“I love you” and “I hate you” are both three word sentiments with conflicting meanings often confused with one another,...
Ant Timpson’s Come To Daddy hits select theatres and VOD February 7th, just in time to give your sappy Valentine’s love...
Some people collect stamps. Others collect books, records or mini slasher action figures. And then there’s Nathan Barr. Along with collecting TV and film composing credits, he also possesses a fascinating array of rare, unique and historically important musical instruments. Some collection highlights include a human bone trumpet, a rare...
81.25%
With a tagline like “Where everything trying to kill you is downright adorable,” parents might be scratching their heads on...
Sex. Glitter. Secrets. Love. Confetti. Alcohol. Murder. Sounds fun, right? Actor Augustus Prew (The Morning Show) definitely thinks so when...
65%
Disney’s nostalgia-fuelled remake machine has two modes: the ones like Alice in Wonderland or Maleficent that try to put a new spin on the original story, or the nearly shot-for-shot remake option of Cinderella, Beauty and the Beast, or The Lion King. One of these categories has been successful, and the other has been...
77%
Psychological horror is an often overused label, but the new indie horror The Dead Center is the rare bird that...
92.5%
Cults are all the rage. Escaping cults, joining cults, discussing cults, it’s been the year of the cult in horror...
72.5%
Vampires have gotten a bad rap as of late. The iconic monster of horror media seems to have fallen out of vogue, and its stories drained of all life or inspiration. I, a devout fan of all vampire media, despaired that there would never be a comeback for the eternal...
Rose Glass’ Saint Maud stunned Midnight Madness audiences at the 2019 Toronto International Film Festival, and it remains the one...
83.75%
It all starts with a little girl wanting a chocolate ice cream cone and ends with a showdown of epic...
70%
The nature of human existence and one’s perception of reality can raise questions by challenging our own fundamental experience. In David Rosenthal’s remake of Jacob’s Ladder (2019), we find ourselves confronted with grotesque visions, dreams, and traumatic flashbacks, all of which attempt to distort our judgment of what’s real and what’s...
