Keola Racela’s feature film debut Porno pits a group of innocent Christian teenagers against an evil unleashed in their local movie...
In the new dark comedy Arizona, Danny McBride plays a villain who’s convinced he’s still a good guy, despite a...
If you were watching NOFS’s coverage of this year’s Fantasia Fest, you no doubt are already familiar with 12 Hour Shift. Written and directed by horror headliner Brea Grant, 12 Hour Shift follows Mandy, a drug-addicted nurse on a nightshift from hell. To make ends meet, Mandy harvests organs from dead patients...
The survival film Pledge premiered at the Fantasia Film Festival July 24th, ready to welcome audience member into a crash...
Two decades ago, a grown adult man like myself would be shamed for consuming as many animated television shows and...
This year, Fantasia Fest saw its share of movies that pushed the boundaries of reality. However, none of them did it quite like Lucky. Lucky tells the story of May, a bestselling author who is visited every night by a person who tries to kill her, an antagonist known only as The Man....
[#Fantasia2021 Review] Occult Indie Horror HELLBENDER puts Mother-Daughter Relationships to the Test
Filmmaking is a family affair for the creators behind indie horror Hellbender. Who better to conjure a film about the...
Death metal is dark, intimidating, and foreboding. Ironically enough, Heavy Trip is none of those things. It’s probably the most...
Natasha Kermani and Brea Grant’s Lucky enters familiar territory while also breaking new ground. On top of work troubles, author May (Grant) is caught in an unusual situation at home. Each night, she and her partner Ted (Dhruv Uday Singh) are attacked by a masked intruder. Those around her fail...
The opening night crowd at the Fantasia Film Festival in Montreal were treated to the world premiere of Nightmare Cinema....
The uncomfortable silence of an awkward pause, the suspicion that someone might be talking about you when you leave the...
Comedian Chris Rock once said “if you haven’t contemplated murder, you ain’t been in love.” That quote will give you the context for the set-up of The Vanished, a South Korean remake of the Spanish film The Body. But murder is only secondary to the unusual circumstances that take place...