It’s been a busy week for slasher fans with not one, but two bold re-imaginings of classic franchise favorites. First,...
Michael Myers returns to Haddonfield for another round of tricks and treats (and murders!) in Halloween Kills, David Gordon Green’s follow-up...
Titane is the femme-powered cannon that’s been taking the festival season by storm, and rightly so. Written and directed by Julia Ducournau, who marks her return to body horror after her breakout feature Raw in 2016. Titane cracks open like an egg from the start; bold, gooey, and unapologetic....
The “Final Girl” has been a prominent trope in horror since it was popularized in the 1970s in films like...
Haunted houses, nightmare imagery, and ghostly gypsies are on full display in Vincent Grashaw’s eerie slow-burn What Josiah Saw. Divided...
M. Night Shyamalan’s Old turns an idyllic family vacation into a living nightmare when a group of strangers find themselves stranded on a mysterious beach that causes them to age rapidly. I’m sure you’ve seen the promos. A new M. Night Shyamalan movie is a beacon for films fans everywhere,...
A remake, 65 million years in the making. I know, I know. The high dollar film industry is drowning in...
You can always count on Tribeca Film Festival to feature a few true weirdos. Movies that challenge, expand, or downright...
An eating disorder threatens to consume a young jazz singer in Samantha Smith’s Shapeless. Celebrating its world premiere at 2021 Tribeca Film Festival, Shapeless is a slightly disjointed story couched by hauntingly specific imagery and an eye for the destruction daze of someone spiraling downward. Countless people suffer from eating...
Agnes is not quite like any other possession movie you’ve likely seen. It follows a lot of the same beats...
Demon possession movies, although constant crowd-pleasers, are often very predictable. The multi-million dollar Conjuring franchise has pretty much laid out...
Prano Bailey-Bond’s Censor is a mind-bending examination of the Video Naty hysteria that gripped Britain in the late 1980s. The film features a brilliant performance from Niamh Algar (Raised By Wolves) as Enid Baines, a prim-and-proper film board censor with a tortured past. She’s kept the lip sealed on that...