86.25%
The Sadness is the exact kind of movie film censors were worried about when they cooked up the R rating. It’s...
86.25%
88%
SCORE
Japanese/South Korean co-production Missing weaves a tangled web of death and deception that ensnares a father and daughter in the twisted...
71.25%
From Queensbury Pictures, those loveable psychopaths that brought you Girl On The Third Floor, comes an obsessive acid trip adventure into the annals of analog horror in Jacob Gentry’s Broadcast Signal Intrusion. Like a Videodrome for 90s kids, Broadcast Signal Intrusion is a maddening descent into a mysterious world of missing women and found...
63.75%
A harmless internet prank gets out of hand real fast in Maureen Bharoocha’s dark comedy The Prank. Celebrating its World Premiere...
What’s up weirdos? Welcome to Awfully Good, where we celebrate movies that suck! In keeping with April’s Cops ‘n’ Killers...
Welcome back, weirdos! It’s been too long! You might be thinking, “Mac, where was our recommendation for November?” Well, a couple of things happened. First off, November sucks and I will not be participating in it. Second, I got so mad about the twist ending in the movie I picked...
What’s up, weirdos? Welcome to February’s edition of Awfully Good, a monthly column where we look at movies that might...
The Brooklyn Horror Film Festival wanted to keep its “Secret Screening” a true surprise. No Halloween, they said. no Suspiria....
If you were watching NOFS’s coverage of this year’s Fantasia Fest, you no doubt are already familiar with 12 Hour Shift. Written and directed by horror headliner Brea Grant, 12 Hour Shift follows Mandy, a drug-addicted nurse on a nightshift from hell. To make ends meet, Mandy harvests organs from dead patients...
Colin Minihan’s What Keeps You Alive is a film that doesn’t let up. The intense cat-and-mouse thriller from IFC Midnight...
68.75%
Was there ever a crime-thriller that came out of the United Kingdom that you weren’t immediately afraid to watch? Sure,...
82.5%
Hear me out: every musical genre has a vampire film to match it. Bela Lugosi’s OG Dracula pairs with something classical, Schumacher’s The Lost Boys with glam rock, and Joe Begos’s brilliant Bliss with some acid-laced EDM. That’s not to say that these movies are literally scored with this music...
