Communing with the spirits is the new party drug in Danny and Michael Philippou’s gory, ghosty stunner Talk To Me....
Impetigore is one of those words that sounds scary, seems intriguing, and might be meaningful in all of its 10-letter...
Like so many filmmakers staring down the barrel of the Covid-19 Pandemic, husband and wife duo Vanessa & Joseph Winter seized their opportunity to make a stripped-down, bare-bones, balls-to-the-wall horror movie. The newest entry in the found footage canon, Deadstream follows a disgraced Livestreamer, desperately trying to make a comeback...
What comes to mind when you think of Hansel and Gretel? Is it crumbs of bread making a path through...
Izzy Lee has been a standout name in the indie horror scene, and with 24 award-winning short films to her...
From Magnolia Pictures, Sergio G. Sanchez’s directorial debut Marrowbone is out in select theatres and VOD today. Fans of modern ghosts tales will no doubt remember Sanchez as the writer of 2007’s The Orphange, produced by Guillermo Del Toro. The haunting tale of lives lived and lost stars George MacKay (11.22.63, Neil Gaiman’s Likely Stories),...
A quick heads up: if you haven’t checked out Part One of States of Horror, go ahead and read it...
Here’s the thing about parasites: when it comes to the movies, they just don’t die. In that sense, you might...
I love a good haunted house film — the genre is my ghost loving horror fan addiction. But as rich a sub-genre as it is, it sometimes feels like there’s only so many ways to tell a haunted house story. That’s why it’s such a treat when you happen upon...
Travis Stevens’ Girl On The Third Floor takes the classic haunted house framework and weaves an original story that pulls...
You Should Have Left reunites writer/director David Koepp with actor/lead Kevin Bacon to tell the story of a retired banker...
There are few horrors so iconic, so jaw-droppingly terrifying, that they have eclipsed the entire horror genre. Constantly compared, credited, and used as a marker to stake a claim over entire sub-genres. I am speaking of course, about Hideo Nakata’s Ring (1998), both the quintessential j-horror, paranormal mystery, and J-horror remake...