French filmmaker Pascal Laugier’s newest film finally gets wide US release today through VOD. Ghostland (sometimes referred to as Incident...
73.75%
Pizza, Satan, and secret societies. I’m hard-pressed to think of a horror-cocktail more universally inviting. It’s no surprise Chelsea Stardust’s...
Powered by RedCircle DESCRIPTION You’ve stumbled onto Nightmare Alley, the spooky little side street in the regular Nightmare on Film Street feed. This week, your horror hosts Kimmi and Jon are joined by director Joe Lynch (Mayhem) to talk about curating the perfect Friday night movie marathon and share some...
80.5%
Horror has played with depicting the world of dreams before. The most iconic foray into the horrors of our sleeping...
Welcome to Gut the Punks, a monthly dissection of genre films that have a loose connection to punk rock music...
Powered by RedCircle DESCRIPTION All the leaves are brown, and the sky is grayyyyy… This week’s episode of Nightmare on Film Steet we’re heading home from the movie theater after checking out one of horror’s most anticipated films of the year, HALLOWEEN ENDS! Join your horror hosts Kim & Jon...
Travis Stevens’ Girl On The Third Floor takes the classic haunted house framework and weaves an original story that pulls...
In 1993, investigative reporter David Holthouse was undercover at a pot farm in Northern California. As you can imagine, David...
Welcome to Gut the Punks! A monthly dissection of genre film with some loose connection to punk rock music and culture. Prom Season continues here at Nightmare On Film Street. And while the Class of 2020 had to celebrate a sad, no-contact prom at home, maybe it’s for the best, because they...
80%
You can count on one hand the number of good Bigfoot films there are in existence. This sad fact is...
95%
What would you do to ensure your family’s financial security? Steal? Lie? Murder? In Bong Joon-Ho’s Parasite, he asks this...
Joining prime examples of the power of good filmmaking is director Zoe Wittock’s Jumbo, a film with a truly bizarre premise that moved me through the sheer power of storytelling. It’s not unlike The Shape of Water (2017) in the way it makes the viewer deeply, emotionally invested in a...
