A mysterious box shows up at your house with an even more mysterious note. Before you know it you’re trapped...
“Nobody trusts anybody now, and we’re all very tired.” – RJ Macready, or any one of us in 2020. Happy...
What’s up, weirdos? Welcome to Awfully Good, where we celebrate some rad trash! Tonight’s movie is Trick or Treat, the heavy metal supernatural slasher from 1986! Before we get into that, let’s cover some ground rules. 1) Just because we use terms like “trash” or “cheesy” or what have you,...
Hold on to your camcorders, horror buffs! We’re delving into the shaky, grainy, panic-inducing world of found footage films. From...
Ghost stories, particularly of the classic Gothic variety, often have a deep air of sadness about them. Often taking place in...
Interviewing filmmakers gives you an insight into how much work goes into a single movie. Several years could pass between when the script is written and when the movie is released and a director’s job doesn’t end when the final scene is wrapped. It’s followed by endless months of post-production,...
Adam Egypt Mortimer’s Daniel Isn’t Real was an official selection at the 2019 Overlook Film Festival, and quite possibly one of the...
The Universal Monsters have been scaring audiences worldwide for nearly a century. They stand as Hollywood’s homecoming for Horror, pioneering...
Happy September, Horror Fiends! It’s a time for cozy sweaters, pumpkin-spiced everything, and… menacing cornfields? That’s right! As the amber hues of fall sweep in and we all debate the merits of pumpkin spice (is it delightful or overdone?), there’s another seasonal staple that’s been quietly setting the stage for...
It’s been 44 years since John Carpenter and Debra Hill first introduced legendary slasher Michael Myers and definitive “final girl” Laurie...
It’s been a busy year for the writing/directing duo responsible for the edge-of-your-seat thriller The Boy Behind The Door. The...
A last-minute addition to the 2018 Fantastic Fest schedule, Richard Shepard’s The Perfection was definitely not a hard decision. Fitting right in with this year’s musical-minded genre fair – nestled comfortably among Luca Guadagnino’s Suspiria scored by Thom Yorke, the simplistically synthy Halloween scored by John Carpenter, and the strange, danceworthy...