90%
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It’s silly that a movie like Godzilla vs. Kong wasn’t nominated for Best Picture. Sure, we’re well past the cut-off date,...
90%
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Welcome to Gut the Punks, a monthly dissection of genre films that have a loose connection to punk rock music...
83.75%
As a fan of Travis Stevens’s previous film, Girl On The Third Floor, I had a pretty good sense that Jakob’s Wife would be loaded with great gore gags and complex characters, but I was genuinely surprised by the chemistry between leads Barbara Crampton (Chopping Mall, Sacrifice) and Larry Fessenden (Depraved, Habit). The...
83.5%
Having not seen any promotional material whatsoever aside from a short synopsis, I really hadn’t a clue what to expect...
70%
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Full disclosure, I’ve never been to a single rave in my life. It’s not like the opportunity never came up,...
Welcome to Gut the Punks, a monthly dissection of genre films that have a loose connection to punk rock music and culture. It’s Women in Horror Month here at Nightmare On Film Street. At first, I was stumped on which director to write about, in the realm of both horror...
75.5%
“We are so tired of being good little girls.“ There being a great deal of coming-of-age stories about religious folks...
70%
Filmmaking is a tough racket–it’s hard enough to get the film made, to make it through the stages of production,...
What’s up, weirdos? Welcome to Awfully Good, where we celebrate rad trash! Since we’re celebrating Women in Horror Month here at Nightmare on Film Street, tonight’s feature stars iconic scream queen Linnea Quigley in what is possibly her coolest role, Sorority Babes in the Slimeball Bowl-o-Rama. This film is one of the defining works in the...
Heroics are often measured by grand advances of valiancy under dire circumstances and outstanding actions on the frontline. Simply being...
DESCRIPTION: It’s that time again film fans. That special time of year when the entire community pulls together to celebrate...
70%
Conceived, created, and cobbled together all under Covid-19 lockdown measures in Britain, Ben Wheatley’s In The Earth was unleashed on the virtual Sundance Film Festival audience amid more lockdowns, an increasing death toll, and no sense of how this whole mess will affect us in the future. An absolute mindf*ck of...
