Chelsea Stardust’s Satanic Panic recently celebrated its world premiere at the 2019 Overlook Film Festival in New Orleans. The second film...
Head Count is a very well made and well acted monster flick about isolation and paranoia that grabs you early on and won’t let go.
Jagoda Szelc’s second feature film, Monument, is a puzzling one. It is both a surreal nightmare akin to the works of David Lynch and a corruption of youth as seen in Pasolini’s 120 Days of Sodom, yet it still exists as its own wholly unique piece of perplexing art. It...
Chelsea Stardust has had a pretty killer year. She’s had not one, but two feature-length projects come to fruition. With...
The female experience is such a broad phrase, one that feels othering and makes women feel like monsters. But director...
Three years ago writer/director Jill Gevargizian made waves with a short film that featured a tortured hairstylist taking more than a little off the top. Expanding on that short, Gevargizian’s debut feature The Stylist celebrated it’s world premiere at Celebration of Fantastic Fest 2020, gracing audiences with a gory look...
Filmmaking is a tough racket–it’s hard enough to get the film made, to make it through the stages of production,...
Pregnancy horror rages on in Alexis Jacknow’s Clock, adapted from her short film of the same name in which a...
Izzy Lee has been a standout name in the indie horror scene, and with 24 award-winning short films to her name, it’s easy to see why. Now, she’s taking a bold step with her debut feature film House of Ashes, blending personal trials with eerie mysteries. And if the rapid...