DESCRIPTION: Summertime is monstertime, and this week on the Nightmare on Film Street horror movie podcast, we’re talking the biggest...
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It’s been 8 years since we were first introduced to the fascinating premise of “The Annual Purge”. The possibilities seemingly...
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In February of 1975, audiences everywhere were introduced to the horror of The Stepford Wives. It was a horror of expectations, the expectations a patriarchal society puts on a woman to become a “perfect wife.” At this year’s Tribeca Film Festival, John Lee’s pregnancy thriller False Positive made for what...
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Many a 90s kid grew up on Fear Street. Well, the series of novels by R.L Stine, that is. It...
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You can always count on Tribeca Film Festival to feature a few true weirdos. Movies that challenge, expand, or downright...
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Serial killers have existed forever but our understanding of them is fairly new, and we’ve been obsessed since their discovery. Chief among those obsessions is Ted Bundy, a charismatic killer whose case was highly publicized and whose execution was openly celebrated. Beginning in the late 1970s, the FBI began conducting...
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An eating disorder threatens to consume a young jazz singer in Samantha Smith’s Shapeless. Celebrating its world premiere at 2021...
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In 2016, video game company Ubisoft decided to capitalize on the classic party game Werewolf by turning it into a VR...
Agnes is not quite like any other possession movie you’ve likely seen. It follows a lot of the same beats and plays around with the same tropes but it’s uniqueness is in its willingness to dive deep into the life of a character severely impacted by the events of a...
Nothing brings a scene together like a perfectly placed song. Add a choreographed fight and a couple buckets of fake...
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One of the many great things about horror films is their ability to come in all shapes and sizes, styled...
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Demon possession movies, although constant crowd-pleasers, are often very predictable. The multi-million dollar Conjuring franchise has pretty much laid out the groundwork for what a modern possession movie “should” look like, but occasionally a film like Mickey Reece’s Agnes comes along to challenge that well-worn template. Directed by Reece from...
