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• The 12 Most Disturbing Serial Killer Movies Ever Made - Nightmare on Film Street (July 25, 2024)
• [Podcast] I Want To Believe: COMMUNION (1989) - Nightmare on Film Street (July 25, 2024)
• THE SOUL EATER Review: The Cops Are No Match For a Boogeyman in This Grim French Thriller #FantasiaFest - Nightmare on Film Street (July 24, 2024)
• KRYPTIC Review: Cryptids Get Ca-razy in This Psychedelic Gross-Out Mind-Scrambler #FantasiaFest - Nightmare on Film Street (July 24, 2024)
• CHAINSAWS WERE SINGING Review: A Brilliantly Stupid Slapstick Slasher Musical #FantasiaFest - Nightmare on Film Street (July 23, 2024)
• THE BEAST WITHIN Review: Gothic Thriller Uses Werewolves As A Metaphor To Explore The Cycle of Abuse #FantasiaFest - Nightmare on Film Street (July 23, 2024)
• VULCANIZADORA Review: Writer/Director Joel Potrykus is Here To Make You Think About Death And Get Sad And Stuff #FantasiaFest - Nightmare on Film Street (July 21, 2024)
• THE A-FRAME Review: A Slow-Paced Indie Sci-Fi Thriller For Fans of THE FLY #FantasiaFest - Nightmare on Film Street (July 19, 2024)
• BOOKWORM Review: Ant Timpson Applies His Obsession With The Strange & Unusual To A Family Friendly Adventure Story #FantasiaFest - Nightmare on Film Street (July 18, 2024)
• [Podcast] I Want To Believe: THE X-FILES: FIGHT THE FUTURE (1998) - Nightmare on Film Street (July 18, 2024)
• ODDITY Review: A Haunting Murder Mystery with a Paranormal Punch (and A Creepy Mannequin Too!) - Nightmare on Film Street (July 17, 2024)
• 10 Horror Movies We're Dying To See At Fantasia 2024, Including WITCHBOARD From The Director of NOES 3: DREAM WARRIORS - Nightmare on Film Street (July 12, 2024)
• LONGLEGS Review: Nicolas Cage and Maika Monroe Shine in Perkins' Festering Thriller - Nightmare on Film Street (July 12, 2024)
• [Podcast] Evil on the Airwaves: THE LAST BROADCAST (1998) - Nightmare on Film Street (July 11, 2024)
• Horror in the Hollywood Hills: 10 Glitzy, Sexy, Scary, and Sleezy L.A. Thrillers for MaXXXine Fans - Nightmare on Film Street (July 8, 2024)
• [Review] Ti West's Neon-Soaked MAXXXINE Welcomes You To A Gore-Filled Pleasuredome - Nightmare on Film Street (July 4, 2024)
• [Podcast] Evil on the Airwaves: LATE NIGHT WITH THE DEVIL (2024) - Nightmare on Film Street (June 27, 2024)
• [CFF 2024 Review] Alien Documentary THE UFO'S OF SOESTERBERG Will Make You Want To Believe - Nightmare on Film Street (June 26, 2024)
• 10 Killer Summer Horror Movies That Deserve Way More Love - Nightmare on Film Street (June 24, 2024)
• [CFF 2024 Review] Graham Skipper Returns with Lo-Fi Lovecraftian Horror THE LONELY MAN WITH THE GHOST MACHINE - Nightmare on Film Street (June 23, 2024)
• [Review] The Power of Russell Crowe Compels You in Possession Horror THE EXORCISM - Nightmare on Film Street (June 21, 2024)
• [CFF 2024 Review] Pre-Dracula Folk Tale THE VOURDALAK Brings Handmade Horror Back From The Grave - Nightmare on Film Street (June 20, 2024)
• [Podcast] Something Borrowed, Something BOO! HIGH SPIRITS (1988) - Nightmare on Film Street (June 20, 2024)
• [Podcast] Interview: Author Paul Tremblay Talks HORROR MOVIE: A NOVEL - Nightmare on Film Street (June 13, 2024)
• [Review] THE WATCHERS Takes Inspiration From Irish Folklore For A Modern YA Horror Story - Nightmare on Film Street (June 7, 2024)
• [Podcast] Something Borrowed, Something BOO: HAUNTED HONEYMOON (1986) - Nightmare on Film Street (June 6, 2024)
• [Podcast] My Milk Cow Brings All The Greys To The Farm: NO ONE WILL SAVE YOU (2023) - Nightmare on Film Street (May 30, 2024)
• [Review] Walk A Mile In A Madman's Shoes with Gory Slasher IN A VIOLENT NATURE - Nightmare on Film Street (May 29, 2024)
• [Podcast] My Milk Cow Brings All The Greys To The Farm: SIGNS (2002) - Nightmare on Film Street (May 23, 2024)
• [Review] THE STRANGERS: CHAPTER 1 is a Bland Reboot that Lacks Bite - Nightmare on Film Street (May 17, 2024)
• [Podcast] Sunglasses At Night: NEAR DARK (1987) - Nightmare on Film Street (May 16, 2024)
• [Podcast] Sunglasses At Night: BLADE (1998) - Nightmare on Film Street (May 9, 2024)
• [Podcast] Graveyard Smash - THE SHAPE OF WATER (2017) - Nightmare on Film Street (May 5, 2024)
• [Review] TAROT Deals a Deck of Unique Villains but a Predictable Plot - Nightmare on Film Street (May 4, 2024)
• Exclusive: Heather Langenkamp Would Be Eager to Return as Nancy in Potential A NIGHTMARE ON ELM STREET Legacy Sequel! - Nightmare on Film Street (May 2, 2024)
• [Podcast] A NIGHTMARE ON ELM STREET 40th Anniversary Interview with Heather Langenkamp - Nightmare on Film Street (May 2, 2024)
• Bad Meets Worse: 12 Horror Movies Where Bad Guys Meet Their Match - Nightmare on Film Street (April 29, 2024)
• [Podcast] Graveyard Smash - CREATURE FROM THE BLACK LAGOON (1954) - Nightmare on Film Street (April 29, 2024)
• [Review] Caitlin Cronenberg's Pre-Apocalyptic Thriller HUMANE Explores The Dark Future of Our Climate Crisis - Nightmare on Film Street (April 27, 2024)
• [Podcast] THE BLAIR WITCH PROJECT 25th Anniversary Interview with Eduardo Sanchez and Michael C. Williams - Nightmare on Film Street (April 25, 2024)
• [Review] Terror Wears a Tutu in Kooky Vampire Delight ABIGAIL - Nightmare on Film Street (April 19, 2024)
• [Podcast] Something, Something, Haunted Mirrors: MIRROR, MIRROR (1990) - Nightmare on Film Street (April 18, 2024)
• [Panic Fest 2024 Review] THE CEREMONY IS ABOUT TO BEGIN Blends Egyptian Lore with Found Footage Frights - Nightmare on Film Street (April 16, 2024)
• [Panic Fest 2024 Review] CURSE OF THE SIN EATER is an Indie Horror Delight - Nightmare on Film Street (April 16, 2024)
• [Panic Fest 2024 Review] Irish Folk Horror Says Forget About Love, ALL YOU NEED IS DEATH - Nightmare on Film Street (April 15, 2024)
• [Panic Fest 2024 Review] See A Blood-Soaked Samara Weaving in Post Apocalyptic Horror AZRAEL - Nightmare on Film Street (April 13, 2024)
• [Review] THE FIRST OMEN Is a Prequel That Possesses with Style - Nightmare on Film Street (April 11, 2024)
• [Panic Fest 2024 Review] 9/10 Spiders Give French Monster Horror INFESTED Eight Spooky Thumbs Up - Nightmare on Film Street (April 11, 2024)
• [Podcast] Something, Something, Haunted Mirrors: AMITYVILLE: A NEW GENERATION (1993) - Nightmare on Film Street (April 11, 2024)
• [Panic Fest 2024 Review] Monster Spider Horror STING Spins A Wild Web of Practical Effects Mayhem - Nightmare on Film Street (April 8, 2024)
• [Review] Dev Patel's Action Epic MONKEY MAN Delivers Blood-Soaked Revenge - Nightmare on Film Street (April 4, 2024)
• Deadly Deceptions: 7 Horror Movies Where Pranks Turn Perilous - Nightmare on Film Street (April 1, 2024)
• The 10 Most Egg-cellent Easter Horror Movies to Fill Your Basket - Nightmare on Film Street (March 30, 2024)
• 6 Springtime Horror Movies Streaming FREE on Tubi That'll Thaw Your Bones - Nightmare on Film Street (March 28, 2024)
• [Podcast] Horror Musicals: REPO! THE GENETIC OPERA (2008) - Nightmare on Film Street (March 28, 2024)
• [Review] IMMACULATE is A Delightfully Devious Springtime Sacrilege - Nightmare on Film Street (March 26, 2024)
• 10 Horror Movie Musicals That Steal the Spotlight - Nightmare on Film Street (March 25, 2024)
• 8 New and Notable Horror Movies Streaming on Netflix - Spring 2024 - Nightmare on Film Street (March 24, 2024)
• 8 Killer Horror Movies Streaming on Amazon Prime - Spring 2024 - Nightmare on Film Street (March 23, 2024)
• Celebrate Halfway to Halloween with a Five-Night Fright Fest from Blumhouse and AMC - Nightmare on Film Street (March 22, 2024)
• [Podcast] Horror Musicals! SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (2007) - Nightmare on Film Street (March 21, 2024)
• Total Eclipse of the Horror: 10 Horror Movie Eclipses That Will Leave You in the Dark (March 19, 2024)
• Get the Shamrock Shakes With These 12 Must-Watch Irish Horror Movies - Nightmare on Film Street (March 17, 2024)
• [Podcast] Graveyard Smash: TRANSYLVANIA 6-5000 - Nightmare on Film Street (March 17, 2024)
• Sacrilegious Scares: The 10 Most Blasphemous Religious Horror Movies of All Time - Nightmare on Film Street (March 16, 2024)
• 10 Weird, Wild, and Wacky Horror Movies Set in Virtual Reality - Nightmare on Film Street (March 15, 2024)
• [Review] Found Footage Cryptid Flick FROGMAN is A Perfect Friday Night Horror Movie - Nightmare on Film Street (March 15, 2024)
• [Podcast] Kooky King: THE LAWNMOWER MAN (1992) - Nightmare on Film Street (March 14, 2024)
• Neve Campbell Returns for SCREAM 7; Kevin Williamson to Direct - Nightmare on Film Street (March 12, 2024)
• Holy Terrors: 12 Nun Horror Movies That Prey on Your Fears - Nightmare on Film Street (March 11, 2024)
• [SXSW 2024 Review] Timecrime Doesn't Pay in Sci-Fi Thriller THINGS WILL BE DIFFERENT - Nightmare on Film Street (March 11, 2024)
• [SXSW 2024 Review] Enter A World of Quirky Crime in Choose-Your-Own-Adventure Thriller SEW TORN - Nightmare on Film Street (March 11, 2024)
• [Review] IMAGINARY Embraces the Absurdity of Teddy Bear Terror - Nightmare on Film Street (March 10, 2024)
• [SXSW 2024 Review] A Stripper Spends A Weekend With The Boyz in Atmospheric Thriller HUNTING DAZE - Nightmare on Film Street (March 10, 2024)
• [SXSW 2024 Review] Beer & Bad Vibes Devour a Bachelor Party in Australian Thriller BIRDEATER - Nightmare on Film Street (March 10, 2024)
• [SXSW 2024 Review] Bitcoin Bros Become Digital Robin Hoods in Crypto Comedy Caper COLD WALLET - Nightmare on Film Street (March 9, 2024)
• Revenge is Sweet: Top 10 'Good For Her' Horror Movies - Nightmare on Film Street (March 9, 2024)
• Suspending Disbelief: 10 Found Footage Horror Films That Feel *Too* Real - Nightmare on Film Street (March 8, 2024)
• Kooky King: 6 of the Weirdest Stephen King Film Adaptations - Nightmare on Film Street (March 7, 2024)
• [Podcast] Kooky King: THINNER (1996) - Nightmare on Film Street (March 7, 2024)
• Behind the Gills: How a Hollywood Monster Became a Legend in CREATURE FROM THE BLACK LAGOON - Nightmare on Film Street (March 6, 2024)
• Lights, Camera, Static: A24 Unveils Its Eerily Electric Trailer for I SAW THE TV GLOW - Nightmare on Film Street (March 5, 2024)
• 10 Obscure '70s Horror Movies That Deserve Your Scream Time - Nightmare on Film Street (March 4, 2024)
• Techno Terrors: 13 Creepy Internet Horror Movies That Will Have You Closing Tabs - Nightmare on Film Street (March 2, 2024)
• First Look: The Strangers: Chapter 1 Trailer Reignites Home Invasion Horror - Nightmare on Film Street (March 2, 2024)
• 6 Horror Movies You Probably Shouldn't Watch Before Going on Vacation (Don't Say I Didn't Warn You) - Nightmare on Film Street (March 1, 2024)
• Upcoming Horror Movies: Every Great Horror Movie Coming Out in March 2024 - Nightmare on Film Street (February 29, 2024)
• Real-Life Frights: The Wild, Wild West's Most Haunted - Inside Tombstone's Bird Cage Theatre - Nightmare on Film Street (February 29, 2024)
• B-Movie Mania: The 10 Best B-Movies on Tubi for Cult Film Fans - Nightmare on Film Street (February 27, 2024)
• They Did the Mash, They Did the Monster Mash: 10 Epic Horror Crossovers You Can't Miss! - Nightmare on Film Street (February 27, 2024)
• Yee-Haw Horror: 10 Horror Westerns That Will Have You Clutching Your Cowboy Hat - Nightmare on Film Street (February 26, 2024)
• 10 Great Dark Comedies That Are Seriously Twisted - Nightmare on Film Street (February 23, 2024)
• [Review] The Madness of Puppets is Pulling The Strings in Psychological Horror STOPMOTION - Nightmare on Film Street (February 23, 2024)
• Killer Klowns from Outer Space: The Game Crashlands To Earth This Summer - Nightmare on Film Street (February 23, 2024)
• 10 Great Horror Movies That Are Way Better Than Their Low Rotten Tomatoes Scores - Nightmare on Film Street (February 22, 2024)
• [Podcast] Rom-Zoms: RETURN OF THE LIVING DEAD 3 - Nightmare on Film Street (February 22, 2024)
• RomZoms: 10 Romantic Zombie Movies That Will Steal Your Heart (and Brains) - Nightmare on Film Street (February 21, 2024)
• Lost in The Shuffle: 10 Underrated Zombie Movies You Need to Watch - Nightmare on Film Street (February 15, 2024)
