90%
Japanese director Takashi Miike is prolific, to say the least. He has directed over 100 films, ranging from horrifying to...
90%
Something interesting: The vast majority of horror movies and thrillers are set in the past. Partially due to nostalgia being...
72.5%
Daniel Joseph Borgman’s Resin (Harpiks) celebrated its World Premiere at the 2019 Toronto Internation Film Festival where it was dropped on everyone’s sunny day like a thick, heavy vat of hot tar. The film tells the story of a young girl, hidden away from the world by well-meaning but ill-prepared...
95%
Cult films are so hot right now. Midsommar madness dominated our summer, Quentin Tarantino rewrote the history of the Manson...
70%
As cinematic boogeymen go, you can’t do much better than Candyman. Since his first appearance in Bernard Rose’s Candyman (1992), he has...
Slice is a small movie with big dreams and aspirations. It’s the directorial debut of first time director Austin Vesely, a long time friend and collaborator of Chance the Rapper, making the transition from music videos to feature film. And boy does he make his name known loud and clear....
70%
SCORE
It only took one film for comedy veteran Jordan Peele to become Horror’s darling. Get Out catapulted him into an...
Today, the Trump presidency was mercifully put to an end with the inauguration of Joe Biden. The four past years...
Superheroes are everywhere. Between a new Marvel movie at least once a year and DC’s attempts at breaking into the market, the world has its fill of capes, tight suits, and maniacal villains. So how can someone deliver something new to a genre monopolized by two big brands? Make it...
95%
What would you do to ensure your family’s financial security? Steal? Lie? Murder? In Bong Joon-Ho’s Parasite, he asks this...
78.75%
[#TIFF21 Review] Edgar Wright’s LAST NIGHT IN SOHO Scares Up A Ghostly Good Time in The Swinging 60s
Edgar Wright has never made a bad movie. He probably never will. Part of that is because he is the...
A last-minute addition to the 2018 Fantastic Fest schedule, Richard Shepard’s The Perfection was definitely not a hard decision. Fitting right in with this year’s musical-minded genre fair – nestled comfortably among Luca Guadagnino’s Suspiria scored by Thom Yorke, the simplistically synthy Halloween scored by John Carpenter, and the strange, danceworthy...
