You’re going to want to take a big deep breath before sitting down to watch James Ashcroft’s Coming Home In...
It’s safe to say that you’ve never seen a werewolf movie like The Cursed (Originally titled Eight For Silver). Sure,...
Conceived, created, and cobbled together all under Covid-19 lockdown measures in Britain, Ben Wheatley’s In The Earth was unleashed on the...
Frida Kempff’s psychological thriller Knocking (Knackningar) is an eerie and unsettling tale of mental illness that takes the viewer deep inside the...
In a time when most of us can relate to themes of loneliness and isolation perhaps more than ever, the...
[Sundance 2021 Review] Analog Era Love Letter CENSOR Blurs The Lines Between Video Nasty and Reality
The 2021 Sundance Film Festival’s Midnight opener Censor takes viewers beyond the cold, grey world of Margaret Thatcher’s 1980s Britain into...
Fellow NOFS contributor Dave Richards described PG: Psycho Goreman to me as “E.T. meets Gwar,” which I have to say...
Sometimes all that’s needed to bring new energy to a well-trod genre is to inject some deceptively simple innovation into...