• [Podcast] Rom-Zoms: WARM BODIES (2013) - Nightmare on Film Street (February 15, 2024)
• Tuning Into Terror: LATE NIGHT WITH THE DEVIL Plot, Cast, and Terrifying Trailer - Nightmare on Film Street (February 9, 2024)
• [Review] Cro-Magnon Monster Movie OUT OF DARKNESS Reminds Us That Fear is Forever - Nightmare on Film Street (February 9, 2024)
• Everything We Know About CUCKOO: Cast Details, Plot Insights, and First Trailer - Nightmare on Film Street (February 8, 2024)
• [Podcast] The Dance of Another: US (2019) - Nightmare on Film Street (February 8, 2024)
• 6 Modern Hidden Gem Horror Movies You Can Watch FREE on Tubi Tonight - Nightmare on Film Street (February 6, 2024)
• New EVIL DEAD Spin-Off Announced: Sebastien Vanicek and CAA to Usher in a New Era of Deadites - Nightmare on Film Street (February 5, 2024)
• The Bleakest Horror Movies Guaranteed to Mess You Up BAD, According to Reddit - Nightmare on Film Street (February 5, 2024)
• [Podcast] Graveyard Smash: THE WOLFMAN (2010) - Nightmare on Film Street (February 4, 2024)
• Everything We Know About Nicolas Cage-Led Horror LONGLEGS, From Osgood Perkins - Nightmare on Film Street (February 3, 2024)
• Cillian Murphy Might Return for 28 YEARS LATER - Nightmare on Film Street (February 3, 2024)
• It's Time to Give VALENTINE (2001), The Slasher Gem We Totally Ghosted, Its Due - Nightmare on Film Street (February 2, 2024)
• THE THING Ending Explained? Kurt Russell's Take on That Ambiguous Ending - Nightmare on Film Street (February 1, 2024)
• Scare Your Date with These 10 Valentine's Day Horror Movies - Nightmare on Film Street (February 1, 2024)
• [Podcast] Dancing The Dance of Another: SUSPIRIA (2018) - Nightmare on Film Street (February 1, 2024)
• All of Them Witches: The 10 Best Witch Horror Movies to Put a Spell on You - Nightmare on Film Street (January 29, 2024)
• The 10 Best Horror Movie Remakes of All Time - Nightmare on Film Street (January 27, 2024)
• 10 Must-Watch Horror Movies Streaming Free on Tubi - Winter 2024 - Nightmare on Film Street (January 25, 2024)
• 10 Must-Watch Horror Movies Streaming on Netflix - Winter 2024 - Nightmare on Film Street (January 24, 2024)
• 10 Must-Watch Horror Movies Streaming on Shudder - Winter 2024 - Nightmare on Film Street (January 23, 2024)
• The Devil's Doorknob: 10 Horror Movies That Take You to the Gates of Hell - Nightmare on Film Street (January 22, 2024)
• [Podcast] Abandon All Hope: CITY OF THE LIVING DEAD (1980) - Nightmare on Film Street (January 18, 2024)
• [Podcast] Abandon All Hope: THE SENTINEL (1977) - Nightmare on Film Street (January 11, 2024)
• [Podcast] What's Keeping Us Creepy: NIGHT SWIM, 2024 Horror Release Schedule, and More! - Nightmare on Film Street (January 8, 2024)
• [Review] Aquatic Fright NIGHT SWIM Turns Tranquility into Terror - Nightmare on Film Street (January 6, 2024)
• Ranking The Best David Cronenberg Horror Movies of All Time - Nightmare on Film Street (January 4, 2024)
• [Podcast] Apocalypse Soon! THE DEAD ZONE (1983) - Nightmare on Film Street (January 4, 2024)
• [Podcast] Apocalypse Soon! END OF DAYS (1999) - Nightmare on Film Street (December 28, 2023)
• Upcoming Frights: The Most Anticipated Horror Movies Of 2024 - Nightmare on Film Street (December 27, 2023)
• Hidden Gems: 10 Great 2023 Horror Movies You May Have Missed - Nightmare on Film Street (December 26, 2023)
• The 10 Best Christmas Horror Movies (and Where to Watch Them!) - Nightmare on Film Street (December 22, 2023)
• [Podcast] Bob Clark's Creepy Christmas Spooktacular - Black Christmas (1974) - Nightmare on Film Street (December 21, 2023)
• [Creepy Cocktails] "The Frozen Jack" – A Shining-Inspired Horror Movie Cocktail Recipe - Nightmare on Film Street (December 19, 2023)
• Countdown to Doomsday: 15 Apocalyptic Horror Movies to Watch Before You Bite the Dust - Nightmare on Film Street (December 19, 2023)
• [Podcast] Graveyard Smash: THE PHANTOM OF THE OPERA (2004) - Nightmare on Film Street (December 18, 2023)
• Spine-Chilling Specters: A Countdown of the Ghostliest Winter Horror Movies - Nightmare on Film Street (December 15, 2023)
• [Podcast] Bob Clark's Creepy Christmas Spooktacular: DEATHDREAM (1974) - Nightmare on Film Street (December 14, 2023)
• Chill of the Kill: 10 Winter Horror Movies with Cold Blooded Killers - Nightmare on Film Street (December 12, 2023)
• The 10 Best Horror Movies of 2023, Ranked - Nightmare on Film Street (December 10, 2023)
• Slay Bells Ring: The Top 10 Evil Santa Horror Movies to Watch This Christmas - Nightmare on Film Street (December 9, 2023)
• All The Creatures Were Stirring: 10 Creepy Creature Features to Get Under Your Skin This Holiday Season - Nightmare on Film Street (December 8, 2023)
• The Top 10 Horror Movies of 2023 - Nightmare on Film Street (December 8, 2023)
• [Podcast] Top 10 Horror Movies of 2023! - Nightmare on Film Street (December 7, 2023)
• [Review] Jenn Wexler's THE SACRIFICE GAME is A Christmas Horror Classic in The Making - Nightmare on Film Street (December 5, 2023)
• Oh the Weather Outside is Frightful: The 10 Best Cold Weather Horror Movies Set in the Snow - Nightmare on Film Street (December 5, 2023)
• [Creepy Cocktails] Shake up the Holiday Season with a Nightmare Before Christmas Themed "Peppermint Sandy Claws" Cocktail - Nightmare on Film Street (December 5, 2023)
• The Yuletide Slasher That's Way Better Than You Remember - Nightmare on Film Street (December 2, 2023)
• Planes, Trains, and Automobiles: 10 Chilly Winter Road Trip Horror Movies for the Holidays - Nightmare on Film Street (December 2, 2023)
• Misfit Toys: Top 10 Killer Toys and Evil Doll Horror Movies for the Holidays - Nightmare on Film Street (December 1, 2023)
• Join Nightmare on Film Street for the #12DaysofKrampus Holiday Horror Movie Challenge! - Nightmare on Film Street (November 30, 2023)
• [Podcast] Watts Craven! DEADLY FRIEND (1986) - Nightmare on Film Street (November 30, 2023)
• The Deceptive Teen Horror Flick That's More Clever Than You Remember - Nightmare on Film Street (November 27, 2023)
• [Podcast] Watts Craven! SHOCKER (1989) - Nightmare on Film Street (November 23, 2023)
• Hidden Horror Gems: 10 Underrated Horror Movies You Need to See - Nightmare on Film Street (November 22, 2023)
• [Podcast] THANKSGIVING (2023) - Drive Home From The Drive-in Review - Nightmare on Film Street (November 19, 2023)
• Understated Scares: 10 Subtle Horror Movies That Will Creep Under Your Skin - Nightmare on Film Street (November 19, 2023)
• [Review] Eli Roth's THANKSGIVING is a 3-Course Meal of Gore, Gags, and Grade-A Slasher Horror - Nightmare on Film Street (November 18, 2023)
• [Podcast] Tiny Terrors: TALES FROM THE DARKSIDE: THE MOVIE (1990) - Nightmare on Film Street (November 16, 2023)
• [Podcast] Graveyard Smash: HOLLOW MAN (2000) - Nightmare on Film Street (November 12, 2023)
• Feast on Fright: 10 Essential Thanksgiving Horror Movies - Nightmare on Film Street (November 12, 2023)
• [Podcast] Tiny Terrors: BODY BAGS (1993) - Nightmare on Film Street (November 9, 2023)
• [Review] A Holiday Classic Takes A Nosedive Into Horror in IT'S A WONDERFUL KNIFE - Nightmare on Film Street (November 8, 2023)
• Horrifically Haute: 10 Arthouse Horror Films for the Cultured Deviant - Nightmare on Film Street (November 8, 2023)
• [Podcast] FIVE NIGHTS AT FREDDY'S - Drive Home From The Drive-in Review - Nightmare on Film Street (November 5, 2023)
• 15 of the Scariest Non-Horror Movies that Belong in the Horror Section - Nightmare on Film Street (November 4, 2023)
• [Podcast] Halloween Hollows: Disney's THE LEGEND OF SLEEPY HOLLOW - Nightmare on Film Street (October 26, 2023)
• [Review] SUITABLE FLESH is A Body-Swapping Erotic Thriller That Would Make Lovecraft Blush - Nightmare on Film Street (October 24, 2023)
• [Review] Familiar Frights Find a Fresh Haunt in HELL HOUSE LLC ORIGINS: CARMICHAEL MANOR - Nightmare on Film Street (October 24, 2023)
• Killer Robots & Malicious Machines: 20 Films That Will Have You Pulling the Plug! - Nightmare on Film Street (October 19, 2023)
• [Podcast] Halloween Hollows: THE CURSE OF BRIDGE HOLLOW (2022) - Nightmare on Film Street (October 19, 2023)
• Every Toni Collette Horror Movie, Ranked - Nightmare on Film Street (October 17, 2023)
• [Podcast] Graveyard Smash: THE INVISIBLE MAN RETURNS (1940) - Nightmare on Film Street (October 16, 2023)
• [Review] Witness Some of The Most F*cked Up Kills of The Year in THE PUPPETMAN - Nightmare on Film Street (October 13, 2023)
• Every Friday the 13th Movie, Ranked - Nightmare on Film Street (October 13, 2023)
• [Review] DEAR DAVID is Twitter's Terrifying Tale Turned Tame - Nightmare on Film Street (October 12, 2023)
• [Podcast] Masking For Trouble: HALLOWEEN III: SEASON OF THE WITCH - Nightmare on Film Street (October 12, 2023)
• Be My Victim: The 10 Best Tony Todd Horror Movies of All Time - Nightmare on Film Street (October 11, 2023)
• [Review] Alien Invasion Thriller NO ONE WILL SAVE YOU Delivers a Suspenseful Survivor Story - Nightmare on Film Street (October 10, 2023)
• [Review] John Carpenter's SUBURBAN SCREAMS Offers a Glimpse into the Dark Side of the 'Burbs - Nightmare on Film Street (October 9, 2023)
• Double Vision: Top 10 Movie-Within-A-Movie Horror Moments - Nightmare on Film Street (October 9, 2023)
• [Podcast] THE EXORCIST: BELIEVER (Free Bonus Episode!) - Nightmare on Film Street (October 8, 2023)
• [Review] A Small Town Diner Becomes A Slaughterhouse in Thriller LAST STRAW - Nightmare on Film Street (October 7, 2023)
• [Review] THE EXORCIST: BELIEVER - A Muddled Legacy Sequel - Nightmare on Film Street (October 6, 2023)
• [Podcast] Masking For Trouble: GOOSEBUMPS' THE HAUNTED MASK - Nightmare on Film Street (October 5, 2023)
• [Review] V/H/S/85 Delivers Another Camcorder of Horrors For The Halloween Season - Nightmare on Film Street (October 4, 2023)
• [Review] Possession Horror WHEN EVIL LURKS is Unapologetically Twisted - Nightmare on Film Street (October 3, 2023)
• [Review] Slasher-Comedy TOTALLY KILLER is a Fun-Filled Flashback - Nightmare on Film Street (October 2, 2023)
• [Podcast] Unleashing 13 GHOSTS: THE SERIES Interview with the Creators (Bonus Episode) - Nightmare on Film Street (October 2, 2023)
• [Podcast] What's Keeping Us Creepy: SAW X, October Streaming Overload, and the #31DayHorrorChallenge - Nightmare on Film Street (October 1, 2023)
• [Review] SAW X is a Gruesome Game of Scams and Schemes - Nightmare on Film Street (October 1, 2023)
• [Interview] Talking Ghosts, Goals, And Giving Yourself The Greenlight with Indie Horror Badass Izzy Lee - Nightmare on Film Street (September 30, 2023)
• 10 Rural Horror Movies That Prove the Countryside Isn't As Safe As You Think - Nightmare on Film Street (September 29, 2023)
• [Fantastic Fest 2023 Review] Experience A Day In The Twisted Love Life of A Serial Killer in STRANGE DARLING - Nightmare on Film Street (September 29, 2023)
• Flops to Frights: Uncovering 7 Horror Gems That Deserved Better (And Got It... Eventually) - Nightmare on Film Street (September 28, 2023)
• [Podcast] Channel 666: THE MIDNIGHT HOUR (1985) - Nightmare on Film Street (September 28, 2023)
• Making Sense of the SAW Series: The Entire SAW Franchise, Explained - Nightmare on Film Street (September 27, 2023)
• [Fantastic Fest 2023 Review] Indie Horror Doc SPOOKTACULAR! Charts The Rise And Fall of America's First Halloween Theme Park - Nightmare on Film Street (September 26, 2023)
• October Streaming Guide 2023: Every Horror Movie + Series Coming to Netflix, Shudder, Max, Paramount+, Amazon Prime, Hulu and More! - Nightmare on Film Street (September 26, 2023)
• Halloween TV Guide 2023: AMC Fearfest, SyFy, Shudder, Freeform's 31 Nights of Halloween and More! - Nightmare on Film Street (September 25, 2023)
• Grim Grinning Gourds: 10 Must-Watch Pumpkin Patch and Jack-o'-Lantern Films - Nightmare on Film Street (September 23, 2023)
• Every Terrifying Maze at Universal Orlando's Halloween Horror Nights 32 RANKED - Nightmare on Film Street (September 22, 2023)
• Death at the Disco: 10 Underrated 70s Horror Movies That Still Spook! - Nightmare on Film Street (September 21, 2023)
