Hello again, Blair Witch fans! If you’ve read my review of the endearingly-inept Book of Shadows: Blair Witch 2, you...
Watching horror anthologies is a great way to expose yourself to the styles of multiple directors. Nightmare Cinema is the...
What’s up, weirdos? Welcome back to Awfully Good, where we enjoy the worst that the horror genre has to offer! Right now you might be thinking, “Hey Mac, where were the bad movie reviews for April and May?” to which I would reply: let’s not focus on past mistakes. It’s...
87%
It’s a great time to be a nostalgia-junkie. This weekend, Hollywood’s most iconic toys descend upon cinemas. For many, the...
69.25%
Anyone with a toe in the world of social media can tell you it’s rife with horror potential. Most of...
Director Jim Jarmusch’s The Dead Don’t Die is out now in theaters, and audiences are already raving about the funniest, weirdest zombie flick to come out in ages. And what everyone seems to agree on is that the film’s strength comes from its cast of characters, with folks like Bill...
88.75%
The ground rumbles. Glasses shake. People look up, confused. Someone mutters, “it could be a dinosaur.” No, this is not...
62.5%
Eric Power’s Attack of The Demons celebrated its world premiere at the 2019 Cinepocalypse Film Festival, bringing to mind some...
78.75%
The battle between Heaven and Hell rages on south of the border. Belzebuth is a Mexican religious horror directed by Emilio Portes. It’s the first release produced by his film company Pastorela Peliculas, named after Portes’ 2011 comedy Pastorela. Now on his fourth feature, Portes goes in a much darker...
Welcome to our third entry in the States of Horror series, in which we take you on a spooky road...
Adam Egypt Mortimer’s Daniel Isn’t Real is a psychological horror that pits a fragile young man against himself and the horrors of...
Adam Egypt Mortimer’s Daniel Isn’t Real was an official selection at the 2019 Overlook Film Festival, and quite possibly one of the most arresting movies of the entire festival. It’s a great time for people that like rough rides and an entirely original approach to the imaginary-friend-gone-amock subgenre. Adapted from Brian DeLeeuw’s...
