As one of the first people to see the completed Halloween film, I’m going to do my absolute best to...
As film fans, we are constantly in search for new, exciting and fresh material. This fact extends to franchises and...
It takes a lot of guts to tackle a slasher movie. With films like Halloween, Friday the 13th and Scream lining the hallowed halls, it’s a daunting sub-genre for any new filmmaker to break into. And yet, Dallas Jackson stepped up to the plate with his directorial debut film, Thriller. ...
With 11 Halloween films over 40+ years, horror fans have experienced many iterations of masked killer Michael Myers in his...
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On a stormy night recently, I revisited Clue (1985), an essential dark comedy and murder mystery based on the popular...
What’s up weirdos? Welcome to Awfully Good, where we celebrate movies that suck! In keeping with April’s Cops ‘n’ Killers theme, tonight’s feature presentation is I Know Who Killed Me. It’s a psychological thriller with some torture-porn elements starring Lindsay Lohan (twice!), but we’ll get to that in a minute. First,...
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Following up on the success of quirky Groundhog Day-inspired slasher Happy Death Day (2017) and it’s quantum follow up Happy Death...
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Michael Myers returns to Haddonfield for another round of tricks and treats (and murders!) in Halloween Kills, David Gordon Green’s follow-up...
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It’s been 44 years since John Carpenter and Debra Hill first introduced legendary slasher Michael Myers and definitive “final girl” Laurie Strode. Twelve films and four decades of horror history later, David Gordon Green’s final entry of his legacy sequel trilogy, Halloween Ends, closes the book on the Strode/Myers storyline, while opening a...
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Slasher fans have been ringing in The New Year for decades now by rewatching the 80s party horror classic Terror...
The making of John Carpenter’s 1980 horror film The Fog was a complicated, but evidently rewarding process. From conception to...
Hospitals are scary places. They’re where we’re most vulnerable. Either we’re visiting someone who’s sick or, even worse, we are the someone who is sick. There’s always something uncanny about the pure white walls, the strange existence for the people working there and the transient nature of just… being around...