• [Podcast] Channel 666: DARK NIGHT OF THE SCARECROW (1981) - Nightmare on Film Street (September 21, 2023)
• 10 *DO NOT MISS* Upcoming Horror Movies of Fall 2023 - Nightmare on Film Street (September 19, 2023)
• 13 Graveyard Horror Movies To Fuel Your Fear of Cemeteries! - Nightmare on Film Street (September 18, 2023)
• [Podcast] A HAUNTING IN VENICE - Drive Home From The Drive-in Review (Fiend Club Exclusive) - Nightmare on Film Street (September 17, 2023)
• [Review] A HAUNTING IN VENICE Is a Supernatural Halloween Treat - Nightmare on Film Street (September 16, 2023)
• Noche de Susto: 10 Spine-Tingling Hispanic Horror Movies to Celebrate Hispanic Heritage Month - Nightmare on Film Street (September 15, 2023)
• City-Slickers: 15 Downtown Horror Movies with Big City Scares! - Nightmare on Film Street (September 14, 2023)
• [Podcast] Nightmare Alley: Interview with SATANIC HISPANICS Directors Alejandro Brugués, Mike Mendez, Eduardo Sánchez, & Gigi Saul Guerrero - Nightmare on Film Street (September 14, 2023)
• Whodunit? 16 Great Murder Mystery Movies to Investigate Tonight! - Nightmare on Film Street (September 12, 2023)
• Do Not Disturb: 10 Hotel Horror Movies That Will Keep You Up at Night - Nightmare on Film Street (September 11, 2023)
• [Podcast] Graveyard Smash: THE INVISIBLE MAN (1933) - Fiend Club Exclusive - Nightmare on Film Street (September 10, 2023)
• 10 Underrated Horror Movies from the 2010s You May Have Missed - Nightmare on Film Street (September 9, 2023)
• When Playtime Turns Terrifying: 10 Great Creepy Doll Horror Movies - Nightmare on Film Street (September 8, 2023)
• Self-Aware Scares: 10 Must-Watch Meta-Horror Movies - Nightmare on Film Street (September 7, 2023)
• [Podcast] Murder Italiano: STAGE FRIGHT (1987) - Nightmare on Film Street (September 7, 2023)
• Harvest Horrors: 10 Cornfield Capers to Set the Autumn Mood - Nightmare on Film Street (September 1, 2023)
• Meet the Creeper: Ranking Every One of Rob Zombie's Horror Movie Hits - Nightmare on Film Street (August 31, 2023)
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• [Podcast] KNOCK AT THE CABIN First-Reactions Review (Fiend Club Exclusive) - Nightmare on Film Street (February 4, 2023)
• [Review] M Night Shyamalan's KNOCK AT THE CABIN is More 'Heartfelt' than 'Horror', More 'Safe' than 'Suspenseful' - Nightmare on Film Street (February 3, 2023)
• Hearts and Daggers: 10 Romantic Horror Movies to Watch This Valentine's Day! - Nightmare on Film Street (February 2, 2023)
• [Podcast] Nightmare Alley: Dying In The Dark with THE OUTWATERS Writer/Director Robbie Banfitch - Nightmare on Film Street (February 2, 2023)
• Bad Weather Ahead: The Complicated Production of John Carpenter's THE FOG (1980) - Nightmare on Film Street (February 1, 2023)
• It's Not Me, It's You: 5 Break-up Horror Movies for a Love-Free Valentine's Day! - Nightmare on Film Street (February 1, 2023)
• Horror Movie Roundup At The 2023 Sundance Film Festival - Nightmare on Film Street (February 1, 2023)
• Real-Life Frights: The 10 Most Haunted Places in America - Nightmare on Film Street (February 1, 2023)
• Frigid Frights: 10 Wintery Horror Movies that will Give You the Chills! - Nightmare on Film Street (January 30, 2023)
• Fever Streams: Six Netflix Original Horror Movies (and one series) To Binge On Your Sick Day - Nightmare on Film Street (January 30, 2023)
• [Podcast] What's Keeping Us Creepy: Spooky Sundance Highlights, Bad Acid Trips, and G-G-G-Ghosts! (Fiend Club Exclusive) - Nightmare on Film Street (January 29, 2023)
• [Horror Recipe] Your Mother Sips Soup in Hell: THE EXORCIST Inspired Pea and Mint Soup - Nightmare on Film Street (January 27, 2023)
• [Podcast] Deep Cuts: EYES OF LAURA MARS (1978) - Nightmare on Film Street (January 26, 2023)
• [Know Your Trope] Dusting Off The Cobwebs On Horror's Infamous Spooky Basements - Nightmare on Film Street (January 24, 2023)
• [Sundance 2023 Review] Possession is The New Party Drug in Australian Ghoul-Filled Shocker TALK TO ME - Nightmare on Film Street (January 24, 2023)
• [Sundance 2023 Review] Brandon Cronenberg's Psychedelic Nightmare INFINITY POOL is Just As Gory (and Horny) As Expected - Nightmare on Film Street (January 23, 2023)
• [Sundance 2023 Review] A Single Mother's Dark Past Comes To Light in Psychological Horror RUN RABBIT RUN - Nightmare on Film Street (January 22, 2023)
• [Sundance 2023 Review] A Grieving Mother Teams Up With A Mad Scientist in BIRTH/REBIRTH - Nightmare on Film Street (January 22, 2023)
• [Sundance 2023 Review] A Young Girl Turns Her Mother Into A Monster in Dark Fairy Tale IN MY MOTHER'S SKIN - Nightmare on Film Street (January 21, 2023)
• [Podcast] Undead Boys, Make Some Noize Part II: SPAWN (1997) - Nightmare on Film Street (January 19, 2023)
• [Review] KIDS VS ALIENS is A Live-Action Saturday Morning Cartoon Loaded With Nostalgia and Practical Effects - Nightmare on Film Street (January 16, 2023)
• [Podcast] What's Keeping Us Creepy: Demons, Deadites, Edgar Allan Poe, and More! (Fiend Club Exclusive) - Nightmare on Film Street (January 15, 2023)
• [Review] Viral Arthouse Horror SKINAMARINK is Indie Ethereal Kinder Trauma - Nightmare on Film Street (January 13, 2023)
• [Review] A Jewish Demon Terrorizes a Hasidic Funeral Home in Supernatural ScareFest THE OFFERING - Nightmare on Film Street (January 12, 2023)
• [Podcast] Undead Boys, Make Some Noise Part I: THE CROW (1994) - Nightmare on Film Street (January 12, 2023)
• [Review] THE PALE BLUE EYE Sees Edgar Allan Poe as a Budding Detective in a Gorgeously Gloomy Gothic Chiller - Nightmare on Film Street (January 9, 2023)
• [Podcast] M3GAN 'Drive Home From The Drive-In' First Reactions Review (Fiend Club Exclusive) - Nightmare on Film Street (January 8, 2023)
• New Year/New You: The 10 Best Horror Movies To Keep You Motivated During Your 2023 Workout Routine - Nightmare on Film Street (January 7, 2023)
• [Review] Killer Doll Horror M3GAN is A Polyvinyl Parable of Tech Left Unchecked - Nightmare on Film Street (January 6, 2023)
• [Podcast] Midnight At Camp Blood - FRIDAY THE 13TH PART V: A NEW BEGINNING - Nightmare on Film Street (January 5, 2023)
• [Podcast] Never Sleep Again Part V: A NIGHTMARE ON ELM STREET 5: THE DREAM CHILD - Nightmare on Film Street (December 29, 2022)
• [Horror Recipe] We'll Tear Your Snacks Apart! HELLRAISER Inspired Pinhead Cheeseball - Nightmare on Film Street (December 27, 2022)
• [Best of 2022] @KimmiKillZombie's Top 10 Horror Movies of 2022 - Nightmare on Film Street (December 26, 2022)
• [Best of 2022] @JonOnAString's Top 10 Horror Movies of 2022 - Nightmare on Film Street (December 26, 2022)
• [Podcast] More Horror Favs From 2022 (Fiend Club Exclusive) - Nightmare on Film Street (December 23, 2022)
• [Podcast] Chatting Chads with SCARE PACKAGE II: RAD CHAD'S REVENGE Filmmakers Aaron B. Koontz and Cameron Burns - Nightmare on Film Street (December 22, 2022)
• Secret (Scary) Santa: 10 Horror Movies That You Forgot Were Christmas Stories - Nightmare on Film Street (December 20, 2022)
• [Podcast] Nightmare on Film Street's Top 10 Horror Movies of 2022 - Nightmare on Film Street (December 15, 2022)
• I Have No Mouth And I Must Scream: 10 Body Horror Moments From Your Childhood - Nightmare on Film Street (December 12, 2022)
• [Podcast] What's Keeping Us Creepy: Santa Terminators, Christmas Grinches, Swissploitation, Trolls, And More! (Fiend Club Exclusive) - Nightmare on Film Street (December 11, 2022)
• [Review] An Animatronic Santa Becomes A Terminator in Joe Begos' Brutal Holiday Massacre CHRISTMAS BLOODY CHRISTMAS - Nightmare on Film Street (December 10, 2022)
• [Review] Low Budget Punk Rock Holiday Horror Spoof THE MEAN ONE is As Goofy As It Is Grinchy - Nightmare on Film Street (December 9, 2022)
• [Bonus Podcast] Nightmare Alley: Gettin' Cheezy With MAD HEIDI CO-Directors Johannes Hartmann and Sandro Klopfstein - Nightmare on Film Street (December 9, 2022)
• [Podcast] The Fright Before Christmas Part II: THE DAY OF THE BEAST (1995) - Nightmare on Film Street (December 8, 2022)
• [Interview] Travis Stevens Discusses The Exaggerated Reality and Surrealist Inspirations Behind A WOUNDED FAWN - Nightmare on Film Street (December 5, 2022)
• [Podcast] What's Keeping Us Creepy: Badass Santas, Cocaine Bears, and Christmas Kidnappers (Fiend Club Exclusive) - Nightmare on Film Street (December 4, 2022)
• [Review] Javier Botet and David Pareja Are Best Friends...To The End...in Óscar Martín's Dark Buddy Comedy AMIGO - Nightmare on Film Street (December 2, 2022)
• Hidden Gems: 10 Indie Horror Movies From 2022 That Flew Under Your Radar - Nightmare on Film Street (December 1, 2022)
• [Review] COVID Horror THE HARBINGER is A Never-Ending Creepypasta Nightmare - Nightmare on Film Street (December 1, 2022)
• [Podcast] The Fright Before Christmas Part I: MANIAC COP 2 (1990) - Nightmare on Film Street (December 1, 2022)
• [Know Your Trope] Uncovering The History of Horror's Loveable Weirdo a.k.a. "The Harbinger" - Nightmare on Film Street (November 30, 2022)
• [Horror Recipe] I Want To Bake A Game: Jigsaw's Pinwheel Cookies - Nightmare on Film Street (November 29, 2022)
• [Review] A Serial Killer Swan Dives Into Madness in Travis Stevens' Psycho-Delic A WOUNDED FAWN - Nightmare on Film Street (November 28, 2022)
• [Review] Tim Burton's WEDNESDAY is A Creepy 'n' Kooky Coming of Age Story For Outcasts - Nightmare on Film Street (November 27, 2022)
• [Podcast] What's Keeping Us Creepy: Cabinets of Curiosities, Christmas Crime, and Technicolor Transylvania! (Fiend Club Exclusive) - Nightmare on Film Street (November 26, 2022)
• [Podcast] Nightmare Alley: Getting Spooky (and Silly) with OUT THERE HALLOWEEN MEGA TAPE Filmmakers Chris and Melissa LaMartina - Nightmare on Film Street (November 24, 2022)
• Dead Before Dessert: 10 Iconic Dinner Scenes In Horror To Get You Through Thanksgiving - Nightmare on Film Street (November 23, 2022)
• Wanna Keep Playing? 10 Horror Movies That Prove Nothing is Scarier Than A Creepy Doll - Nightmare on Film Street (November 22, 2022)
• Terror At 20,000 Feet: 10 Horror Movies To Make You Reconsider Boarding A Plane This Holiday Season - Nightmare on Film Street (November 21, 2022)
• [Podcast] Dark Ass Disney Part II: SOMETHING WICKED THIS WAY COMES (1983) - Nightmare on Film Street (November 17, 2022)
• Travel At Your Own Risk: 10 Road Trip Horror Movies To Watch Before Ignoring That Creepy Gas Station Attendant's Warnings - Nightmare on Film Street (November 15, 2022)
• [Podcast] Dark Ass Disney Part I: THE WATCHER IN THE WOODS (1980) - Nightmare on Film Street (November 10, 2022)
• [Review] Moody Crime Drama Meets Modern Folk Horror in Shudder Original MANDRAKE - Nightmare on Film Street (November 8, 2022)
• [Podcast] Nightmare Alley: Getting Weird with SOMETHING IN THE DIRT Filmmakers Justin Benson & Aaron Moorhead - Nightmare on Film Street (November 3, 2022)
• [#31DayHorrorChallenge] 10 Must-Watch Black and White Films For Modern Horror Fans - Nightmare on Film Street (October 30, 2022)
• [#31DayHorrorChallenge] Show Your Kids Their First Horror Movie This Halloween With These Classic Disney Channel Originals - Nightmare on Film Street (October 29, 2022)
• [Podcast] Midnight At Camp Blood: FRIDAY THE 13TH (2009) - Nightmare on Film Street (October 29, 2022)
• [Podcast] Rotten Pumpkins Part II - HALLOWEEN 6: THE CURSE OF MICHAEL MYERS (1995) - Nightmare on Film Street (October 27, 2022)
• [BHFF 2022 Review] Horror Moves Into A High-Rise in Joko Anwar's SATAN'S SLAVES 2: COMMUNION - Nightmare on Film Street (October 22, 2022)
• [Podcast] HALLOWEEN ENDS: Spoiler-Filled First Reactions (Fiend Club Exclusive) - Nightmare on Film Street (October 22, 2022)
• [BHFF 2022 Review] Tubi's TERROR TRAIN Remake Delivers A Predictable But Fun Slasher For The Halloween Season - Nightmare on Film Street (October 21, 2022)
• [Podcast] Nightmare Alley: The Filmmakers Behind Horror Anthology SINPHONY Spill Their Guts - Nightmare on Film Street (October 21, 2022)
• [Podcast] HALLOWEEN ENDS Drive-Home From The Drive-In First Reactions - Nightmare on Film Street (October 20, 2022)
