Tone Deaf is funny, scary and has something to say.
The nature of human existence and one’s perception of reality can raise questions by challenging our own fundamental experience. In...
There was something so captivating about Robert Eggers’ The Witch that we have talked about it constantly since its 2015 release. It’s hard to pin it down to one specific thing, but there is something beautiful about the genre that it belongs to as well. Folk horror is having a...
For some, a black cat is a bad omen. But in the world of Johannes Nyholm’s (Jätten) newest film, Koko-di...
Out of all the horror films I’ve seen this year, my favorite opening shot came from Ready or Not. It’s...
Jagoda Szelc’s second feature film, Monument, is a puzzling one. It is both a surreal nightmare akin to the works of David Lynch and a corruption of youth as seen in Pasolini’s 120 Days of Sodom, yet it still exists as its own wholly unique piece of perplexing art. It...
The opening of Robert Olsen and Dan Berk’s (The Stakelander) new film, Villains, sets the tone for the events to...
In the 1980s, a strange band came into the underground music scene. Calling themselves The Mentors, each member wore a...
Time travel movies are either extremely self-serious or expectedly goofy. Sci-fi films such as Looper and Predestination are dark action films that use time travel to save the world. Comedies such as Groundhog Day and series such as Russian Doll force the protagonists to confront their nasty ways, but through...
Shark movies. It’s kind of hard to mess them up. You take your camera-happy (or shy, if you’re Steven Spielberg) sharks,...
If there’s one subgenre of horror so malleable that it can mold itself to any theme, vampires would be the...
I wasn’t aware of the prominence of Christianity in South Korea, but according to a quick Google search, close to a third of the population identify as Christians. The question came up when watching Kim Joo-hwan’s The Divine Fury, a religious action thriller about a man who loses his faith,...




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