Just like the rest of the world, we too have fallen deeply in love with Stranger Things’ Eddie Munson. The...
I’ve long been fascinated about how horror cinema and musical genre crossover. Music fans can discover their new favorite movie...
63.75%
A soundtrack can make or break a movie. There are some iconic films out there with equally iconic soundtracks, and in some cases, a soundtrack can even outlive the film it’s attached to (looking at you, Judgment Night). This was the hope with The Retaliators, that it would attract an...
70%
The Third Saturday In October and The Third Saturday in October Part V is a double feature that provides an intriguing...
78.75%
Relax, I’m From the Future is the debut feature for Luke Higginson, based on his short that premiered at TIFF back...
56.25%
Keith Thomas is not yet the household name for horror directors that I’m sure he will one day be but with only two films under his belt, he’s already given us one of the scariest indie films of the decade and now, an updated adaptation of a classic Stephen King...
70%
Finding itself directly in the crosshairs of the late 70s Pornography boom, and the heyday of independent filmmaking, Ti West...
78.75%
The tundra is a ripe spot for terror. And, an underutilized one at that. Boasting an expansive, underdeveloped landscape, isolation,...
84%
SCORE
Mimi Cave’s debut feature Fresh is a perfect date night movie. Partly because you and your date can bond over its send-up of online dating follies, but you’ll also get a good idea of whether or not they can handle a gory thriller. If they look away in disgust, you’ll...
60%
A tree falling may or may not make a sound when no one is around to hear it, but...
78.75%
[#TIFF21 Review] Edgar Wright’s LAST NIGHT IN SOHO Scares Up A Ghostly Good Time in The Swinging 60s
Edgar Wright has never made a bad movie. He probably never will. Part of that is because he is the...
78.75%
“So what’s with the 80’s theme?” “It’s the epitome of cheese. And sometimes, I like to smile.” Talk about summarizing an entire film in two lines of dialogue. A homage to the 80’s slasher era, Marcel Walz’s Pretty Boy captures all of the campy goodness of its ancestors, from the synth-pop...
