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[#TIFF21 Review] Edgar Wright’s LAST NIGHT IN SOHO Scares Up A Ghostly Good Time in The Swinging 60s
Edgar Wright has never made a bad movie. He probably never will. Part of that is because he is the...
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A remake, 65 million years in the making. I know, I know. The high dollar film industry is drowning in...
Every time I’ve sat down to watch the psychedelic cinematography of Alejandro Jodorowsky, it has been a life-changing experience. From the first time I watched the Holy Mountain by a complete fluke, I have been blown away by his keen eye for color and framing, not to mention his narratives...
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SCORE
Sometimes all that’s needed to bring new energy to a well-trod genre is to inject some deceptively simple innovation into...
This month at Nightmare On Film Street, we’re nearing the End of Days. Like many tinfoil hat conspiracy nuts, I’ve...
While horror has delved into the subconscious waters of our dreams many times before, director Anthony Scott Burns (Our House) manages to pull off a unique take on the subject in his latest film, Come True. The atmospheric sci-fi horror film celebrated its world premiere at this year’s Fantasia Film...
Earlier this year, in February, the horror community lost an icon. Filmmaker José Mojica Marins, known for his macabre character...
Lloyd Kaufman is a pioneer of independent cinema. For more than 45 years, his B-movie studio Troma Entertainment has been...
80.5%
Horror has played with depicting the world of dreams before. The most iconic foray into the horrors of our sleeping minds is, of course, A Nightmare on Elm Street (1984), with its wonderfully constructed, just slightly off, dream sequences. Countless films have depicted the dreams of characters to build tension,...
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I love a good haunted house film — the genre is my ghost loving horror fan addiction. But as rich...
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Hear me out: every musical genre has a vampire film to match it. Bela Lugosi’s OG Dracula pairs with something...
Joining prime examples of the power of good filmmaking is director Zoe Wittock’s Jumbo, a film with a truly bizarre premise that moved me through the sheer power of storytelling. It’s not unlike The Shape of Water (2017) in the way it makes the viewer deeply, emotionally invested in a...
