After garnering much buzz on the festival circuit, we were finally able to catch THE ENDLESS at last night’s screening...
Welcome back, weirdos! It’s been too long! You might be thinking, “Mac, where was our recommendation for November?” Well, a...
A small town fights to stave off the apocalypse in David Hebrero’s Everyone Will Burn (Y todos arderán). Fans of religious horror will absolutely eat up this dark Antichrist tale but don’t let that scare you off if this isn’t your preferred subgenre. Personally, I like Exorcism movies as much...
Kyle Edward Ball’s experimental debut feature Skinamarink is an eerie, elongated nightmare plucked straight from the mind of your childhood self....
Jeremy Saulnier’s cold, brooding film Hold The Dark premiered to eager audience in the hot swelter of Austin’s Fantastic Fest 2018. Saulnier...
Despite what your pocket watch may tell you, time doesn’t always move forward, and it certainly doesn’t heal all wounds. Autumn Road begins with young twin brothers Charlie and Vincent (Ranger and Jonas Lerway) outside of their father’s family-owned haunted house. Before the attraction opens for Halloween night, the brothers’ father takes Vincent and Winnie (Maddie...
Feral is the latest genre flick seeking to stretch its found footage muscle. Rather than opting for a grainy hand-held...
What would you do if a large sum of money randomly dropped onto your lap? Would you question where it...
Kyle Edward Ball’s experimental debut feature Skinamarink is an eerie, elongated nightmare plucked straight from the mind of your childhood self. Shot in a way that looks more like a collection of hyper-specific memories rather than a movie, it’s a dread-fueled trip into the lives of two children trying to make...
After a pandemic’s-worth of wait, The Green Knight is finally here. Teased in early 2020 (now hereby known as “simpler...
The mommy mayhem continues in the midnight program of the 2023 Sundance Film Festival with Daina Reid’s Run Rabbit Run. Opening...
“So what’s with the 80’s theme?” “It’s the epitome of cheese. And sometimes, I like to smile.” Talk about summarizing an entire film in two lines of dialogue. A homage to the 80’s slasher era, Marcel Walz’s Pretty Boy captures all of the campy goodness of its ancestors, from the synth-pop...




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