Joining prime examples of the power of good filmmaking is director Zoe Wittock’s Jumbo, a film with a truly bizarre...
In Sao Paulo, a city already rife with poverty, death and corruption, an ancient evil will be awakened, bringing destruction...
Joining the tradition of the stalker horror subgenre, specifically the “lady stalker” theme of films like Misery and Fatal Attraction, is Directer Zach Gayne’s Homewrecker, currently running at the 2020 Virtual Edition of the Chattanooga Film Festival. It’s a tightly structured, darkly comic, and effectively uncomfortable horror film that, while...
The iconic, bipedal cryptid who typically inhabits the Pacific Northwest has somehow made his way to Georgia. That’s what the...
It’s ironic that the fantasy genre, for all its promises to sweep us away to a world of, well, fantasy,...
The horror genre has always been used as a way to contextualize real-life problems. The more aware people become of the injustices around them, the more they channel their frustrations through their art. Body Cam is a glaring example of this. The movie is a direct response to ongoing discourse...
Audiences are not often exposed to the harsh realities of pregnancy, but director Emma Tammi is familiar with the sobering...
Pregnancy and motherhood can be a blessing for many, but for some it can be a curse as explored in...
[Exclusive Interview] PORNO Composer Carla Patullo on Creating The Film’s Unique and Seductive Sound
The bewitching allure of Fangoria’s latest film Porno has been tantalizing and teasing audiences since it first hit the festival circuit last year. Directed by Keola Racela, Porno conjures up a potent cocktail of humor, horror, gore and nostalgia. With its sharp wit, writing and performances, Porno is a perfectly...
Welcome to Saturday Morning Scares, where we take a look at horror TV shows for the little monsters! In keeping with...
[Exclusive Interview] THE WRETCHED Composer Devin Burrows Talks About Casting The Film’s Sonic Spell
While watching IFC Midnight’s new film The Wretched, a few things quickly become obvious. For one, a good summertime horror...
I could spend hours talking about why I love 1941’s The Wolf Man. There’s the makeup, the cast (Lon Chaney Jr., Claude Rains and Bela Lugosi?!), and the movie’s importance to werewolf lore (silver-as-kryptonite and full-moon-transformations come from this film). But what will always get me about this movie is the ending....




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