Powered by RedCircle DESCRIPTION Join your horror hosts Kim & Jon as they close out their Murder on The Marquee...
Powered by RedCircle DESCRIPTION Buy a bag…go home in a box. We’re shifting gears after our existential J-Horror double-feature and...
DESCRIPTION: Welcome back to Nightmare Alley, the spooky sidestreet podcast in the Nightmare on Film Street feed! This week, your horror hosts Jon & Kim are joined by writer & director Steven Kostanski (The Void) to chat about the making of his outlandish, video store era gorefest PG: Psycho Goreman....
DESCRIPTION You have two choices: Win….or Die! Join your horror hosts Jon & Kim as they close out their “games...
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Director Evan Marlowe pulls just the right strings for the uniquely disturbing horror trip that is Abruptio. Integrating life-like puppets into...
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Indie horror filmmaker Travis Stevens (Jakob’s Wife) returns with his latest feature A Wounded Fawn, hitting Shudder Dec 1. Shot entirely on 16mm, and boasting the heavy film grain of a movie lovingly restored by a boutique label, A Wounded Fawn is a hallucinatory trip into the mind of a serial killer...
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Don’t you just hate it when you’ve booked a nice weekend getaway with the girls, and a smelly turtle alien...
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I’m just gonna cut to the chase. There are only two reasons you are reading a review for James Gunn’s The Suicide...
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Director Romola Garai’s debut feature Amulet celebrated its World Premiere at the 2020 Sundance Film Festival as part of the festival’s Midnight Program. The film is a slow-burn shocker that unfolds its unique brand of madness in a methodical manner, fading from one nightmarish sense of uneasy to another. Juggling timelines...
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[Sundance 2021 Review] Analog Era Love Letter CENSOR Blurs The Lines Between Video Nasty and Reality
The 2021 Sundance Film Festival’s Midnight opener Censor takes viewers beyond the cold, grey world of Margaret Thatcher’s 1980s Britain into...
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Harpo & Lenny Guit’s Mother Schmuckers (Fils de Plouc) is a filthy, revolting gonzo-comedy that would put a smile on John...
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Conceived, created, and cobbled together all under Covid-19 lockdown measures in Britain, Ben Wheatley’s In The Earth was unleashed on the virtual Sundance Film Festival audience amid more lockdowns, an increasing death toll, and no sense of how this whole mess will affect us in the future. An absolute mindf*ck of...