• [BHFF 2022 Interview] The Filmmakers of Horror-Anthology SINPHONY Share The Stories Behind Their Bite-Sized Tales of Terror - Nightmare on Film Street (October 20, 2022)
• [BHFF 2022 Review] Found Footage Horror Anthology V/H/S/99 is Y2Krazy - Nightmare on Film Street (October 17, 2022)
• #31DayHorrorChallenge: Experience Two Nightmarish And Twisted Tales of Edgar Allan Poe Told Through TWO EVIL EYES - Nightmare on Film Street (October 17, 2022)
• [Review] Dario Argento Returns with New Giallo DARK GLASSES - Nightmare on Film Street (October 17, 2022)
• [Podcast] Midnight At Camp Blood - FREDDY VS. JASON (Fiend Club Exclusive) - Nightmare on Film Street (October 15, 2022)
• [Spoiler-Free Review] David Gordon Green's HALLOWEEN ENDS is Unlike Any Halloween Movie Ever Made - Nightmare on Film Street (October 14, 2022)
• [Podcast] Rotten Pumpkins Part I - HALLOWEEN 5: THE REVENGE OF MICHAEL MYERS (1989) - Nightmare on Film Street (October 13, 2022)
• [Halloween Recipe] Bend The Bones And Have A Snack: Vegan HOCUS POCUS Book Brownies - Nightmare on Film Street (October 12, 2022)
• 10 Horror Movies You Don't Want To Miss at Brooklyn Horror Film Festival 2022 - Nightmare on Film Street (October 10, 2022)
• Deadly Double-Features: How To Turn Family Movie Night Into An Absolute FrightFest This Halloween - Nightmare on Film Street (October 10, 2022)
• [Interview] TERRIFIER 2 Director Damien Leone Shares All The Gory Details on Art The Clown and His Plans For TERRIFIER 3 - Nightmare on Film Street (October 9, 2022)
• [Podcast] BONUS! Interview with HELLRAISER (2022) Director David Bruckner about Cenobites, Cenogore, and Sweet Sweet Suffering! - Nightmare on Film Street (October 8, 2022)
• [Podcast] Midnight At Camp Blood - JASON X (Fiend Club Exclusive) - Nightmare on Film Street (October 8, 2022)
• [Review] BRING IT ON: CHEER OR DIE Is a Silly But Fun Slasher Teen Comedy Mash-Up - Nightmare on Film Street (October 6, 2022)
• [Podcast] Samhain Scares Part II: CHILDREN OF THE CORN (1984) - Nightmare on Film Street (October 6, 2022)
• [Review] HELLRAISER (2022) is A Bloodthirsty, Sadistic Re-imagining of Clive Barker's Unique Vision of Horror - Nightmare on Film Street (October 5, 2022)
• [Fantastic Fest 2022 Review] Grandma And Grandpa Go From Sweet & Tender To Sick & Twisted in Spanish Horror THE ELDERLY - Nightmare on Film Street (October 4, 2022)
• [Review] Practical Effects Reign Supreme in Contained Creature Feature THEY CRAWL BENEATH - Nightmare on Film Street (October 4, 2022)
• [Review] Found Footage Horror DEADSTREAM Reaches Peak EVIL DEAD II Levels of Zany Fun - Nightmare on Film Street (October 3, 2022)
• [Fantastic Fest 2022 Review] TERRIFIER 2 is Deranged and Depraved...And You're Gonna Love it - Nightmare on Film Street (October 3, 2022)
• [Review] Despite A Familiar Plot SMILE Delivers Good Scares And A Creepy Story About The Horrors of Mental Illness - Nightmare on Film Street (October 1, 2022)
• [Podcast] Midnight At Camp Blood - JASON GOES TO HELL: THE FINAL FRIDAY (Fiend Club Exclusive) - Nightmare on Film Street (October 1, 2022)
• [Fantastic Fest 2022 Review] A Prison Transfer Turns Into An Absolute Bloodbath in South Korean Action-Thriller PROJECT WOLF HUNTING - Nightmare on Film Street (September 30, 2022)
• [Review] Teen Horror MY BEST FRIEND'S EXORCISM Might Not Be For You But Your Kids Are Gonna Love It - Nightmare on Film Street (September 30, 2022)
• [Podcast] Nightmare Alley: Going Live in A Haunted House in DEADSTREAM with Creators Joseph and Vanessa Winter - Nightmare on Film Street (September 29, 2022)
• [Review] SPIRIT HALLOWEEN: THE MOVIE is Good Clean Halloween Fun, But Don't Expect More than Polyester Quality - Nightmare on Film Street (September 26, 2022)
• [Fantastic Fest 2022 Review] Horror Anthology SATANIC HISPANICS Delivers 5 Wickedly Fun Tales of Terror - Nightmare on Film Street (September 26, 2022)
• [Fantastic Fest 2022 Review] Hellfire Rains Down On A Small Town in Demonic Horror EVERYONE WILL BURN - Nightmare on Film Street (September 24, 2022)
• [Podcast] Midnight At Camp Blood - FRIDAY THE 13TH PART VIII: JASON TAKES MANHATTAN (Fiend Club Exclusive) - Nightmare on Film Street (September 24, 2022)
• Welcome To The Hellfire Club: 10 Horror Movies STRANGER THINGS' Eddie Munson Would Have Loved - Nightmare on Film Street (September 23, 2022)
• [Podcast] Samhain Scares Part I: PUMPKINHEAD (1988) - Nightmare on Film Street (September 22, 2022)
• Ranking Universal Studios 2022 Halloween Horror Nights Houses From Dead Cold To Blood-Curdling - Nightmare on Film Street (September 21, 2022)
• Binge-Watching On A Budget: 10 Classic Horror Films Streaming FOR FREE on Tubi Right Now - Nightmare on Film Street (September 20, 2022)
• We Can't Be Stopped: How Hip-Hop and Horror Influenced Each Other - Nightmare on Film Street (September 19, 2022)
• 35 Years of Suffering: Celebrating The Undying Legacy of Clive Barker's HELLRAISER - Nightmare on Film Street (September 18, 2022)
• [Podcast] Midnight At Camp Blood - FRIDAY THE 13TH PART VII: THE NEW BLOOD (Fiend Club Exclusive) - Nightmare on Film Street (September 17, 2022)
• [Review] Ti West's PEARL Is As Sickly Sweet As It Is Sinister - Nightmare on Film Street (September 16, 2022)
• [Podcast] BARBARIAN (2022) - Drive Home From The Drive-in First Reactions - Nightmare on Film Street (September 15, 2022)
• What’s Your Sign? See Which Horror Movie Villian You Are Based on Your Zodiac - Nightmare on Film Street (September 14, 2022)
• [Review] Papa Roach and Five Finger Death Punch Star in Revenge Thriller THE RETALIATORS - Nightmare on Film Street (September 13, 2022)
• Freaks And Shrieks: 10 Back To School Horror Movies Streaming on Hulu Right Now - Nightmare on Film Street (September 12, 2022)
• [#31DAYHORRORCHALLENGE] Official 2022 Challenge Guide and Halloween Giveaway! - Nightmare on Film Street (September 8, 2022)
• [Podcast] Texas REMAKE Massacres Part II: THE TEXAS CHAINSAW MASSACRE (2003) - Nightmare on Film Street (September 8, 2022)
• [Podcast] Midnight At Camp Blood - FRIDAY THE 13TH PART V: A NEW BEGINNING (Fiend Club Exclusive) - Nightmare on Film Street (September 3, 2022)
• [Podcast] Texas REMAKE Massacres Part I: TEXAS CHAINSAW 3D (2013) - Nightmare on Film Street (September 1, 2022)
• [Podcast] Midnight At Camp Blood - FRIDAY THE 13TH: THE FINAL CHAPTER (1984) - Nightmare on Film Street (August 28, 2022)
• [Podcast] Summer Camp Slashers Part II: CHEERLEADER CAMP (1988) - Nightmare on Film Street (August 25, 2022)
• [Podcast] Midnight At Camp Blood - FRIDAY THE 13TH PART 3D (Fiend Club Exclusive) - Nightmare on Film Street (August 20, 2022)
• [Podcast] Summer Camp Slashers Part I: THE BURNING (1981) - Nightmare on Film Street (August 18, 2022)
• [Review] Esther's Reign of Tiny Terror Comes Full Circle in Prequel Thriller ORPHAN: FIRST KILL - Nightmare on Film Street (August 17, 2022)
• [Popcorn Frights 2022 Review] THE THIRD SATURDAY IN OCTOBER Parts I And V Make The Perfect Horror Nostalgia Double-Feature - Nightmare on Film Street (August 15, 2022)
• [#Fantasia2022 Review] WHAT TO DO WITH THE DEAD KAIJU? Is Pure Political Satire...But With Zero Monster Action - Nightmare on Film Street (August 14, 2022)
• [Popcorn Frights 2022 Review] Horror Is A Family Affair in Child's Play Documentary LIVING WITH CHUCKY - Nightmare on Film Street (August 14, 2022)
• [Podcast] Midnight At Camp Blood - FRIDAY THE 13TH PART 2 (Fiend Club Exclusive) - Nightmare on Film Street (August 13, 2022)
• [Podcast] Viral Found Footage Part II: LAKE MUNGO (2008) - Nightmare on Film Street (August 11, 2022)
• [#Fantasia2022 Interview] Director Jesse Thomas Cook and Stars Ry Barrett and Liv Collins Share The Creation of Action-Horror-Comedy CULT HERO - Nightmare on Film Street (August 8, 2022)
• [#Fantasia2022 Review] Circus Performers Fight Off Nazis In Fantastical Superhero Sideshow FREAKS OUT - Nightmare on Film Street (August 8, 2022)
• [Podcast] Midnight At Camp Blood - FRIDAY THE 13TH (Fiend Club Exclusive) - Nightmare on Film Street (August 6, 2022)
• [#Fantasia2022 Review] French Meta Zombie Comedy FINAL CUT Doesn't Quite Compare To Its Japanese Counterpart - Nightmare on Film Street (August 4, 2022)
• [Podcast] Nightmare Alley: Talking Art and Monsters in ALLEGORIA With Spider One and Krsy Fox - Nightmare on Film Street (August 4, 2022)
• [#Fantasia2022 Review] The Children of A Serial Killer Join The Family Business in MEGALOMANIAC - Nightmare on Film Street (August 2, 2022)
• [#Fantasia2022 Review] COVID Horror THE HARBINGER is A Never-Ending Creepypasta Nightmare - Nightmare on Film Street (August 1, 2022)
• [#Fantasia2022 Review] An Elderly Exorcist Escapes An Asylum To Save His Daughter From Demons in LEGIONS - Nightmare on Film Street (August 1, 2022)
• [Review] A Masked Killer Hunts Queer Teens at A Conversion Camp in Tame Slasher THEY/THEM - Nightmare on Film Street (August 1, 2022)
• [#Fantasia2022 Review] JK Simmons is A Mysterious Stranger On The Other Side of The Gloryhole in Cosmic Horror GLORIOUS - Nightmare on Film Street (July 31, 2022)
• [#Fantasia2022 Review] A Cabin In The Woods is Plagued By Lovecraftian Madness in THE BREACH - Nightmare on Film Street (July 31, 2022)
• [#Fantasia2022 Review] Arthouse Kinder Trauma SKINAMARINK is The Stuff of Ethereal Nightmares - Nightmare on Film Street (July 31, 2022)
• [#Fantasia2022 Review] No Good Deed Goes Unpunished in Serial Killer Thriller MISSING - Nightmare on Film Street (July 30, 2022)
• [#Fantasia2022 Review] A Disgraced Reality TV Star Locks 'n' Loads For The Comeback Special of A Lifetime in CULT HERO - Nightmare on Film Street (July 30, 2022)
• [Podcast] Jordan Peele's NOPE: Spoiler-Filled First Reactions (Fiend Club Exclusive) - Nightmare on Film Street (July 29, 2022)
• [Podcast] Jordan Peele's NOPE: Spoiler-Free First Reactions (Drive Home From The Drive-In Review) - Nightmare on Film Street (July 28, 2022)
• [#Fantasia2022 Review] The Whole Office Gets What's Coming To 'Em in Dark Comedy EMPLOYEE OF THE MONTH - Nightmare on Film Street (July 27, 2022)
• [#Fantasia2022 Review] Rhys Darby is A Time Travelling Goofball in Quirky Sci-Fi Comedy RELAX, I'M FROM THE FUTURE - Nightmare on Film Street (July 26, 2022)
• [Podcast] Never Sleep Again Part IX: A NIGHTMARE ON ELM STREET (2010) - Nightmare on Film Street (July 24, 2022)
• [Spoiler-Free Review] Jordan Peele's NOPE is A Rip-Roaring Alien-Infested Good Time. Yeehaw! - Nightmare on Film Street (July 22, 2022)
• [Podcast] Viral Found Footage Part I: MEGAN IS MISSING (2011) - Nightmare on Film Street (July 21, 2022)
• [Podcast] Cronenberg Family Values Part II: DEAD RINGERS (1988) - Nightmare on Film Street (July 14, 2022)
• [Podcast] Never Sleep Again Part VIII: FREDDY VS. JASON (2003) - Nightmare on Film Street (July 8, 2022)
• [Podcast] Cronenberg Family Values Part I: SCANNERS (1981) - Nightmare on Film Street (July 7, 2022)
• [Podcast] Never Sleep Again Part VII: Wes Craven's NEW NIGHTMARE (1994) - Nightmare on Film Street (July 1, 2022)
• [Podcast] Release The Beast Part II - THE PURGE: ELECTION YEAR - Nightmare on Film Street (June 30, 2022)
• [Podcast] Drive Home From The Drive-in Review: THE BLACK PHONE (Fiend Club Exclusive) - Nightmare on Film Street (June 25, 2022)
• [Podcast] Release The Beast Part I - THE PURGE: ANARCHY (2014) - Nightmare on Film Street (June 23, 2022)
• UNDERRATED: 10 Must-Watch Horror Movies on Amazon Prime You Probably Haven't Seen Yet - Nightmare on Film Street (June 22, 2022)
• Celebrate 50 Years of Suspense with Alfred Hitchcock's Sleazy Proto-Slasher FRENZY (1972) - Nightmare on Film Street (June 21, 2022)
• [Review] A Sex Worker and A Religious Extremist Form An Unlikely Friendship During The Apocalypse in REVEALER - Nightmare on Film Street (June 20, 2022)
• [Blood and Black Gloves] Experience Ultimate Terror in Lucio Fulci's Sleazy Giallo THE NEW YORK RIPPER - Nightmare on Film Street (June 18, 2022)
• [Podcast] Never Sleep Again Part VI - FREDDY'S DEAD: THE FINAL NIGHTMARE (1991) - Nightmare on Film Street (June 17, 2022)
• [Podcast] 100% Cotton Part II: PHANTOMS (1998) - Nightmare on Film Street (June 16, 2022)
