78.25%
The slasher has outlasted its presumed expiration date, and then some. The golden age of this divisive subgenre is certainly...
78.25%
66.25%
Whenever I watch a vampire movie, I always wonder what it would be like to live forever. I personally don’t...
60%
Indie film is firing on all cylinders when it’s at its most ambitious, and that’s exactly what you’re in for with For The Sake of Vicious. Indie Horror is never a surprise in the low-budget market but Indie Action is another thing altogether. Action sequences are complicated, they require significantly more...
77.5%
I remember interning at Fantasia three years ago and attending the Frontieres Market, a place for filmmakers to pitch ideas...
[Making a Monster] How Filmmaking Frustrations Yielded Clive Barker’s “Super-Butchers” in HELLRAISER
“What’s in the box?!” As it turns out, there are much worse things to find in there than Gwyneth Paltrow’s...
This month at Nightmare On Film Street is Hot As Hell. We’re talking all about that warm place down in the basement and all the creatures that come out of it. We’re all probably going to Hell for liking horror movies, but if you follow the advice of my friend...
86.5%
Natasha Kermani and Brea Grant’s Lucky enters familiar territory while also breaking new ground. On top of work troubles, author...
83.75%
There is a helluva lot of art out there that wants to interrogate society’s relationship with violence. It’s as if...
Despite the fact that its title is my exact thought every time another news story breaks so far in 2020, Drag Me to Hell (2009), directed by Sam Raimi (The Evil Dead), is a masterclass in nostalgia and B-movie making that I am always thrilled to revisit. From the 1980’s...
A beach getaway sounds like a dream, right? As the world turns and it feels like every part of our...
Howdy, aperitif Fiends! Welcome back to Nightmare on Film Street’s COCKTAIL-A-TORIUM – the monthly column aimed at conjuring up classic...
80%
As common as the horror anthology was not too long ago, it seems like they’re few and far between these days. In actuality, they’re still a popular format for budding filmmakers. Very few of these newer anthologies get noticed by the mainstream before eventually fading into obscurity. What ultimately sets...
