Peter Sefchik’s indie horror Behemoth brings more than your typical “Bad Case of The Mondays”. We’ve all been there. You’ve...
Punk rock was my first true love. We met in high school and the music changed my life forever. But...
This month at Nightmare On Film Street, we’re nearing the End of Days. Like many tinfoil hat conspiracy nuts, I’ve been preparing for this moment since the inception of my column because, if you haven’t noticed, there are a lot of punks running around in the wasteland and I’m here...
If you are looking for black-gloved killers, unique musical scores, beautiful women, and a hell of a lot of blood-...
What’s up, weirdos? Welcome to a special happy horror-days installment of Awfully Good, where we celebrate movies that aren’t conventionally...
It takes a lot of guts to tackle a slasher movie. With films like Halloween, Friday the 13th and Scream lining the hallowed halls, it’s a daunting sub-genre for any new filmmaker to break into. And yet, Dallas Jackson stepped up to the plate with his directorial debut film, Thriller. ...
Tone Deaf is funny, scary and has something to say.
Some people collect stamps. Others collect books, records or mini slasher action figures. And then there’s Nathan Barr. Along with...
I have been admiring Steven Kostanski’s work for years without even knowing it. All this time I was admiring the special makeup effects in Todd and the Book of Pure Evil and Hannibal, I didn’t know it was the handiwork of the director of The Void. Kostanski’s latest work, PG:...
A remake, 65 million years in the making. I know, I know. The high dollar film industry is drowning in...
Some say the Halloween season begins with the turning of the leaves or that first brisk morning. Well, not for...
Making a feature-length episode of Into The Dark for Blumhouse and Hulu is no game. Paul Davis (Into The Dark: The Body) returns as the director for Uncanny Annie, the October episode that has jumpstarted both the Halloween season as well as the second round of the year-long holiday anthology...