The Oak Room (2020) is a love letter to the gothic thrillers of the past, which is fitting, since the...
One of the most anticipated video game sequels of all time, The Last of Us Part II is easily Naughty...
Bringing back a beloved series like Rod Serling’s The Twilight Zone is bound to be met with mixed reviews. Anyone who’s tried revive the show in the past — the middle-of-the-road 1980s version along with the panned 2000s update — has had to deal with incessant comparisons to the original....
You Should Have Left reunites writer/director David Koepp with actor/lead Kevin Bacon to tell the story of a retired banker...
As common as the horror anthology was not too long ago, it seems like they’re few and far between these...
Animal lovers appreciate the love and care reciprocated by their pets so much so that the term “good boy” is one used to address even the most basic of commands. We love our pets and our pets love us. The cohesive relationship is not only natural, but necessary for some...
Rage fuels the title character in Jonathan Milott and Cary Murnion’s movie Becky. After her mother’s unfortunate passing, the teenager is...
Thanks to horror movies, I’ve become more and more suspicious of high society-types and what depraved acts might take place...
Joining prime examples of the power of good filmmaking is director Zoe Wittock’s Jumbo, a film with a truly bizarre premise that moved me through the sheer power of storytelling. It’s not unlike The Shape of Water (2017) in the way it makes the viewer deeply, emotionally invested in a...
In Sao Paulo, a city already rife with poverty, death and corruption, an ancient evil will be awakened, bringing destruction...
Joining the tradition of the stalker horror subgenre, specifically the “lady stalker” theme of films like Misery and Fatal Attraction,...
The iconic, bipedal cryptid who typically inhabits the Pacific Northwest has somehow made his way to Georgia. That’s what the good people at VICE believe, at least. In The VICE Guide to Bigfoot, a mockumentary that premiered at the Austin Film Festival in 2019, a producer and his frustrated reporter...




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