Kate Dolan’s debut feature You Are Not My Mother world premiered at the 2021 Toronto International Film Festival, creeping out the unsuspecting...
Three hired guns find themselves in over their heads after a routine rescue mission goes from bad to worse in...
Do you believe in demons? Do you believe that there are forces beyond your control laying in wait for the opportunity to upend your life? That is a central question at the heart of Arsalan Amiri’s Iranian exorcism movie Zalava. Co-written by Amiri with Ida Panahandeh, Zalava takes place in 1978, in...
Anything can happen on Halloween night as Kate Dolan’s You Are Not My Mother details. More likely than not, you’ll just...
If you haven’t read Frank Herbert’s Dune books and you don’t think you’re the target audience for Denis Villeneuve’s Dune, this is...
One eventful night of chaos. It’s a formula ideal for the found-footage horror, and one that’s been utilized to perfection in films like zombie-outbreak gone wild REC (2007), British mockumentary Ghostwatch (1992), and a little film about zoom seance gone wrong Host (2020); the feature debut of director Rob Savage....
[#TIFF21 Review] Edgar Wright’s LAST NIGHT IN SOHO Scares Up A Ghostly Good Time in The Swinging 60s
Edgar Wright has never made a bad movie. He probably never will. Part of that is because he is the...
Titane is the femme-powered cannon that’s been taking the festival season by storm, and rightly so. Written and directed by...
Interviewing filmmakers gives you an insight into how much work goes into a single movie. Several years could pass between when the script is written and when the movie is released and a director’s job doesn’t end when the final scene is wrapped. It’s followed by endless months of post-production,...
Rose Glass’ Saint Maud stunned Midnight Madness audiences at the 2019 Toronto International Film Festival, and it remains the one...
Japanese director Takashi Miike is prolific, to say the least. He has directed over 100 films, ranging from horrifying to...
At this point in 2019, we can agree that horror is, or at least can be, political. New director Orçun Behram leaves full into political horror with his debut feature film, The Antenna. It is a moody, atmospheric feature that uses nightmarish visuals to portray a hellish not-so-distant future where...