There is no greater crime syndicate in cinema (or life, for that matter) than The Yakuza, which makes them the...
Time travel movies are a lot like zombie movies. You think you’ve seen it all, that the well has run...
Like the re-emergence of perennial plants every spring, the elusive horror subgenre Folk Horror seems to sprout up incrementally throughout history as social circumstances call for it. We are presently in the midst of a new folk horror revival dominated by films like Ari Aster’s Midsommar (2019) and Robert Egger’s...
You know when cult king Nic Cage says a movie “might be the wildest movie I’ve ever made”, you’re in...
There’s an interesting intersection of fandoms that exists for horror and film score fans. Both incredibly passionate groups of people,...
The Welcome To The Blumhouse double-feature series has officially begun, kicking off with Emmanuel Osei-Kuffour Jr’s Black Box and Veena Sud’s The Lie. Although a relative newcomer to the genre, Osei-Kuffour Jr as crafted a wonderfully dark story about parenthood that keeps its secrets well hidden, and features another eerie performance from...
Quinn Armstrong’s Survival Skills celebrated it’s International Premiere at the 2020 Fantasia Film Festival. It’s a delightfully dark oddity of a films...
Have you ever watched a Godzilla movie and wondered what he would taste like? Probably very gamey and radiated. But...
Hungry for a spooky series to binge? This past weekend Netflix released the international series Spectros (2020), a TV-MA Brazilian ghost story set in the Liberdade neighborhood of São Paulo. From writer/director/creator Douglas Petrie comes this spooky story centered around three teens. Pardal (Danilo Mesquita), a young, street-tough yet troubled...
With a tagline like “Where everything trying to kill you is downright adorable,” parents might be scratching their heads on...
Japanese director Takashi Miike is prolific, to say the least. He has directed over 100 films, ranging from horrifying to...
There are few horrors so iconic, so jaw-droppingly terrifying, that they have eclipsed the entire horror genre. Constantly compared, credited, and used as a marker to stake a claim over entire sub-genres. I am speaking of course, about Hideo Nakata’s Ring (1998), both the quintessential j-horror, paranormal mystery, and J-horror remake...