• [Podcast] Drive Home From The Drive-In Review: David Cronenberg's CRIMES OF THE FUTURE (Fiend Club Exclusive) - Nightmare on Film Street (June 10, 2022)
• [Overlook 2022 Review] Teen Terror SHAKY SHIVERS is a Mirthful Monster Mash-up - Nightmare on Film Street (June 9, 2022)
• [Podcast] Nightmare Alley: DASHCAM with Co-Writers Jed Shepherd and Gemma Hurley - Nightmare on Film Street (June 9, 2022)
• [Overlook 2022 Review] Dead Kids Are Calling in THE BLACK PHONE. Will You Accept The Charge? - Nightmare on Film Street (June 7, 2022)
• [Overlook 2022 Review] Queer Body Horror SWALLOWED Will Make Your Skin Crawl - Nightmare on Film Street (June 6, 2022)
• [Podcast] Never Sleep Again Part V: A NIGHTMARE ON ELM STREET 5: THE DREAM CHILD (1989) - Nightmare on Film Street (June 3, 2022)
• [Podcast] 100% Cotton Part I: SCREAM 3 (2000) - Nightmare on Film Street (June 2, 2022)
• [The Nostalgia Pit] How JAWS 2 Upped The Ante, Raised The Stakes, and Chummed The Waters of A Legendary Blockbuster - Nightmare on Film Street (June 1, 2022)
• [Review] High School Horror Comedy UNHUMAN is A Neon Tinted Zombie Fever Dream - Nightmare on Film Street (May 31, 2022)
• 5 Horror Movies You Don't Want To Miss At The 2022 Overlook Film Festival - Nightmare on Film Street (May 30, 2022)
• [Review] David Cronenberg's New Body Horror CRIMES OF THE FUTURE is As Horny As It is Horrific - Nightmare on Film Street (May 30, 2022)
• [Podcast] Win Or Die Part II: GAME OF DEATH (2020) - Nightmare on Film Street (May 26, 2022)
• [Podcast] Never Sleep Again Part IV: A NIGHTMARE ON ELM STREET 4: THE DREAM MASTER - Nightmare on Film Street (May 20, 2022)
• [Review] Allegorical Horror MEN is Heavy on Imagery and Light on Plot - Nightmare on Film Street (May 20, 2022)
• [Podcast] Win or Die Part I: READY OR NOT (2019) - Nightmare on Film Street (May 19, 2022)
• Painting The Town Red: 10 Must-Watch Italian Horror Films That Aren't Giallos - Nightmare on Film Street (May 16, 2022)
• [Review] The Kids Are A Fright in Iceland Telekinesis Thriller THE INNOCENTS - Nightmare on Film Street (May 13, 2022)
• [Review] Blumhouse's FIRESTARTER Puts Stephen King's Explosive Thriller On A Low Simmer - Nightmare on Film Street (May 12, 2022)
• [#PanicFest2022 Review] Found Footage Horror THE OUTWATERS is a Straight-Up Descent into INSANITY - Nightmare on Film Street (May 12, 2022)
• [Podcast] What's Keeping Us Creepy: The Best Horror Movies at #PanicFest2022 - Nightmare on Film Street (May 12, 2022)
• [Podcast] Never Sleep Again Part III: A NIGHTMARE ON ELM STREET 3: DREAM WARRIORS - Nightmare on Film Street (May 6, 2022)
• [Podcast] Nightmare Alley: SLEEPWALKERS 30th Anniversary with Mick Garris Live at #PanicFest2022 - Nightmare on Film Street (May 5, 2022)
• [#PanicFest2022 Review] Alien Monsters Hitch A Ride Inside Human Beings in Spanish Sci-Fi Comedy THE PASSENGER - Nightmare on Film Street (May 4, 2022)
• [#PanicFest2022 Review] Get Ready To Have Your Brains Burned At The Stake in Gaspar Noé's Trippy Witch Flick LUX ÆTERNA - Nightmare on Film Street (May 3, 2022)
• [#PanicFest2022 Review] Artists Are Tormented by Their Own Creations in Horror Anthology ALLEGORIA - Nightmare on Film Street (May 3, 2022)
• [#PanicFest2022 Review] True-Crime Biopic NITRAM Breaks Down Australia's Largest Mass Shooting in Excruciating Detail - Nightmare on Film Street (May 2, 2022)
• [#PanicFest2022 Review] Youtubers Encounter Ancient Evil in Found Footage Fright MALIBU HORROR STORY - Nightmare on Film Street (May 1, 2022)
• [Podcast] Rage Cage Part II: GHOST RIDER (2007) - Nightmare on Film Street (April 28, 2022)
• [Review] Intense Cult Thriller THE AVIARY Will Leave You Questioning Everything - Nightmare on Film Street (April 27, 2022)
• [Interview] HATCHING Director Hannah Bergholm Discusses The Making of The Monster in Her Female-Driven Creature Feature - Nightmare on Film Street (April 27, 2022)
• [Review] HBOmax Limited Series THE BABY Forces A Childless 30-Something To Mother The Spawn of Satan - Nightmare on Film Street (April 23, 2022)
• 10 Horror Movies You Don't Want To Miss At #PanicFest2022 - Nightmare on Film Street (April 22, 2022)
• [Podcast] Never Sleep Again Part II: A NIGHTMARE ON ELM STREET 2: FREDDY'S REVENGE - Nightmare on Film Street (April 22, 2022)
• [Podcast] Rage Cage Part I: VAMPIRE'S KISS (1989) - Nightmare on Film Street (April 21, 2022)
• [Review] You Have Less Than A Minute To Survive in Zombie Outbreak Thriller VIRUS :32 - Nightmare on Film Street (April 20, 2022)
• [Podcast] What's Keeping Us Creepy: Time-Travelling Serial Killers, Toxic Avengers, and Cyborg Zombies! (Fiend Club Exclusive) - Nightmare on Film Street (April 17, 2022)
• [Podcast] Nightmare Alley: Lloyd Kaufman Talks #SHAKESPEARESSHITSTORM, Troma, and More! - Nightmare on Film Street (April 14, 2022)
• [The Nostalgia Pit] PIECES is A Gore-Filled Gateway Drug For Grindhouse Horror Fans - Nightmare on Film Street (April 12, 2022)
• [Review] Dive Head First Into The TechnoPunk Zombie Insanity of WYRMWOOD: APOCALYPSE - Nightmare on Film Street (April 11, 2022)
• [Podcast] Never Sleep Again Part I: A NIGHTMARE ON ELM STREET (1984) - Nightmare on Film Street (April 8, 2022)
• [Podcast] Tans of Terror Part II: FINAL DESTINATION 3 (2006) - Nightmare on Film Street (April 6, 2022)
• [Review] A Deaf Woman is Caught In A Deadly Game of Cat-And-Mouse with A Serial Killer in Korean Thriller MIDNIGHT - Nightmare on Film Street (April 4, 2022)
• [Podcast] What's Keeping Us Creepy: Superhero Vampires...Gory Action Movies...Killer Rollercoasters...Alien Encounters! (Fiend Club Exclusive) - Nightmare on Film Street (April 3, 2022)
• [Review] An Agoraphobic Can't Escape A Haunted Apartment in Single-Location Supernatural Horror NIGHT'S END - Nightmare on Film Street (March 31, 2022)
• [Podcast] Tans of Terror Part I: I STILL KNOW WHAT YOU DID LAST SUMMER (1998) - Nightmare on Film Street (March 31, 2022)
• [Review] A Group of Masked Intruders Invite Themselves To Dinner in Tense Home Invasion Thriller BARBARIANS - Nightmare on Film Street (March 29, 2022)
• [#BUFF22 Review] Lo-Fi Teenage Thriller HONEYCOMB Leaves The World Behind In Search of Something Better - Nightmare on Film Street (March 28, 2022)
• [#BUFF22 Review] Mental Illness is A Monster in Supernatural Thriller HYPOCHONDRIAC - Nightmare on Film Street (March 28, 2022)
• [Interview] Writer/Director Kate Dolan Explains The Dark Folklore That Inspired Her Supernatural Horror YOU ARE NOT MY MOTHER - Nightmare on Film Street (March 25, 2022)
• [Video] Blow Your Brain Out The Back Of Your Skull With This MALIGNANT Inspired Cocktail (Fiend Club Exclusive) - Nightmare on Film Street (March 25, 2022)
• [Podcast] What's Keeping Us Creepy: The Best Horror Movies At #SXSW 2022 - Nightmare on Film Street (March 25, 2022)
• [Review] Indie Supernatural Horror DEEP HATRED is Simple But Spine-Tingling - Nightmare on Film Street (March 22, 2022)
• Leave Your Worries Behind and Celebrate World Happiness Day With These Feel-Good Horror-Comedies - Nightmare on Film Street (March 20, 2022)
• [Podcast] Drive Home From The Drive-In Review: Ti West's X (Fiend Club Exclusive) - Nightmare on Film Street (March 19, 2022)
• [#SXSW 2022 Interview] Australian Filmmakers Hannah Barlow and Kane Senes Discuss Their Quirky Mean Girl Slasher SISSY - Nightmare on Film Street (March 18, 2022)
• [Review] Ti West's Rural Horror X is Busting At The Seams With Sex And Violence - Nightmare on Film Street (March 18, 2022)
• [Podcast] Makeout Massacre Part II: KILLER KLOWNS FROM OUTER SPACE (1988) - Nightmare on Film Street (March 17, 2022)
• [#SXSW 2022 Interview] How DEADSTREAM Writers/Directors Joseph and Vanessa Winter Filmed A Ghost Story In A Real Haunted House - Nightmare on Film Street (March 16, 2022)
• [#SXSW 2022 Review] Nicolas F*cking Cage is Nicolas F*cking Cage in THE UNBEARABLE WEIGHT OF MASSIVE TALENT - Nightmare on Film Street (March 16, 2022)
• [#SXSW 2022 Interview] Writer/Director Nyla Innuksuk and The SLASH/BACK Cast Explain How They Invaded A Small Town To Film An Alien Invasion - Nightmare on Film Street (March 15, 2022)
• [#SXSW 2022 Review] A Masked Madman Turns Childhood Games Into Deadly Traps in 90s Throwback Slasher BITCH ASS - Nightmare on Film Street (March 15, 2022)
• [#SXSW 2022 Review] Two Students Frame A Meanspirited Teacher For Murder in Dark Comedy THE PRANK - Nightmare on Film Street (March 14, 2022)
• [#SXSW 2022 Review] Winona Ryder Hunts For Her Missing Boyfriend in Mystery Thriller GONE IN THE NIGHT - Nightmare on Film Street (March 14, 2022)
• [#SXSW 2022 Review] Inuit Horror SLASH/BACK Explores Terror in the Tundra - Nightmare on Film Street (March 13, 2022)
• [#SXSW 2022 Review] Two Friends Call On The Spirits To Rid Themselves Of A Dangerous Stalker in Indie Comedy JETHICA - Nightmare on Film Street (March 12, 2022)
• [#SXSW 2022 Review] Found Footage Horror DEADSTREAM Reaches Peak EVIL DEAD II Levels of Zany Fun - Nightmare on Film Street (March 12, 2022)
• [#SXSW 2022 Review] Aussie Horror SISSY is A Weekend Getaway Gone Wrong Done Right - Nightmare on Film Street (March 12, 2022)
• [Review] Religious Horror THE EXORCISM OF GOD Takes A Classic Exorcism Story And Pushes It To Its Absolute Limits - Nightmare on Film Street (March 10, 2022)
• [Podcast] Nightmare Alley: Chewing The Fat with FRESH Director Mimi Cave and Writer Lauryn Kahn - Nightmare on Film Street (March 10, 2022)
• [Review] Get Your Brains Blown Across The Cosmos With The Body-Snatching Debauchery of THE SEED - Nightmare on Film Street (March 9, 2022)
• [Review] THE BATMAN is a Dark Crime Thriller But Not The Creepy Caper You Might Be Expecting - Nightmare on Film Street (March 4, 2022)
• [Podcast] Makeout Massacre Part I: NIGHT OF THE CREEPS (1986) - Nightmare on Film Street (March 3, 2022)
• [Review] Metaphorical Monster Movie TAKE BACK THE NIGHT Tackles The Real-Life Horrors of Sexual Assault - Nightmare on Film Street (March 2, 2022)
• [Podcast] Drive Home From The Drive-In: STUDIO 666 (Fiend Club Exclusive) - Nightmare on Film Street (February 27, 2022)
• [Video] Final Girl Mimosa Mocktail Recipe (Fiend Club Exclusive) - Nightmare on Film Street (February 25, 2022)
• [Review] Occult Indie Horror HELLBENDER Puts Mother-Daughter Relationships To The Test - Nightmare on Film Street (February 24, 2022)
• [Podcast] Nightmare Alley: Coming-of-Rage with HELLBENDER Filmmakers The Adams Family - Nightmare on Film Street (February 24, 2022)
• [Review] Get Ready To Rock And Roll On The Floor Laughing with Foo Fighters' Horror-Comedy STUDIO 666 - Nightmare on Film Street (February 23, 2022)
• [Podcast] Drive Home From The Drive-In: TEXAS CHAINSAW MASSACRE (Fiend Club Exclusive) - Nightmare on Film Street (February 19, 2022)
• [Review] Leatherface Cuts A Group of Millennials Down To Size in Legacy Sequel TEXAS CHAINSAW MASSACRE (2022) - Nightmare on Film Street (February 18, 2022)
• [Podcast] Nightmare Alley: Selling Your Soul For Rock 'n' Roll with STUDIO 666 Director BJ McDonnell - Nightmare on Film Street (February 17, 2022)
• [Review] Psychological Body-Horror A BANQUET Confronts Generational Trauma and Toxic Relationships - Nightmare on Film Street (February 16, 2022)
• [Review] Supernatural Drama THEY LIVE IN THE GREY Haunts The Mind And Tugs On The Heartstrings - Nightmare on Film Street (February 15, 2022)
• [Video] My Bloody Valentine Cocktail Recipe + Drinking Game (Fiend Club Exclusive) - Nightmare on Film Street (February 12, 2022)
• [Podcast] Superior Sequels Part II: HUMAN CENTIPEDE 2 (FULL SEQUENCE) - Nightmare on Film Street (February 10, 2022)
• [Review] ALL THE MOONS is A Beautiful Yet Heartbreaking Vampire Story Set In The Late 19th Century - Nightmare on Film Street (February 9, 2022)
• [Podcast] Drive Home From The Drive-In: Spoiler-Filled First Reactions of SCREAM 5 (Fiend Club Exclusive) - Nightmare on Film Street (February 5, 2022)
• [Podcast] Superior Sequels Part I: HOSTEL PART II (2007) - Nightmare on Film Street (February 3, 2022)
• [Podcast] What's Keeping Us Creepy: HOSTEL & THE HUMAN CENTIPEDE: FIRST SEQUENCE (Fiend Club Exclusive) - Nightmare on Film Street (January 29, 2022)
