80%
SCORE
We’ve all had a lot more hands on experience with AI in the last year than we would have ever...
80%
SCORE
We’ve been overloading you here at Nightmare on Film Street with our film coverage and reviews of the 2019 Overlook...
Technology is a horror show, governed by robots, algorithms, and targeted ads that are way too relevant to that conversation you just had with your roommate. And it’s constantly shifting, with new pieces of machinery designed to make our everyday lives better (if you can pay, that is). In this...
67.5%
We are currently witnessing a fourth industrial revolution, where artificial intelligence is on its way to surpassing its human inventors....
Pumpkin spice is back at your favorite coffee shop. Plastic pumpkins and skeleton fill the aisles of craft stores. Spirit...
83.75%
Grant Sputore’s I Am Mother was release to Netflix June 7th, proving that being a mother is the hardest and most dangerous job on the planet. Raising kids can’t be easy. Their whole lives are before them while you’re there to help shape and mold them. They could be scientists,...
Don Coscarelli, creator of the cult-favorite Phantasm series, has advice for people who want to get into independent film. In his book, True...
82.5%
We’ve all rolled our eyes at one time or another after witnessing parents drop the “that’s enough screen time” line...
If you were to set about three hours of your day aside, it’d be completely possible to zip through the entire season of Netflix’s latest darling, Love, Death, & Robots. But that leaves out enough time to step outside after a few episodes, drink a beer and completely contemplate your...
75%
Chuck E. Cheese needs to be taken down a peg. I don’t have anything against the mouse personally, but his...
The COVID-19 pandemic has changed the way we consume entertainment. Instead of going to concerts, we’re watching musicians play acoustic...
Dr. Frankenstein’s monster is given a digital makeover in this Netflix sci-fi thriller that attempts to ask the question of AI sentience, and what it means to be human. However, with most films dealing with artificial intelligence, TAU falls to tried and tested formulas. On one hand, Federico D’Alessandro’s debut...
