Tense, moody, and with plenty of sinister secrets to uncover, Argentine horror film On the 3rd Day (Al Tercer Día) is...
You’ve seen “Onyx The Fortuitous” on Youtube where he hijacks news reports with his odd personality and motormouth. Now he...
Alex Noyer’s Sound of Violence features some pretty elaborate deaths, tailor-made for the Midnight Madness crowd. Adapted from his short Conductor, the film follows a musician obsessively hunting for unique sounds to complete her symphony of destruction. Alexis, played by Jasmin Savoy Brown, experiences a rare sensory phenomenon known as Synesthesia that...
[#TIFF21 Review] Edgar Wright’s LAST NIGHT IN SOHO Scares Up A Ghostly Good Time in The Swinging 60s
Edgar Wright has never made a bad movie. He probably never will. Part of that is because he is the...
I could spend hours talking about why I love 1941’s The Wolf Man. There’s the makeup, the cast (Lon Chaney...
Part crime thriller, part psychological horror, Charismata is a dark, atmospheric mystery with a tinge of gallows humor as the corpses pile up to the ceiling. Rebecca Faraway is a rookie detective investigating a string of gruesome murders across London, England. Each body is found within a salt pentagram, with...
Though this year’s Fantasia Fest was chock full of the best kind of horror tropes, only a few of them...
While horror has delved into the subconscious waters of our dreams many times before, director Anthony Scott Burns (Our House)...
Having a triumph film like American Psycho on her resume, one might assume there are no cinematic challenges left for Mary Harron to meet let alone enjoy. However, the director has only since expanded her expert craft to all sorts of film and television mediums since her major horror release...
Since the beginning of Fantasia 2020, I’ve been telling everyone I know about Fried Barry, a wild and colorful film...
In true Fantastic Fest fashion, the festival surprised everyone when this year’s secret screening was announced to be none other...
Hear me out: every musical genre has a vampire film to match it. Bela Lugosi’s OG Dracula pairs with something classical, Schumacher’s The Lost Boys with glam rock, and Joe Begos’s brilliant Bliss with some acid-laced EDM. That’s not to say that these movies are literally scored with this music...




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