80%
A popular rule of good self-care is to not bring your work home with you and Smile shows that rule...
80%
Join your horror hosts Jon & Kim as they share their spoiler-filled thoughts on everything they loved about Jordan Peele’s...
70%
SCORE
Analog-obsessed modern horror maestro Scott Derrickson is back from his brief jaunt in the Marvel universe with The Black Phone. This eerie tale of missing children (spoiler alert: they dead) is adapted from the Joe Hill short shorty of the same name and co-written by frequent collaborators Derrickson & C....
79%
SCORE
I’ve got another confession to make. I am not the biggest Foo Fighters fan. However, as far as rockstars go,...
66.25%
It’s been a busy week for slasher fans with not one, but two bold re-imaginings of classic franchise favorites. First,...
66.25%
Michael Myers returns to Haddonfield for another round of tricks and treats (and murders!) in Halloween Kills, David Gordon Green’s follow-up to his 2018 slasher revamp Halloween. Like every slasher sequel that came before it, Halloween Kills features a higher body count, a whole host of new characters, and a deeper exploration...
There’s no denying that the modern horror movie landscape changed forever when James DeMonaco’s The Purge hit theatres back in 2013....
5 Horror Movies to watch after seeing Malignant. You want recommendations, we’ve got ’em! Malignant has only been out for...
70%
As cinematic boogeymen go, you can’t do much better than Candyman. Since his first appearance in Bernard Rose’s Candyman (1992), he has remained a haunting figure and an urban legend born from the stuff of nightmares. His legacy continues in Nia DaCosta’s Candyman (2021), summoned once again to gouge throats and spill...
72.5%
Director David Bruckner has an undeniable ability to craft eerie, slow-building scares and that talent is on full display in...
Horror filmmakers often use a relevant perspective and adopt current issues to mimic socioeconomic problems and triumphs. Some are more...
88%
The intense fear of the unknown is evident in Michael Nader’s directorial debut The Toll. The drive from the airport to her father’s house should have been straightforward, but someone — or something — has different plans in store for both Cami (Jordan Hayes) and her driver Spencer (Max Toplin). It’s...
