Interviews·March 19, 2021[#SXSW 2021 Interview] Director Mickey Keating Breaks Down The Ethereal Nightmare Logic of OFFSEASON
Reviews·March 19, 2021[#SXSW 2021 Review] Amazon Prime’s Anthology Series THEM Gets Off to a Frightening Start
Reviews·March 19, 2021[#SXSW 2021 Review] Never Before Has Revenge Been As Adorable As It Is in PAUL DOOD’S DEADLY LUNCH BREAK
Reviews·March 19, 2021[#SXSW 2021 Review] South African Eco-Horror GAIA is Filled With Mushroom Monsters and (Maybe Too Many) Nightmare Sequences
Reviews·March 18, 2021[#SXSW 2021 Review] SOUND OF VIOLENCE Plucks Some Gory Chords But Strikes A Few Wrong Notes
Reviews·March 18, 2021[#SXSW 2021 Review] WITCH HUNT is A Pseudo-History Lesson in Prejudice for Tweens
Reviews·March 18, 2021[#SXSW 2021 Review] Barbara Crampton Serves Up An All-You-Can-Drink Blood Buffet As A Badass Vampire in JAKOB’S WIFE
Interviews·March 18, 2021[Podcast] Nightmare Alley: Surviving Sleep Paralysis and Shadow People with COME TRUE Director Anthony Scott Burns
Interviews·March 18, 2021[#SXSW Interview] Director Travis Stevens Talks About Going For Gore And Why Barbara Crampton Is A Badass in JAKOB’S WIFE
Reviews·March 17, 2021[#SXSW 2021 Review] Mickey Keating’s OFFSEASON is a Storm of Grief Horror and Cosmic Dread
Reviews·March 17, 2021[Review] Duplass Brothers’ True Crime Doc SASQUATCH is Way More than Squatchsploitation
