85%
SCORE
On a dark and stormy night, two strangers wait out the weather in a rundown caravan deep in Australia’s coastal...
85%
SCORE
75%
SCORE
In Hugo Ruíz’s One Night With Adela (Una Noche Con Adela), the camera becomes our unyielding companion, capturing every moment...
69%
SCORE
The Seeding, written and directed by Barnaby Clay, takes audiences on a slow-burn journey into a desolate desert canyon where nightmares come to life. With minimal dialogue and a limited cast, this atmospheric horror flick thrives on subtlety and implications of evil rather than relying on jump scares or explicit...
Something Else is great for any moviegoer, but it’s hard to argue that horror fans won’t be especially pleased. It’s...
To say that Bliss breaks the vampire movie mold is a hilarious understatement. Bliss shatters that mold, shreds it into...
It’s fair to say that a few well-structured words can hold an incredible amount of imagery and power. But how about creating a 20-minute television segment around a mere two sentences? Well, Vera Miao certainly thought there was something in that idea, and she created an entire series based on...
Interviewing filmmakers gives you an insight into how much work goes into a single movie. Several years could pass between...
85%
Rage fuels the title character in Jonathan Milott and Cary Murnion’s movie Becky. After her mother’s unfortunate passing, the teenager is...
Monster movies are never just one thing. Night of the Living Dead isn’t just about zombies, it’s about prejudices rooted deeply into our society. It isn’t just a story of a murderous clown, it’s also about the horrors of growing up. The Wolf Man isn’t just about werewolves, Frankenstein isn’t just about reanimated corpses, Bird Box isn’t just about...
Tucked between the groundbreaking documentaries and independent features that always come to the Tribeca Film Festival are a series of...
Agnes is not quite like any other possession movie you’ve likely seen. It follows a lot of the same beats...
72.5%
Demon possession movies, although constant crowd-pleasers, are often very predictable. The multi-million dollar Conjuring franchise has pretty much laid out the groundwork for what a modern possession movie “should” look like, but occasionally a film like Mickey Reece’s Agnes comes along to challenge that well-worn template. Directed by Reece from...