• [#Sundance 2022 Review] Horror-Drama Hybrid NANNY Hints At A World of Supernatural Spirits - Nightmare on Film Street (January 27, 2022)
• [Podcast] What's Keeping Us Creepy: The Best Horror Movies at Sundance 2022 - Nightmare on Film Street (January 27, 2022)
• [#Sundance 2022 Review] A Shapeshifting Witch Explores The Complexity of Human Existence in YOU WON'T BE ALONE - Nightmare on Film Street (January 26, 2022)
• 5 Horror Movies to Watch After You Finish YELLOWJACKETS - Nightmare on Film Street (January 26, 2022)
• [#Sundance 2022 Review] A Bullied Girl is Given The Opportunity For Brutal Revenge in PIGGY - Nightmare on Film Street (January 26, 2022)
• [#Sundance 2022 Review] Gory Thriller FRESH is Hungry For Love And It's Feeding Time! - Nightmare on Film Street (January 24, 2022)
• [#Sundance 2022 Review] Hide Your Kids, Hide Your Wife Before Watching Danish Thriller SPEAK NO EVIL - Nightmare on Film Street (January 23, 2022)
• [#Sundance 2022 Review] Fall Down An Unreliable Rabbit Hole in Justin Benson and Aaron Moorehead's SOMETHING IN THE DIRT - Nightmare on Film Street (January 23, 2022)
• [#Sundance 2022 Review] A Young Girl Becomes Mother To A Monster in Low-key Creature Feature HATCHING - Nightmare on Film Street (January 23, 2022)
• [#Sundance 2022 Review] A Woman is Forced To Fight Her Clone To The Death on Live Television in DUAL - Nightmare on Film Street (January 22, 2022)
• [#Sundance 2022 Review] Maika Monroe Draws The Unwanted Attention of A Stranger in Chilling Thriller WATCHER - Nightmare on Film Street (January 22, 2022)
• [#Sundance 2022 Review] An Elite College Campus is Haunted By Ghosts of The Past in MASTER - Nightmare on Film Street (January 22, 2022)
• [Podcast] What's Keeping Us Creepy: Jan 15 - Jan 21 (Fiend Club Exclusive) - Nightmare on Film Street (January 22, 2022)
• [Podcast] Space Invaders Part II: THE THING (1982) - Nightmare on Film Street (January 20, 2022)
• 5 Horror Movies We Can't Wait To See at The 2022 Sundance Film Festival - Nightmare on Film Street (January 19, 2022)
• [Review] Strap Yourself In For A Bloody Good Time with Christopher Donaldson's DITCHED - Nightmare on Film Street (January 19, 2022)
• [Podcast] What's Keeping Us Creepy: Jan 7 - Jan 15 (Fiend Club Exclusive) - Nightmare on Film Street (January 15, 2022)
• [Review] The Ghostface Killah Ain't Nuthing To F*ck With in Slasher Requel SCREAM (2022) - Nightmare on Film Street (January 14, 2022)
• [Review] Indie Horror THE CURSE OF LA PATASOLA Brings To Life A South American Monster - Nightmare on Film Street (January 13, 2022)
• [Podcast] Space Invaders Part I: ALIEN (1979) - Nightmare on Film Street (January 13, 2022)
• [Podcast] Nightmare on Film Street's Festival Finds of 2021 (Fiend Club Exclusive) - Nightmare on Film Street (January 9, 2022)
• Anticipate This: The 10 Horror Movies We're Most Excited for in 2022 - Nightmare on Film Street (January 8, 2022)
• Murder, Mayhem, and Michael Myers: The 10 Horror Movies That Defined 2021 - Nightmare on Film Street (January 7, 2022)
• [Podcast] Nightmare on Film Street's Top 10 Horror Movies of 2021 - Nightmare on Film Street (January 6, 2022)
• [Review] Bonnie Aarons Stuns and Terrifies in Psychological Horror I LIVE ALONE - Nightmare on Film Street (January 3, 2022)
• [Review] Spanish Arthouse Cult Film ARREBATO Has Been Resurrected and Restored For A New Audience - Nightmare on Film Street (December 28, 2021)
• [AHITH 2021 Review] The Woods Are Not What They Seem in Eerie Indie Horror WOODLAND GREY - Nightmare on Film Street (December 15, 2021)
• [REVIEW] Time Doesn't Heal All Wounds in the Well-Crafted AUTUMN ROAD - Nightmare on Film Street (December 1, 2021)
• [Exclusive Interview] RESIDENT EVIL: WELCOME TO RACCOON CITY Writer/Director Johannes Roberts Invites You On A Terrifying Ride - Nightmare on Film Street (November 27, 2021)
• [Review] Hilariously Gory BLACK FRIDAY Lights The Holiday Season Up With Horror - Nightmare on Film Street (November 19, 2021)
• [Review] BINGO HELL is A Jackpot of Blood, Guts, and Green Slime - Nightmare on Film Street (November 16, 2021)
• [REVIEW] A Vacationing Family Becomes Paranormal Bait in LAIR - Nightmare on Film Street (November 10, 2021)
• [Review] Satirical Thriller THE BETA TEST is A Tale of Toxicity In Tinseltown - Nightmare on Film Street (November 7, 2021)
• [Podcast] Drive Home From The Drive-In: LAST NIGHT IN SOHO Spoiler-Free First Reactions! - Nightmare on Film Street (November 4, 2021)
• [Review] A Bloodthirsty Wendigo Terrorizes A Small Sad Town in Gory Creature Feature ANTLERS - Nightmare on Film Street (October 29, 2021)
• [Fund This] A Disgraced Software Engineer Builds An AI Replica of Himself in Sci-Fi Horror Short ADAM2 - Nightmare on Film Street (October 25, 2021)
• [Review] A Decades Old Truce Between Humans and Vampires Comes To A Violent End in NIGHT TEETH - Nightmare on Film Street (October 21, 2021)
• 10 Werewolf Movies Perfect For Your Halloween Horror Watchlist - Nightmare on Film Street (October 20, 2021)
• [Review] SLUMBER PARTY MASSACRE (2021) Serves Up A Jumbo Slice of Cheezy Slasher Fun For The Modern Horror Fan - Nightmare on Film Street (October 18, 2021)
• [Review] HALLOWEEN KILLS Showcases The Brutality and NeverEnding Trauma Of An Unstoppable Killing Machine - Nightmare on Film Street (October 15, 2021)
• [Podcast] Nightmare Alley: Found Footage Free-For-All with The Directors of V/H/S/94 - Nightmare on Film Street (October 14, 2021)
• [Podcast] Nightmare Alley: Talking All Things Horror with THE MANOR Writer/Director Axelle Carolyn - Nightmare on Film Street (October 7, 2021)
• [Podcast] Nightmare Alley: Writer/Director Gigi Saul Guerrero Takes Us To BINGO HELL - Nightmare on Film Street (September 30, 2021)
• [Podcast] Kooky Cannibals Part II: BLOOD FEAST (1963) - Nightmare on Film Street (September 23, 2021)
• [Exclusive Interview] THE FOREVER PURGE Writer James DeMonaco Wants To Bring Frank Grillo Back For Another Purge - Nightmare on Film Street (September 22, 2021)
• [Review] Mike Flanagan Invokes Small Town Horror in Netflix Limited Series MIDNIGHT MASS - Nightmare on Film Street (September 21, 2021)
• 5 Horror Movies You DO NOT Want To Miss At Fantastic Fest 2021 - Nightmare on Film Street (September 20, 2021)
• [#TIFF21 Review] Genre Mashup SALOUM Sends Three Mercenaries on A Revenge Mission in A Cursed Land - Nightmare on Film Street (September 18, 2021)
• [#TIFF21 Review] A Disbeliever Doubts A Powerful Exorcist in Iranian Demon Possession Horror ZALAVA - Nightmare on Film Street (September 16, 2021)
• [Podcast] Drive Home from the Drive-In: MALIGNANT Spoiler-Free First Reactions! - Nightmare on Film Street (September 16, 2021)
• [#TIFF21 Review] YOU ARE NOT MY MOTHER Blends Irish Folklore And Mental Health Into An Eerie Halloween Horror - Nightmare on Film Street (September 15, 2021)
• You Saw MALIGNANT, Now Watch These 5 Horror Movies - Nightmare on Film Street (September 14, 2021)
• [#TIFF21 Review] You Don't Have To Know A Damn Thing About DUNE To Like DUNE. Take It From Me, A Lifelong DUNE Avoider - Nightmare on Film Street (September 14, 2021)
• [#TIFF21 Review] Found Footage Horror DASHCAM Drives Head On into Chaos - Nightmare on Film Street (September 13, 2021)
• [#TIFF21 Review] Edgar Wright's LAST NIGHT IN SOHO Scares Up A Ghostly Good Time in The Swinging 60s - Nightmare on Film Street (September 11, 2021)
• [#TIFF21 REVIEW] Dysmorphic Body Horror TITANE Dares the Squeamish - Nightmare on Film Street (September 11, 2021)
• [Review] James Wan Has Done It Again! MALIGNANT is Just As Scary As You Hoped...And Really Weird Too - Nightmare on Film Street (September 10, 2021)
• [Podcast] Kooky Cannibals Part I: BLOOD DINER (1987) - Nightmare on Film Street (September 9, 2021)
• Are You Ready for the #31DAYHORRORCHALLENGE? The Halloween Horror Movie Marathon and Giveaway Kicks Off October 1st! - Nightmare on Film Street (September 7, 2021)
• [Interview] James Wan Discusses The Animatronics and Gore Effects of MALIGNANT - Nightmare on Film Street (September 2, 2021)
• [Podcast] Nightmare Alley: Dying For A Vacation with SUPERHOST Writer/Director Brandon Christensen - Nightmare on Film Street (September 2, 2021)
• [Fiend Club] Join us for a Watchparty of Shudder's SUPERHOST This Friday! - Nightmare on Film Street (August 31, 2021)
• [#Fantasia2021 Review] Mythological Creatures Fight For Their Freedom In The Animated Fantasy Feature CRYPTOZOO - Nightmare on Film Street (August 26, 2021)
• [Review] Indie Horror BEHEMOTH Boasts Some Really Impressive Special Effects Given Its Meager $65K Budget - Nightmare on Film Street (August 25, 2021)
• [Review] The Boogeyman is Back in Nia DaCosta's CANDYMAN - Nightmare on Film Street (August 25, 2021)
• [#Fantasia2021 Review] Phil Tippett's Stop-Motion Masterpiece MAD GOD is 30 Years Worth Of Blood, Sweat and Tears - Nightmare on Film Street (August 24, 2021)
• [#Fantasia2021 Review] Fall Down a Terrifying Creepypasta Hole with Screenlife Horror #BLUE_WHALE - Nightmare on Film Street (August 24, 2021)
• [#Fantasia 2021 Interview] Writer/Director Rob Jabbaz Discusses The Sadistic Monsters Out For Blood in THE SADNESS - Nightmare on Film Street (August 23, 2021)
• [#Fantasia2021 Review] A House Party Goes Off The Rails In Absurdist Japanese Comedy WONDERFUL PARADISE - Nightmare on Film Street (August 23, 2021)
• [#Fantasia2021 Review] A Deadly Virus Unleashes A Pandemic of Extreme Violence in Taiwanese Horror THE SADNESS - Nightmare on Film Street (August 21, 2021)
• [Popcorn Frights 2021 Review] 80's Inspired Slasher PRETTY BOY is A Neon-Soaked Valentine's Day Bloodbath - Nightmare on Film Street (August 20, 2021)
• [#Fantasia2021 Review] Nightmarish Horror ON THE 3RD DAY is a Bloody Good Mystery - Nightmare on Film Street (August 20, 2021)
• [#Fantasia2021 Interview] The Adams Family Discuss DIY Filmmaking and The Witch/Demon/Predator Creatures of HELLBENDER - Nightmare on Film Street (August 19, 2021)
• [Review] Neill Blomkamp Takes Demon-Possession Into Virtual Reality With Low-Budget Horror DEMONIC - Nightmare on Film Street (August 19, 2021)
• [Podcast] Terror at 30 000 Feet: FINAL DESTINATION & SNAKES ON A PLANE - Nightmare on Film Street (August 19, 2021)
• [#Fantasia2021 Review] Heads Roll in Action-Packed Samurai Crime Story YAKUZA PRINCESS - Nightmare on Film Street (August 18, 2021)
• [#Fantasia2021 Review] An Ex-Priest Is Haunted By His Past Sins in Black & White Thriller THE RIGHTEOUS - Nightmare on Film Street (August 18, 2021)
• What's Your Sign? See Which Horror Movie Final Girl You Are Based on Your Zodiac - Nightmare on Film Street (August 17, 2021)
• [Popcorn Frights 2021 Review] A News Editor Uncovers A Conspiracy Theory in Screen-Life Thriller DASHCAM - Nightmare on Film Street (August 17, 2021)
• [#Fantasia2021 Review] Elegant Folk Horror THE LAST THING MARY SAW Has Sinister Intentions - Nightmare on Film Street (August 16, 2021)
• [Popcorn Frights 2021 Review] Rental-Gone-Wrong Horror SUPERHOST is a Killer Time - Nightmare on Film Street (August 15, 2021)
• [#Fantasia2021 Review] Occult Indie Horror HELLBENDER puts Mother-Daughter Relationships to the Test - Nightmare on Film Street (August 14, 2021)
• [Review] DON'T BREATHE 2 Challenges What A Sequel Can Do With A Relentless Display of Depravity and Dark Humor - Nightmare on Film Street (August 14, 2021)
• [#Fantasia2021 Review] BRAIN FREEZE Uses A Zombie Apocalypse To Satirize The Upper Class And Quebec Culture - Nightmare on Film Street (August 14, 2021)
• [#Fantasia2021 Review] Eerie Slow Burn WHAT JOSIAH SAW Has The Power To Hijack Your Nightmares - Nightmare on Film Street (August 13, 2021)
• [#Fantasia2021 Review] Enter The Industrial Wasteland of Stop-Motion Animation Epic JUNK HEAD - Nightmare on Film Street (August 13, 2021)
• [#Fantasia2021 Review] THE NIGHT HOUSE Builds A Haunting Tale of Grief With A Rock Solid Foundation of Supernatural Lore - Nightmare on Film Street (August 12, 2021)
• [#Fantasia2021 Review] You Can Check Out Anytime You Like But You May Never Leave HOTEL POSEIDON - Nightmare on Film Street (August 10, 2021)
