Why are you screaming? I haven’t even written anything yet. It’s The RETURN month here at Nightmare on Film Street,...
DESCRIPTION: When there’s no more room in horror movie hell, the remakes will walk the earth! On this week’s episode...
Welcome to Gut the Punks, a monthly dissection of genre films that have a loose connection to punk rock music and culture. Since the beginning of this column, I’ve wanted to cover anything by cult director Alex Cox, whether it’d be the toxic love story of Sid and Nancy, the...
[Editor’s Note: Welcome back, Fiends! If you haven’t already read Chris’s Poor Decisions of Polarizing Remakes – Part One, go...
What’s up, weirdos? Welcome to Awfully Good, where we celebrate movies that suck! With January being The Return month here at Nightmare, it only...
DESCRIPTION: In celebration of Nightmare on Film Street’s month-long salute to horror movie re-imaginings and resurrections, we’re focusing our attention on two of horror’s most polarizing remakes. Join Kim and Jon as they sit down to discuss Rob Zombie and the night he changed home! Every horror fan has a strong...
I was surprised to read that Fangoria would be remaking Stuart Gordon’s 1995 direct-to-video classic Castle Freak. I couldn’t imagine...
There’s a certain finesse, a careful craft, that should be applied whenever a filmmaker decides to revisit a considerably popular...
[Review] Move Over CONJURING Fans, There’s A New Ghost In Town And She’s Haunting 32 MALASANA STREET
If you’ve been waiting patiently for another chill-you-to-the-bone haunted house story since James Wan’s The Conjuring first scared you silly, get ready to hide underneath your blankets while braving the Spanish-language scare factory that is 32 Malasana Street (Malasaña 32). Set against a backdrop of 1976 Madrid, a family becomes the...
The hi-octane scare sequence is a horror fan’s dream. Nothing gets your blood ringing in your ears quite like a...
While horror has delved into the subconscious waters of our dreams many times before, director Anthony Scott Burns (Our House)...
Death as a career makes for an interesting life. It’s like holding the great beyond with oven mitts, the corners and edges dulled by daily exposure. The fear, the grief, the terror of it all dulled by to-do lists. Argentinian Horror The Undertaker’s Home (La Funeraria) embodies that earthly purgatory....