We’ve been overloading you here at Nightmare on Film Street with our film coverage and reviews of the 2019 Overlook...
It’s hard to describe the mood of Irish folklore. With film, there is the benefit of a physical manifestation; marshy,...
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Colin and Cameron Cairnes’ Late Night With The Devil is a retro-fied joyride through a 1970s late night talk show, during an ill-fated Halloween Night broadcast. In a desperate bid to win back ratings during Sweeps Week, TV’s primetime season, talk show host Jack Delroy (David Dastmalchian, Suicide Squad) invites on clairvoyants,...
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Scary stories told by flashlight, giggling under the covers, scary movie slumber parties – these are the moments when horror...
For many, being or becoming a parent can be scary. For the young couple in Still/Born, parenthood is downright terrifying. Still/Born, the directorial...
Is there anything more terrifying to a teen girl than coming into adulthood? I think not. Cinema has often used the ‘coming-of-age’ arch to tell stories about individual journeys, love, and loss. Horror is no different, even though it seeks the extreme of the spectrum. What better example of a...
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Mike Ahern, Enda Loughman’s Extra Ordinary is a delightfully charming Irish comedy and quite possibly the cutest ghost story ever made....
Adam Egypt Mortimer’s Daniel Isn’t Real is a psychological horror that pits a fragile young man against himself and the horrors of...
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Pizza, Satan, and secret societies. I’m hard-pressed to think of a horror-cocktail more universally inviting. It’s no surprise Chelsea Stardust’s Satanic Panic was the top of Overlook 2019 festivalgoer’s Must-See lists. Pizza and mayhem are our kryptonite. Written by spooky wordsmith Grady Hendrix (author of Paperbacks From Hell, Horrorstor, My...
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Analog-obsessed modern horror maestro Scott Derrickson is back from his brief jaunt in the Marvel universe with The Black Phone....
Blumhouse’s newest supernatural horror Stephanie is finally getting a wide release, landing on DVD this week. An unfortunately quiet release, but...
Leigh Whannell’s Upgrade is a high-octane depiction of futuristic violence and revenge. When polling attendees of the Overlook Film Festival, there were a small handful of films that made an appearance on most everyone’s must-see lists. Upgrade, of course, was always mentioned. Equal parts body horror and neo-noir, Upgrade is the story of...
