92.5%
Ruth Paxton’s debut feature A Banquet is filled to the brim with horror that cuts deeper than any slasher ever could...
92.5%
It’s hard to believe there’s much of anything to get excited for in these strange and depressing times, but there’s...
77.5%
Krsy Fox’s mind-bending and utterly absurd feature film I Live Alone is the perfect remedy for any horror lover who is currently recovering from the stress of having family over for the holidays. We all know the toll it can take to serve as host to guests that stay in your home...
DESCRIPTION: We saw Edgar Wright’s Last Night in Soho, and we’ve prepared a list of reasons why you should see...
66.25%
Michael Myers returns to Haddonfield for another round of tricks and treats (and murders!) in Halloween Kills, David Gordon Green’s follow-up...
If you’ve listened to the recent episodes of the Nightmare On Film Street podcast, you might have noticed the topic of nu metal has come up a couple times when discussing the soundtracks of Bride of Chucky and Valentine. Heavy metal has always had a presence in horror, especially in...
66.25%
You can always count on Tribeca Film Festival to feature a few true weirdos. Movies that challenge, expand, or downright...
56.25%
An eating disorder threatens to consume a young jazz singer in Samantha Smith’s Shapeless. Celebrating its world premiere at 2021...
72.5%
Demon possession movies, although constant crowd-pleasers, are often very predictable. The multi-million dollar Conjuring franchise has pretty much laid out the groundwork for what a modern possession movie “should” look like, but occasionally a film like Mickey Reece’s Agnes comes along to challenge that well-worn template. Directed by Reece from...
Prano Bailey-Bond’s Censor is a mind-bending examination of the Video Naty hysteria that gripped Britain in the late 1980s. The...
80.25%
Everyone will need insurance at some point in their life but the last people anyone wants to deal with are...
Horror filmmakers often use a relevant perspective and adopt current issues to mimic socioeconomic problems and triumphs. Some are more obvious than others in their application of these themes while others tread lightly. Writer and director Ben Wheatley (Kill List) plants his post-pandemic horror, In The Earth, with unsettling care...
