DESCRIPTION: Let’s Get Ready To Rumblllleeeee! Join your hosts Kim and Jon for a monster-sized episode of Nightmare on Film...
Welcome to Awfully Good, where we celebrate dumb and trashy movies! In keeping with this month’s Monster Mash Month theme here at Nightmare,...
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Following up on the success of quirky Groundhog Day-inspired slasher Happy Death Day (2017) and it’s quantum follow up Happy Death Day 2U last year, writer/director Christopher Landon and Blumhouse have teamed up again to slice up an iconic film concept with positively horrific results. Things are about to get Freaky...
What’s up, weirdos? Welcome to Awfully Good, where we celebrate some rad trash! Tonight’s movie is Trick or Treat, the...
Having a triumph film like American Psycho on her resume, one might assume there are no cinematic challenges left for...
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The slasher has outlasted its presumed expiration date, and then some. The golden age of this divisive subgenre is certainly behind us; there may not be another renaissance quite like the one seen last century. Regardless of time and demand, filmmakers keep stabbing at a routine story. The undistinguished efforts...
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Whenever I watch a vampire movie, I always wonder what it would be like to live forever. I personally don’t...
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Indie film is firing on all cylinders when it’s at its most ambitious, and that’s exactly what you’re in for...
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I remember interning at Fantasia three years ago and attending the Frontieres Market, a place for filmmakers to pitch ideas and rake in funding for their next project. While walking around the crowded room aimlessly, I was handed a postcard, advertising a movie called Slaxx, with the subtitle “An ass...
[Making a Monster] How Filmmaking Frustrations Yielded Clive Barker’s “Super-Butchers” in HELLRAISER
“What’s in the box?!” As it turns out, there are much worse things to find in there than Gwyneth Paltrow’s...
This month at Nightmare On Film Street is Hot As Hell. We’re talking all about that warm place down in...
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Natasha Kermani and Brea Grant’s Lucky enters familiar territory while also breaking new ground. On top of work troubles, author May (Grant) is caught in an unusual situation at home. Each night, she and her partner Ted (Dhruv Uday Singh) are attacked by a masked intruder. Those around her fail...
