Social media can be a pretty negative space most of the time, but for a small group of aspiring filmmakers...
Fantastic Fest is upon us again and delta variant be damned, Austin City’s celebration of cinema kicks off this Thursday....
Jason Eisener’s Kids vs. Aliens is a Saturday morning cartoon splatter-fest that, if you’re in the right mood, you’ll eat up like a bowl of sugary cereal. It’s over-the-top fun with a silly cast of characters and a full-scale alien invasion of creatures that melt people with a thick orange goo...
DESCRIPTION: Love it or hate it, there is no subgenre of horror quite like found footage, and we are here...
Slasher fans have been ringing in The New Year for decades now by rewatching the 80s party horror classic Terror...
Horror Anthologies are hard to nail. Though always entertaining and delightful, few can hold enough steam to carry an audience eagerly through each segment. Often utilizing different directors throughout, Horror Anthologies — like V/H/S and ABC’s of Death — can lack consistency and a thematic throughline, making the segments feel...
Ah, period horror. If you know me, you know I’m not ashamed to admit my affinity for less-than-well received horror....
Age is the enemy in Raúl Cerezo & Fernando González Gómez’s eerie creeper The Elderly (Viejos). I mean, Age is...
Serving as the debut feature for actor turned director Dave Franco, The Rental sets out to “do for home-sharing what Jaws did for the water“. Starring Alison Brie (Glow), Sheila Vand (A Girl Walk Home Alone At Night), Dan Stevens (Apostle), Jeremy Allen White (Shameless), as well as a surprising...
A few months ago the horror community at large was given their first taste of Chloe Okuno’s talents in her...
We’ve all been in those awkward situations where we find ourselves in a room full of strangers, hesitant to be...
[#SXSW 2021 Interview] Director Mickey Keating Breaks Down The Ethereal Nightmare Logic of OFFSEASON
Mickey Keating is one of the most interesting and versatile indie filmmakers working in horror today. In the same way that Edgar Wright jumps from genre to genre between projects, Keating too moves from one vibe to the next depending on what his story calls for. His most recent film...