2018 was a big year for Joe Bob Briggs. His return with last year’s 24-Hour marathon on Shudder broke the...
[Exclusive Interview] Scream Queen LINNEA QUIGLEY Talks Horror, Music and that Infamous Workout Tape
The advent of the VHS tape created a whole new world for movie fans in the late 70’s and early...
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You might think comedy is the genre for “weird families,” but I’d argue it’s horror. From The Texas Chainsaw Massacre dinner table to the Fireflys‘ freakshow, this genre is rife with crazy, cringey, commonly incestuous clans. Director Sidarth Srinivasan taps into that familiar trope for his 2020 Fantasia Fest entry,...
Welcome to Know Your Trope, your rough-and-tumble monthly guide through horror history. In this column, we’ll be diving deep into...
Why are you screaming? I haven’t even written anything yet. It’s The RETURN month here at Nightmare on Film Street,...
Howdy Campers, and welcome to the final installment of the Midnight At Camp Blood podcast series. We’ve been reviewing the entire Friday The 13th franchise at the stroke of midnight every Friday for the last 3 months, but sadly, all things must come to end 🙁 Join your horror hosts...
DESCRIPTION You know what the Leatherface franchise is missing? Okay sure, a bar of soap… but the correct answer is-...
DESCRIPTION Vrummm-vrum-v-v-v-vruummm! Loosely translated: It’s chainsaw time, horror fans! Join your hosts Kim and Jon as they gas up, and...
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The Third Saturday In October and The Third Saturday in October Part V is a double feature that provides an intriguing experiment for horror fans to dissect. The satirical look at long-running horror franchises begins before watching a minute of either. Writer/director Jay Burleson’s request for audiences to first watch The...
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Thanks to horror movies, I’ve become more and more suspicious of high society-types and what depraved acts might take place...
Rob Zombie’s Firefly Family is back! 3 From Hell, the followup to 2010’s The Devil’s Rejects is in select theatres now,...
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There is a helluva lot of art out there that wants to interrogate society’s relationship with violence. It’s as if there is a code that needs to be cracked in order to explain our fascination with it and why we are so used to seeing it on the screen, on...
