56.25%
Mariama Diallo’s debut feature Master follows two black professors and a black freshman as they navigate the tortured history and hostile environment...
56.25%
It’s hard to believe there’s much of anything to get excited for in these strange and depressing times, but there’s...
73%
SCORE
A marquee horror movie dropped into your nearest cinemas and streaming services recently, but there’s still more fun to be had. Enter Adam Randall’s Night Teeth, which delivers a satisfying bite via a strong cast and the bright night lights of the City of Angels. Night Teeth begins with a brief...
68.75%
If the pandemic has taught us anything (besides the fact that we touch our faces way too damn much), it’s...
Rob Jabbaz’s The Sadness is easily one of the most aggressively violent movies you’re bound to see all year. Teeming with...
96%
SCORE
Time travel movies are a lot like zombie movies. You think you’ve seen it all, that the well has run dry on the subgenre, and there are no new stories to tell. You’re always wrong. You’re always spectacularly wrong, and you’re always reminded just how wrong you are when a...
67.5%
A simple plane hijacking goes awry for a group of money-hungry baddies in Blood Red Sky when they realize they are trapped...
65%
After a somewhat muddled start in 1994, to a killer camp slasher that raised the stakes in ’78, Netflix closes...
80%
In part two of Netflix’s Fear Street filled summer, we’re heading backwards in time to 1978 where our resident Shadyside teens and tweens have flocked to CAMP NIGHTWING, where oh no, a crazed killer stalks the grounds. Though mostly playing out like a standalone film, Fear Street Part 2: 1978...
65%
Many a 90s kid grew up on Fear Street. Well, the series of novels by R.L Stine, that is. It...
63.75%
Serial killers have existed forever but our understanding of them is fairly new, and we’ve been obsessed since their discovery....
72.5%
Demon possession movies, although constant crowd-pleasers, are often very predictable. The multi-million dollar Conjuring franchise has pretty much laid out the groundwork for what a modern possession movie “should” look like, but occasionally a film like Mickey Reece’s Agnes comes along to challenge that well-worn template. Directed by Reece from...