• [#Fantasia2021 Review] Pagan Comedy KING KNIGHT is A Silly Yet Charming Journey Of Self-Discovery - Nightmare on Film Street (August 9, 2021)
• [#Fantasia2021 Review] Estonian Dark Comedy KRATT is Wild, Weird, and Wonderful - Nightmare on Film Street (August 7, 2021)
• [Review] James Gunn's THE SUICIDE SQUAD is A Gory Superhero Movie Made For The Midnight Madness Crowd - Nightmare on Film Street (August 6, 2021)
• Would You Like To Know More?: A Guide To Paul Verhoeven's Hollywood Films - Nightmare on Film Street (August 5, 2021)
• [Podcast] His Name Was Jason: FRIDAY THE 13TH (1980) + FRIDAY THE 13TH PART 2 (1981) - Nightmare on Film Street (August 5, 2021)
• [Fiend Club] Join Us for an August-Long Watchparty Celebration of FRIDAY THE 13TH: THE SERIES! - Nightmare on Film Street (August 4, 2021)
• [Interview] THE BOY BEHIND THE DOOR Directors David Charbonier and Justin Powell Discuss Their Lifelong Friendship and Their Lifelong Obsession With Horror - Nightmare on Film Street (August 3, 2021)
• [#Fantasia2021 Review] Low Budget Sci-Fi BEYOND THE INFINTE TWO-MINUTES Delivers A Time Loop Story You'll Want To Watch Over And Over Again - Nightmare on Film Street (August 2, 2021)
• 10 Summer Horror Movies You HAVE to Watch Before the Summer Is Over! - Nightmare on Film Street (July 30, 2021)
• [Review] Dark Fantasy Epic THE GREEN KNIGHT Hits the Spot - Nightmare on Film Street (July 30, 2021)
• When Worlds Collide: Nu Metal's Rise And Fall in Horror Cinema - Nightmare on Film Street (July 29, 2021)
• [Review] A Group of Hijackers Are No Match For Vampire Mom in Netflix's BLOOD RED SKY - Nightmare on Film Street (July 23, 2021)
• [Review] Maestro of The Macabre M. Night Shyamalan Disappoints withs Beach-Bound Horror OLD - Nightmare on Film Street (July 22, 2021)
• [Podcast] Big Bad Bugs! STARSHIP TROOPERS & EIGHT LEGGED FREAKS - Nightmare on Film Street (July 22, 2021)
• Life Finds A Way: Examining The Adaptations of Michael Crichton's JURASSIC PARK - Nightmare on Film Street (July 20, 2021)
• [Review] Three Teenagers Are No Match For The Boogeywoman in Julien Maury and Alexandre Bustillo's KANDISHA - Nightmare on Film Street (July 19, 2021)
• [Review] FEAR STREET PART 3: 1666 Lays to Rest a Time-Jumping Trilogy - Nightmare on Film Street (July 16, 2021)
• [Review] Summer Camp Slasher FEAR STREET PART 2: 1978 Slays - Nightmare on Film Street (July 9, 2021)
• [Podcast] Block Rockin' Beasts: JAWS (1975) and JURASSIC PARK (1993) - Nightmare on Film Street (July 8, 2021)
• [Review] THE FOREVER PURGE Treads Overworked Ground As The Franchise Rides Off Into The Sunset - Nightmare on Film Street (July 4, 2021)
• [Tribeca 2021 Review] Pregnancy Horror FALSE POSITIVE Is Muddled But Mortifying - Nightmare on Film Street (June 29, 2021)
• [Review] FEAR STREET PART 1: 1994 is A Spooky First Taste of the Trilogy - Nightmare on Film Street (June 29, 2021)
• [Tribeca 2021 Review] Don't Believe Everything You Hear In ULTRASOUND - Nightmare on Film Street (June 24, 2021)
• [Podcast] Cards From A Killer: TENEBRE (1982) + VALENTINE (2001) - Nightmare on Film Street (June 24, 2021)
• [Tribeca 2021 Review] An FBI Interviewer Strikes Up an Unlikely Friendship With Serial Killer Ted Bundy in NO MAN OF GOD - Nightmare on Film Street (June 18, 2021)
• [Tribeca 2021 Review] An Eating Disorder Becomes A Real-Life "Body Horror" in SHAPELESS - Nightmare on Film Street (June 17, 2021)
• [Tribeca 2021 Review] Hysterical Horror WEREWOLVES WITHIN is CLUE With Claws - Nightmare on Film Street (June 17, 2021)
• [Tribeca 2021 Interview] Director Mickey Reece Star and Star Molly C. Quinn Discuss The Possession and Personal Crisis in AGNES - Nightmare on Film Street (June 16, 2021)
• The Sounds of Violence: Top 10 Best Needle Drops In Scenes of Brutality - Nightmare on Film Street (June 15, 2021)
• [Review] QUEEN OF SPADES Is A Tense Teenage Terror - Nightmare on Film Street (June 15, 2021)
• [Tribeca 2021 Review] A Demon Sets His Sights on A Nun in Mickey Reece's AGNES - Nightmare on Film Street (June 12, 2021)
• [Tribeca 2021 Review] Home Invasion Heist SEE FOR ME Pits A Blind Women Against A Group of Thieves - Nightmare on Film Street (June 11, 2021)
• [Exclusive Interview] CENSOR Director Prano Bailey-Bond Discusses Her Approach To Crafting An Authentic Video Nasty Era Horror - Nightmare on Film Street (June 11, 2021)
• "Hi, I'm Chucky! Wanna Play?" A Newbie's Guide to the CHILD'S PLAY Franchise - Nightmare on Film Street (June 10, 2021)
• [Podcast] Killer Couples: BRIDE OF CHUCKY + NATURAL BORN KILLERS - Nightmare on Film Street (June 10, 2021)
• [Fiend Club] Submitted for the approval of the Midnight Society, it's an ARE YOU AFRAID OF THE DARK Watch Party - This Sunday! - Nightmare on Film Street (June 9, 2021)
• [Tribeca 2021 Review] Home Is Where The Horror Lives in MY HEART CAN'T BEAT UNLESS YOU TELL IT TO - Nightmare on Film Street (June 9, 2021)
• [Review] Dark Comedy ROAD HEAD Has Fun Ideas But Might Leave You Feeling Unsatisfied - Nightmare on Film Street (June 7, 2021)
• [Review] Love in a Time of Jumpscares, or- THE CONJURING: THE DEVIL MADE ME DO IT - Nightmare on Film Street (June 3, 2021)
• [Review] It May Be The Popcorn Talking But A QUIET PLACE PART II Might Just Be Better Than The Original - Nightmare on Film Street (May 29, 2021)
• [Podcast] Burnt Offerings: THE WICKER MAN (1973) & THE WICKER MAN (2006) - Nightmare on Film Street (May 27, 2021)
• [Fiend Club] Join Us for a Virtual BLAIR WITCH-A-THON This Saturday! - Nightmare on Film Street (May 25, 2021)
• [Review] Gothic Horror SEANCE Unearths a Paranormal Mystery for Teens - Nightmare on Film Street (May 22, 2021)
• [Review] What Dies In Vegas Gets Back Up And Eats You In Vegas in Zack Snyder's ARMY OF THE DEAD - Nightmare on Film Street (May 21, 2021)
• [Podcast] Cops, Killers, and How To Trap Them with Darren Lynn Bousman and Josh Stolberg of SPIRAL: FROM THE BOOK OF SAW - Nightmare on Film Street (May 20, 2021)
• [Review] Mads Mikkelsen Will Rage-Punch Your Tear Ducts in Revenge Thriller RIDERS OF JUSTICE - Nightmare on Film Street (May 15, 2021)
• [Review] Jigsaw Copycat Killer Changes The Game in SPIRAL: FROM THE BOOK OF SAW - Nightmare on Film Street (May 13, 2021)
• [Podcast] Nightmare Alley: A Drug Addict's Guide To The Galaxy with Ryan Kruger, Writer/Director of FRIED BARRY - Nightmare on Film Street (May 6, 2021)
• [Review] MORTAL KOMBAT May Not Be A Flawless Victory But It's Bloody Toasty! - Nightmare on Film Street (April 23, 2021)
• [Podcast] Stoner Horrors: Idle Hands + The Tripper - Nightmare on Film Street (April 22, 2021)
• [#PanicFest2021 Review] Dark Comedy KEEPING COMPANY Sells A Cynical Yet Side-Splitting Tale of Capitalism - Nightmare on Film Street (April 20, 2021)
• [Exclusive Interview] Ellora Torchia Reconnects With Humanity's Roots At The Height of The Pandemic in Ben Wheatley's IN THE EARTH - Nightmare on Film Street (April 19, 2021)
• [#PanicFest2021 Review] Fake News Becomes A Brutal Reality In The Dark Satire DUNCAN - Nightmare on Film Street (April 15, 2021)
• [Podcast] Nightmare Alley: Hunting Vampires with JAKOB'S WIFE Director Travis Stevens - Nightmare on Film Street (April 15, 2021)
• [#PanicFest2021 Review] Cheer For Your Favorite Killer in Slasher Comedy VICIOUS FUN - Nightmare on Film Street (April 14, 2021)
• [Review] Gothic Horror THE BANISHING Contextualizes Haunting With Mixed Results - Nightmare on Film Street (April 12, 2021)
• [#PanicFest2021 Review] Be Careful What You Wish For in David Charbonier & Justin Powell's THE DJINN - Nightmare on Film Street (April 10, 2021)
• Bongs of the Dead: Five Deaths By Paraphernalia - Nightmare on Film Street (April 9, 2021)
• [Podcast] This is Your King on Drugs: MAXIMUM OVERDRIVE + DREAMCATCHER - Nightmare on Film Street (April 8, 2021)
• [Podcast] GODZILLA VS. KONG: Post Fight Analysis (Fiend Club Exclusive) - Nightmare on Film Street (April 4, 2021)
• [Podcast] Bonus Episode: Planning a Horror Festival that Rocks with the PANIC FEST Co-Founders! - Nightmare on Film Street (April 1, 2021)
• [Podcast] Nightmare Alley: How to Make Pants Scary with SLAXX Writer/Director ELZA KEPHART - Nightmare on Film Street (April 1, 2021)
• [#SXSW 2021 Review] WOODLANDS DARK AND DAYS BEWITCHED is the Definitive Chronicle of Folk Horror - Nightmare on Film Street (March 31, 2021)
• [Review] GODZILLA VS. KONG is A Monster-Sized Knockout 🥊 - Nightmare on Film Street (March 30, 2021)
• [Exclusive Interview] How Writers Simon Boyes And Adam Mason Transformed Werewolf Tropes For INTO THE DARK: BLOOD MOON - Nightmare on Film Street (March 29, 2021)
• [Gut the Punks!] The Deadly Consequences Of Breaking Edge In STRAIGHT EDGE KEGGER - Nightmare on Film Street (March 27, 2021)
• [Making a Monster] The Story Shapes the Savage Crawlers of THE DESCENT - Nightmare on Film Street (March 27, 2021)
• [Review] THE SEVENTH DAY Retreads Old Ideas from Past Religious Horror Movies - Nightmare on Film Street (March 26, 2021)
• [Review] Surreal Purgatory Horror THE TOLL is Bogged Down By Overwriting But Eventually Pays Off - Nightmare on Film Street (March 25, 2021)
• [Podcast] Little Vacay of Horrors: THE RUINS + TURISTAS - Nightmare on Film Street (March 25, 2021)
• [Review] INTO THE DARK: BLOOD MOON Ends The Season With A Touching Transformative Metaphor - Nightmare on Film Street (March 24, 2021)
• [#SXSW 2021 Review] VIOLATION Delivers an Unapologetic and Visceral Revenge Story - Nightmare on Film Street (March 22, 2021)
• [#SXSW 2021 Review] Your Heart Will Burst Out Of Your Chest While Watching ALIEN ON STAGE - Nightmare on Film Street (March 22, 2021)
• [#SXSW 2021 Interview] SOUND OF VIOLENCE Writer/Director Alex Noyer Talks Exploding Heads and Turning Musical Instruments Into Weapons - Nightmare on Film Street (March 21, 2021)
• [#SXSW 2021 Review] Andrea Riseborough Wrestles With Grief and Reincarnation in Psychological Thriller HERE BEFORE - Nightmare on Film Street (March 21, 2021)
• [#SXSW 2021 Review] An IRL Unsolved Mystery Comes To Life in BROADCAST SIGNAL INTRUSION - Nightmare on Film Street (March 20, 2021)
• [#SXSW 2021 Review] Gore-Filled Fantasy Epic THE SPINE OF NIGHT Puts the 'AF' in DOPE AF - Nightmare on Film Street (March 20, 2021)
• [#SXSW 2021 Review] Welsh-Language Folk Horror THE FEAST is a Modern Fable With An Eco-Horror Twist - Nightmare on Film Street (March 19, 2021)
• [#SXSW 2021 Interview] Director Mickey Keating Breaks Down The Ethereal Nightmare Logic of OFFSEASON - Nightmare on Film Street (March 19, 2021)
• [#SXSW 2021 Review] Amazon Prime's Anthology Series THEM Gets Off to a Frightening Start - Nightmare on Film Street (March 19, 2021)
• [#SXSW 2021 Review] Never Before Has Revenge Been As Adorable As It Is in PAUL DOOD'S DEADLY LUNCH BREAK - Nightmare on Film Street (March 19, 2021)
• [Review] Horror Anthology PHOBIAS Pieces Together The Origins of Fear - Nightmare on Film Street (March 19, 2021)
• [#SXSW 2021 Review] South African Eco-Horror GAIA is Filled With Mushroom Monsters and (Maybe Too Many) Nightmare Sequences - Nightmare on Film Street (March 19, 2021)
• [#SXSW 2021 Review] SOUND OF VIOLENCE Plucks Some Gory Chords But Strikes A Few Wrong Notes - Nightmare on Film Street (March 18, 2021)
• [#SXSW 2021 Review] WITCH HUNT is A Pseudo-History Lesson in Prejudice for Tweens - Nightmare on Film Street (March 18, 2021)
• [#SXSW 2021 Review] Barbara Crampton Serves Up An All-You-Can-Drink Blood Buffet As A Badass Vampire in JAKOB'S WIFE - Nightmare on Film Street (March 18, 2021)
• [Podcast] Nightmare Alley: Surviving Sleep Paralysis and Shadow People with COME TRUE Director Anthony Scott Burns - Nightmare on Film Street (March 18, 2021)
• [#SXSW Interview] Director Travis Stevens Talks About Going For Gore And Why Barbara Crampton Is A Badass in JAKOB'S WIFE - Nightmare on Film Street (March 18, 2021)
• [#SXSW 2021 Review] Mickey Keating's OFFSEASON is a Storm of Grief Horror and Cosmic Dread - Nightmare on Film Street (March 17, 2021)
• [Review] Duplass Brothers' True Crime Doc SASQUATCH is Way More than Squatchsploitation - Nightmare on Film Street (March 17, 2021)
