Rock, Paper, Scissors is the new film from Tom Holland, director of the original Child’s Play (1988) and Fright Night...
The ever-changing LA set thriller 1BR celebrated its world premiere at the 2019 Fantasia Film Festival where Montreal’s cult obsessed were...
The 2019 Fantasia Film Festival audience had no idea what was in store for them when they sat down to see Jordan Graham’s chilling, psychological horror Sator. The film follows a man who lives in a cabin, isolated from the world who has come to discover the stories his grandmother...
Horror Anthologies are hard to nail. Though always entertaining and delightful, few can hold enough steam to carry an audience...
Joining the tradition of the stalker horror subgenre, specifically the “lady stalker” theme of films like Misery and Fatal Attraction,...
Serving as the debut feature for actor turned director Dave Franco, The Rental sets out to “do for home-sharing what Jaws did for the water“. Starring Alison Brie (Glow), Sheila Vand (A Girl Walk Home Alone At Night), Dan Stevens (Apostle), Jeremy Allen White (Shameless), as well as a surprising...
Indie film is firing on all cylinders when it’s at its most ambitious, and that’s exactly what you’re in for...
[#PanicFest2021 Review] Be Careful What You Wish For in David Charbonier & Justin Powell’s THE DJINN
David Charbonier & Justin Powell are filmmakers you likely aren’t familiar with yet, but that’s going to change pretty soon....
Three hired guns find themselves in over their heads after a routine rescue mission goes from bad to worse in Jean Luc Herbulot’s Saloum. It’s a story filled with twists and turns and a gripping, manic energy that mashes up nearly all of your favorite genres. If you strung all its...
Calling all supernatural fans and single-locations addicts! Zoom horror freaks, assemble. Jennifer Reeder’s Night’s End is the most recent Quarantine-sploitation flick to...
Reading through the descriptions of the films being screened at this year’s edition of the Fantasia Festival, I found that...
Nothing brings two estranged lovers together quite like mutant venomous worms. That’s how the saying goes, right? It certainly does here in director Dale Fabrigar’s They Crawl Beneath. Giant worms are no match for the power of love. Or maybe love is no match for the power of worms? I’m no...