Everyone has heard of the concept of Chekhov’s Gun. But what about Chekhov’s Bong? That means if a character in...
Powered by RedCircle DESCRIPTION: We’re kicking off Nightmare on Film Street’s Reaper Madness Month with two Stephen King tales that...
Forget the Easter Bunny, Godzilla and Kong are the only giant creatures we care about right now. Join your horror hosts Jon & Kim for a spirited discussion about the art of film and the power of storytelling- jk, we talking about a big monkey beating the snot out of a giant lizard! We...
Powered by RedCircle DESCRIPTION: Like Horror Films? Miss Horror Festivals? Kansas City’s PANIC FEST has you covered this April with...
DESCRIPTION: It’s 2021, and jeans are a scary prospect. You haven’t worn them in a year and who knows if...
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Like the re-emergence of perennial plants every spring, the elusive horror subgenre Folk Horror seems to sprout up incrementally throughout history as social circumstances call for it. We are presently in the midst of a new folk horror revival dominated by films like Ari Aster’s Midsommar (2019) and Robert Egger’s...
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It’s silly that a movie like Godzilla vs. Kong wasn’t nominated for Best Picture. Sure, we’re well past the cut-off date,...
Werewolf films are amongst the most beloved subgenres of horror, ranging from the iconic that shine under the light of...
Welcome to Gut the Punks, a monthly dissection of genre films that have a loose connection to punk rock music and culture. This month here at Nightmare on Film Street, it’s March Break. We’re talking psychological breaks, broken bones and vacations. But for this month’s column, I’ll be talking about...
We are closing out March Break month here at Nightmare on Film Street, and I’m certain most of us haven’t...
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There was a time when Western horror routinely questioned religions and their followers. This heated subgenre criticized seemingly untouchable organizations...
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The intense fear of the unknown is evident in Michael Nader’s directorial debut The Toll. The drive from the airport to her father’s house should have been straightforward, but someone — or something — has different plans in store for both Cami (Jordan Hayes) and her driver Spencer (Max Toplin). It’s...
