Chelsea Stardust’s Satanic Panic recently celebrated its world premiere at the 2019 Overlook Film Festival in New Orleans. The second film...
So, you survived The Substance. Congrats! But if your brain’s still buzzing with its trippy visuals and squirm-worthy themes of...
Chelsea Stardust has had a pretty killer year. She’s had not one, but two feature-length projects come to fruition. With Hulu’s Into the Dark: All That We Destroy we saw her explore the concept of modern motherhood. And then, we were introduced to the upper crust Mill Basin chapter of...
Head Count is a very well made and well acted monster flick about isolation and paranoia that grabs you early on and won’t let go.
Jagoda Szelc’s second feature film, Monument, is a puzzling one. It is both a surreal nightmare akin to the works...
Filmmaking is a tough racket–it’s hard enough to get the film made, to make it through the stages of production, and to acquire distribution. Then you have to get people to, you know, see your film, and hopefully care about it. As Danny Boyle notably once said, “To be [an...
The female experience is such a broad phrase, one that feels othering and makes women feel like monsters. But director...
Pregnancy horror rages on in Alexis Jacknow’s Clock, adapted from her short film of the same name in which a...
Three years ago writer/director Jill Gevargizian made waves with a short film that featured a tortured hairstylist taking more than a little off the top. Expanding on that short, Gevargizian’s debut feature The Stylist celebrated it’s world premiere at Celebration of Fantastic Fest 2020, gracing audiences with a gory look...
Izzy Lee has been a standout name in the indie horror scene, and with 24 award-winning short films to her...