Kate Dolan’s debut feature You Are Not My Mother world premiered at the 2021 Toronto International Film Festival, creeping out the unsuspecting...
61.25%
Family secrets come back to haunt in Daniela Carvalho and Ale McHaddo’s Deep Hatred. A good lesson we can all...
83%
SCORE
Supernatural comedy Jethica is a darkhorse of an indie ghost story. Hidden between the more studio-polished, star-studded films of the 2022 SXSW lineup lies this deceptively subtle story of life after death with as many actors as you could count on one hand. Indie in every sense of the word, this...
92.5%
Ruth Paxton’s debut feature A Banquet is filled to the brim with horror that cuts deeper than any slasher ever could...
61.25%
Filmmakers Abel and Burlee Vang (The Vang Brothers) known for their 2016 horror film Bedeviled are back this year with...
60%
Nikyatu Jusu’s Nanny is a horror-drama hybrid about a single mother trying to make a new life for herself and her son in the United States. The film suffers a bit of an identity crisis juggling both genres without ever letting one become the dominant focus but it features a...
56.25%
Mariama Diallo’s debut feature Master follows two black professors and a black freshman as they navigate the tortured history and hostile environment...
The Sundance Film Festival may not be the first name that comes to mind when you think “Horror” but the...
It’s hard to believe there’s much of anything to get excited for in these strange and depressing times, but there’s always horror. And praise the overlords — there are a heck of a lot of horror movies coming out in 2022. Now, because we’ve got covid variants aplenty threatening to...
81.25%
Gigi Saul Gerrero’s American Nightmare Bingo Hell is a wild tale of greed with a slimy villain and a kickass...
62.5%
The abbreviation B&B commonly stands for “bed and breakfast,” but not here. Welcome to the world of travel accommodations known...
66.25%
It’s been a busy week for slasher fans with not one, but two bold re-imaginings of classic franchise favorites. First, of course, was David Gordon Green’s Halloween Kills, which has taken the Michael Myers mythos into murky waters for an often heavy-handed dialog about the destructive nature of trauma. And while...
