I’m just gonna cut to the chase. There are only two reasons you are reading a review for James Gunn’s The Suicide...
Alex Noyer’s Sound of Violence features some pretty elaborate deaths, tailor-made for the Midnight Madness crowd. Adapted from his short Conductor, the...
Harpo & Lenny Guit’s Mother Schmuckers (Fils de Plouc) is a filthy, revolting gonzo-comedy that would put a smile on John Waters’ face. That not just because the movie opens with two brothers pan-frying dogshit, but it helps. Mother Schmuckers is an experiment in poor taste filled with nearly everything your average viewer...
Conceived, created, and cobbled together all under Covid-19 lockdown measures in Britain, Ben Wheatley’s In The Earth was unleashed on the...
[Sundance 2021 Review] Analog Era Love Letter CENSOR Blurs The Lines Between Video Nasty and Reality
The 2021 Sundance Film Festival’s Midnight opener Censor takes viewers beyond the cold, grey world of Margaret Thatcher’s 1980s Britain into...
DESCRIPTION: Welcome back to Nightmare Alley, the spooky sidestreet podcast in the Nightmare on Film Street feed! This week, your horror hosts Jon & Kim are joined by writer & director Steven Kostanski (The Void) to chat about the making of his outlandish, video store era gorefest PG: Psycho Goreman....
Every year is a good year for horror. That used to just be a nice thing to say but even...
Pour A Bowl of Sugary Cereal And Get Ready For The Saturday Morning Scares Halloween Special!!! 🎃
Happy Halloween morning, fiends! Since Halloween falls on a Saturday this year, it only seems right that we celebrate with...
I’m a huge advocate of watching movies while under the influence. I believe occasionally taking psychedelic drugs before a viewing heightens the experience, depending on the film of course. However, drugs may not be required when viewing Ryan Kruger’s debut feature Fried Barry. The act of watching the South African...
Director Romola Garai’s debut feature Amulet celebrated its World Premiere at the 2020 Sundance Film Festival as part of the festival’s...
Richard Stanley’s Color Out of Space crash landed at Fantastic Fest 2019 with the sole intention of blowing minds and scaring the...
Rose Glass’ Saint Maud stunned Midnight Madness audiences at the 2019 Toronto International Film Festival, and it remains the one movie that continues to linger in my own mind. Saint Maud marks Glass’ feature film debut and is truly haunt exploration of a woman’s descent after a particularly traumatic, and...