Three hired guns find themselves in over their heads after a routine rescue mission goes from bad to worse in...
More than any other genre, horror can serve as a workshop for filmmakers. Its tropes and beats are very familiar,...
The Pierce brothers The Wretched recently held it’s Word Premiere at the 2019 Fantasia Film Festival, introducing the world to new Witchy rules and Witchy powers. “The vampire,” Brett Pierce shares with us, “has been developing over so long” with very specific strengths and weaknesses, but the traditional Witch is not a monster...
There are few horrors so iconic, so jaw-droppingly terrifying, that they have eclipsed the entire horror genre. Constantly compared, credited,...
I love a good haunted house film — the genre is my ghost loving horror fan addiction. But as rich...
Continuing to build up the stories of its collection, literally and figuratively, Blumhouse and Amazon Studios’ chilling series Welcome To The Blumhouse enters another level of family-focused nightmares. The films Evil Eye and Nocturne quarter off the entries of the house, each bringing a poignant sense of storytelling to the...
Which came first, Jaws or the summer monster movie? Of course, a film historian would point out that Jaws was...
The month of April is the benchmark of many pleasantries, but this time around the start of spring is also...
Impetigore is one of those words that sounds scary, seems intriguing, and might be meaningful in all of its 10-letter glory. It’s the perfect title for writer and director Joko Anwar’s (Satan’s Slaves) latest Indonesian horror referred to as Perempuan Tanah Jahanam. The film’s original title “Woman of the Cursed Land”...
After a seemingly endless parade of false starts, fans of the beloved horror comic series Locke & Key finally have...
Making a laugh-filled comedy with heart is next to impossible, and making a truly disturbing horror film can be a...
Wounds are bloody voids surrounded by torn and ruined flesh, an empty space that serves as a reminder of pain, no matter how brief. That emptiness may seem trivial, but in Babak Anvari’s (Under the Shadow) film, literally named Wounds, injuries serve a higher purpose. Based on Nathan Billingrud’s short...