Following up on the success of quirky Groundhog Day-inspired slasher Happy Death Day (2017) and it’s quantum follow up Happy Death...
In Diego Freitas’ directorial debut My Dead Ones, Nicolas Prattes plays a shy film student named Davi. He spends most...
There’s a certain finesse, a careful craft, that should be applied whenever a filmmaker decides to revisit a considerably popular genre film. Sequels, remakes, retellings, continuations, and all the variances in between are born with the automatic stigma of a lesser than status, marking them as a challenge from the...
Children’s entertainment like toys and movies quickly fall out of fashion, but imaginary friends are forever. Jacob Chase underlines this...
Best known as The Newton Brothers, Taylor Stewart and Andy Grush are composers well versed in the complexity of the...
While we grow up being told appearance doesn’t matter, how we look ultimately affects our standing in the workplace. This is something aspiring professional Anna Bludso (Elle Lorraine) knows all too well now that she’s working in the television and music industry. In Bad Hair, a sharp horror comedy directed by...
Of the many torture devices of the Dark Ages, few measure up to the Iron Maiden. The coffin-like structure is...
[Review] Move Over CONJURING Fans, There’s A New Ghost In Town And She’s Haunting 32 MALASANA STREET
If you’ve been waiting patiently for another chill-you-to-the-bone haunted house story since James Wan’s The Conjuring first scared you silly,...
It’s always impressive when a horror movie can pay homage to its influences without feeling repetitive. The movies that get the balance wrong are pretty quickly forgotten, but the ones that get it right, like Mike Flanagan‘s widely-praised Doctor Sleep, get added to the “instant classics” list just as fast....
It might surprise you to learn that the goriest movie at the virtual Nightstream Film Festival was a movie comprised...
It’s the end of the world as we know it and things don’t feel fine. And why would they in...
From the mind of Jeffrey Reddick (Final Destination, 2000) comes a new entry in the moral horror canon that lands with a whimper rather than a bang. Don’t Look Back presents some interesting questions about morality and public death in the modern world but fails to address them in any...




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