasts. Isolated at the top of...
Under The Silver Lake celebrated its North American premiere on July 19th with a sold-out screening at the 2018 Fantasia Film Festival. The film has received some pretty mixed reviews since its world premiere at Cannes earlier this year, and will no doubt continue to see strong opinions on either side. Sadly,...
Electro-Magnetic detectors, readers, and doo-dads have long been touted as tools to capture evidence of the paranormal. (Despite little evidence...
The Little Stranger hits nationwide this weekend and if you don’t already have plans to see it, you should call...
Jim Hosking’s oddball comedy An Evening With Beverly Luff Linn helped open the 2018 Fantastic Film Festival in Austin, Texas following the US premiere of David Gordon Green’s Halloween. Hosking’s 2016 cult-hit The Greasy Strangler surprised audiences with it’s off-the-wall sensibility and gross-out comedy. While An Evening With Beverly Luff Linn is more accessible, his follow-up still...
For the first few minutes of Assassination Nation I thought I might groan and eye roll my way through the...
The Universal Monsters have been scaring audiences worldwide for nearly a century. They stand as Hollywood’s homecoming for Horror, pioneering...
I first came across Michael Peterson’s work when my friends and I watched his debut feature Lloyd the Conqueror for the sole reason of hearing the end credit song. I wasn’t expecting to be scared sh*tless years later when I saw his sophomore film Knuckleball, a far deadly departure from...