• [Interview] Producer Todd Garner and Director Simon McQuoid Can't Wait For You To See The Fatalities in MORTAL KOMBAT (2021) - Nightmare on Film Street (March 17, 2021)
• Breaking Typecast: Ten Comedic Actors Who Ventured Into Horror - Nightmare on Film Street (March 16, 2021)
• [Review] Sci-Fi Anthology DOORS Is the New-Weird Movie We Need - Nightmare on Film Street (March 15, 2021)
• [Podcast] Tiki Terrors: SCOOBY-DOO + CLUB DREAD - Nightmare on Film Street (March 11, 2021)
• Final Gills: An Examination of Vacation Sharksploitation - Nightmare on Film Street (March 10, 2021)
• [Review] Creature Feature THE DEVIL BELOW Sees Subterranean Terror Come to the Surface - Nightmare on Film Street (March 5, 2021)
• [Review] Andi Matichak's Brilliant Performance Leads SON Down a Morbid Descent Into Madness - Nightmare on Film Street (March 5, 2021)
• [Review] The New Slasher DREAMCATCHER Promises A Wild Party But Ends Up Being A Bad Trip - Nightmare on Film Street (March 4, 2021)
• [Exclusive Interview] LUCKY Composer Jeremy Zuckerman Talks Inspiration and Pushing Against Sonic Conventions - Nightmare on Film Street (March 4, 2021)
• [Podcast] Nightmare Alley: Battling Demons with Keith Thomas, Writer/Director of THE VIGIL - Nightmare on Film Street (March 4, 2021)
• [Review] Keep An Eye Out For RUBBER Director Quentin Dupieux's Outlandish Cop Comedy KEEP AN EYE OUT - Nightmare on Film Street (March 3, 2021)
• [Exclusive Interview] THE VIGIL Composer Michael Yezerski on His Haunting and Multifaceted Score - Nightmare on Film Street (March 2, 2021)
• [Making a Monster] Summoning The Sassy Snake-Jawed Succubus of JENNIFER'S BODY - Nightmare on Film Street (February 26, 2021)
• [Review] Pandemic Horror Feels Uncomfortably Real in SAFER AT HOME - Nightmare on Film Street (February 26, 2021)
• [Gut The Punks!] Penelope Spheeris Had A Talent For Making Movies About DUDES - Nightmare on Film Street (February 25, 2021)
• [Podcast] It's Hip To Be Scared: AMERICAN PSYCHO + WE NEED TO TALK ABOUT KEVIN - Nightmare on Film Street (February 25, 2021)
• [Review] Meat is Off the Menu in the WRONG TURN Reboot - Nightmare on Film Street (February 22, 2021)
• [Exclusive Interview] WILLY'S WONDERLAND Composer Émoi Shares How He Scored a Silent Nicolas Cage - Nightmare on Film Street (February 22, 2021)
• [Exclusive Interview] The Women of INTO THE DARK: TENTACLES Discuss The Horrors Of Intimacy - Nightmare on Film Street (February 19, 2021)
• [Review] British Comedy BLITHE SPIRIT Is A Sometimes Inconsistent Spiritual Spectacle - Nightmare on Film Street (February 18, 2021)
• [Review] Shudder's SHOOK Proves That Social Media is Just As Evil As You've Always Suspected - Nightmare on Film Street (February 18, 2021)
• [Podcast] Nightmare Alley: In Conversation with SATOR Writer/Director Jordan Graham - Nightmare on Film Street (February 18, 2021)
• Celebrate Mardi Gras With The Top Ten Depictions Of BARON SAMEDI - Nightmare on Film Street (February 16, 2021)
• [Review] Teen Thriller THE SINNERS Starts Out Bold But Can't Commit - Nightmare on Film Street (February 15, 2021)
• [Review] I BLAME SOCIETY Has Conceptual Promise But Doesn't Quite Stick The Landing - Nightmare on Film Street (February 14, 2021)
• [Review] IN SEARCH OF DARKNESS: PART II Returns With More To Love And Discover About 80’s Horror - Nightmare on Film Street (February 14, 2021)
• [Awfully Good] SORORITY BABES IN THE SLIMEBALL BOWL-O-RAMA Is Low-Budget, High-Entertainment - Nightmare on Film Street (February 13, 2021)
• [Exclusive Interview] Composer Jonathan Snipes Talks A GLITCH IN THE MATRIX, clipping. and Glossy Hollywood Techno - Nightmare on Film Street (February 13, 2021)
• [Review] Nicolas Cage Battles Evil Animatronics in WILLY'S WONDERLAND and We Likey - Nightmare on Film Street (February 12, 2021)
• [Review] INTO THE DARK: TENTACLES Wraps Itself Around Sex, Romance, and Body Horror - Nightmare on Film Street (February 11, 2021)
• [Podcast] Girls' Night: SLUMBER PARTY MASSACRE + SORORITY HOUSE MASSACRE - Nightmare on Film Street (February 11, 2021)
• [Stream And Scream] UNDER THE SHADOW Places Womanhood and Politics In The Spotlight - Nightmare on Film Street (February 10, 2021)
• [Exclusive Interview] Horror Legend Barbara Crampton Talks Lovecraft and The Slow-Burn Horror of SACRIFICE - Nightmare on Film Street (February 9, 2021)
• [Exclusive Interview] Writer/Director Sean Ellis Shares How He Reinvented The Werewolf Story in THE CURSED - Nightmare on Film Street (February 5, 2021)
• [Podcast] Top 5 Horror Movies Directed By Women with The Horror Virgin Podcast - Nightmare on Film Street (February 4, 2021)
• [Review] Explore Eldritch Folk Horror in Atmospheric Slow-Burn SACRIFICE - Nightmare on Film Street (February 3, 2021)
• [Sundance 2021 Review] Gonzo-Comedy MOTHER SCHMUCKERS is A Laugh Out Loud Experiment in Poor Taste - Nightmare on Film Street (February 2, 2021)
• [Sundance 2021 Review] Fantastical Fright THE BLAZING WORLD is a Bold, Quirky Debut from Carlson Young - Nightmare on Film Street (February 2, 2021)
• [Sundance 2021 Review] Slow Burn Chiller WE'RE ALL GOING TO THE WORLD'S FAIR Takes Urban Legends To The Internet - Nightmare on Film Street (February 1, 2021)
• [Sundance 2021 Review] Samurai Western PRISONERS OF THE GHOSTLAND is a Ball-Busting Good Time - Nightmare on Film Street (February 1, 2021)
• [Sundance 2021 Review] There Are No Happy Endings in Nerve-Racking Survival Thriller COMING HOME IN THE DARK - Nightmare on Film Street (January 31, 2021)
• [Sundance 2021 Review] THE CURSED Boasts An Impressive Rewrite of The Werewolf Mythos - Nightmare on Film Street (January 31, 2021)
• [Sundance 2021 Review] Reality Is Reduced to 1s and 0s in Simulation Theory Documentary A GLITCH IN THE MATRIX - Nightmare on Film Street (January 31, 2021)
• [Exclusive Interview] A Conversation with SCORED TO DEATH 2 Author J. Blake Fichera - Nightmare on Film Street (January 31, 2021)
• [Sundance 2021 Review] If The Pandemic Hasn't Already Fried Your Brain Ben Wheatley's IN THE EARTH Just Might - Nightmare on Film Street (January 30, 2021)
• Is Jodorowsky’s SANTA SANGRE An Avant-Garde Homage To Hitchcock’s PSYCHO? - Nightmare on Film Street (January 30, 2021)
• [Sundance 2021 Review] Swedish Slow Burn KNOCKING is A Paranoid Thriller For The Patient Viewer - Nightmare on Film Street (January 30, 2021)
• [Review] Monochrome Haunt A GHOST WAITS is a Surprising Supernatural Love Story - Nightmare on Film Street (January 30, 2021)
• [Review] Check-In For An Overnight Stay With Atmospheric Dread in Kourosh Ahari's THE NIGHT - Nightmare on Film Street (January 29, 2021)
• [Sundance 2021 Review] Analog Era Love Letter CENSOR Blurs The Lines Between Video Nasty and Reality - Nightmare on Film Street (January 29, 2021)
• [Making a Monster] Re-Frying Freddy for the Remake of A NIGHTMARE ON ELM STREET - Nightmare on Film Street (January 28, 2021)
• [Review] Sad Cop Crime Thriller THE LITTLE THINGS Is Stuck in the Past - Nightmare on Film Street (January 28, 2021)
• [Podcast] Resurrected! EVIL DEAD (2013) vs. DAWN OF THE DEAD (2004) - Nightmare on Film Street (January 28, 2021)
• [Gut the Punks!] REPO CHICK Is A Cheap, Barbie-World Reimagining Of A Cult Classic - Nightmare on Film Street (January 27, 2021)
• [Exclusive Interview] How Writer/Director Steven Kostanski Got To Relive His Favorite Childhood Traumas With PG: PSYCHO GOREMAN - Nightmare on Film Street (January 27, 2021)
• LIGHTS! CAMERA! BAD JUDGEMENT! Poor Decisions of Polarizing Remakes - Part Two - Nightmare on Film Street (January 22, 2021)
• [Review] Horror Comedy PG: PSYCHO GOREMAN Will Feed Both Your Inner Child And Your Thirst For Blood - Nightmare on Film Street (January 22, 2021)
• [Podcast] Nightmare Alley: In Conversation with Steven Kostanski, Writer/Director of PG: PSYCHO GOREMAN - Nightmare on Film Street (January 21, 2021)
• A Nightmare on Pennsylvania Avenue: Examining The Horror Landscape Of The Trump Presidency - Nightmare on Film Street (January 20, 2021)
• [Review] "Real-Time" Ghost Story LA CASA is a Refreshingly Streamlined House of Horrors - Nightmare on Film Street (January 18, 2021)
• [Awfully Good] Is THE WICKER MAN Nicolas Cage’s Cagest Performance? - Nightmare on Film Street (January 14, 2021)
• [Podcast] The Devil's Remakes: Rob Zombie's HALLOWEEN vs. Rob Zombie's HALLOWEEN II - Nightmare on Film Street (January 14, 2021)
• [Review] Netflix Reopens Richard Ramirez Case in True Crime Docu-Series NIGHT STALKER: THE HUNT FOR A SERIAL KILLER - Nightmare on Film Street (January 13, 2021)
• [Review] PROMISING YOUNG WOMAN is A Sweet And Sour Mix That’s Hard to Swallow - Nightmare on Film Street (January 8, 2021)
• [Podcast] Nightmare Alley: In Conversation with Mickey Reece, Director and Co-Writer of CLIMATE OF THE HUNTER - Nightmare on Film Street (January 7, 2021)
• [Review] THE CHILLING ADVENTURES OF SABRINA: PART 4 is a Proper Sendoff Full of Eldritch Terrors - Nightmare on Film Street (January 2, 2021)
• [Review] WWII Nailbiter SHADOW IN THE CLOUDS Has Its Own Gremlins Gumming Up The Works - Nightmare on Film Street (January 1, 2021)
• [Podcast] Planes, Trains, and Apocalypses: TRAIN TO BUSAN vs. SNOWPIERCER - Nightmare on Film Street (December 31, 2020)
• [Making a Monster] Sugar, Spice, and Manhattan Loft Mice Concoct The Recipe for GREMLINS - Nightmare on Film Street (December 28, 2020)
• [Gut the Punks!] Fashion Tips For The Apunkalypse and Why The Wastelands Are Overrun With Punks - Nightmare on Film Street (December 26, 2020)
• [Podcast] BLACK CHRISTMAS (1974) Nightmare on Film Street Commentary Track + Drinking Game (Fiend Club Exclusive) - Nightmare on Film Street (December 21, 2020)
• [Review] IFC Midnight Thriller HUNTER HUNTER Delivers The Most Satisfying and Sadistic Finale of 2020 - Nightmare on Film Street (December 18, 2020)
• [Podcast] Top 5 Holiday Horrors with The Bloody Disgusting Podcast 🎄🎅🪓 - Nightmare on Film Street (December 17, 2020)
• [Exclusive Interview] Devilish Family Dynamics: A Chat with ANYTHING FOR JACKSON Composer John McCarthy - Nightmare on Film Street (December 12, 2020)
• [Podcast] Top 10 Discoveries of 2020 (Fiend Club Exclusive) - Nightmare on Film Street (December 12, 2020)
• [Review] GIRL WITH NO MOUTH is A Heart-Warming Tale in A Post-Apocalyptic Landscape - Nightmare on Film Street (December 10, 2020)
• [Podcast] Nightmare on Film Street's Top 10 Horror Movies of 2020 - Nightmare on Film Street (December 10, 2020)
• [Best of 2020] @KimmiKillZombie's Top 5 Horror Films of 2020 and Top 5 Festival Favorites - Nightmare on Film Street (December 9, 2020)
• [Best of 2020] @JonOnAString's Top 5 Horror Films of 2020 and Top 5 Festival Favorites - Nightmare on Film Street (December 9, 2020)
• [Review] The CASTLE FREAK Remake Is Its Own Beast And Shouldn’t Be Compared To The Original - Nightmare on Film Street (December 4, 2020)
• [Review] WEREWOLF is A Tense Thriller About WWII Survivors In Peril - Nightmare on Film Street (December 3, 2020)
• [Podcast] Don't Try Suicide: THE HAPPENING vs. THE CRAZIES - Nightmare on Film Street (December 3, 2020)
• Wealth In The Wastelands: Your Official Post-Apocalyptic Bartering Guide - Nightmare on Film Street (December 2, 2020)
• [Making a Monster] How FX Artists Resurrected The Sinister Spirits of Dark Castle's THIR13EN GHOSTS - Nightmare on Film Street (November 28, 2020)
• [Review] TALES OF THE UNCANNY is A Love Letter to Horror Anthologies and Their Fans - Nightmare on Film Street (November 23, 2020)
• [Podcast] Clash of The Titans: FREDDY VS. JASON vs. ALIEN VS. PREDATOR - Nightmare on Film Street (November 19, 2020)
• [Screaming in Harmony] MONSTER MASH is a Monster Mash Musical! Literally! - Nightmare on Film Street (November 18, 2020)
• [Awfully Good] SATURDAY THE 14TH is a Mad Monster Party for... Saturday the 14th!!! - Nightmare on Film Street (November 14, 2020)
• [Podcast] Nightmare Alley: In Conversation with Christopher Landon, Director and Co-Writer of FREAKY - Nightmare on Film Street (November 12, 2020)
• [Review] Supernatural Horror LINGERING is Full of Freaky Ghosts Despite A Confusing Finale - Nightmare on Film Street (November 11, 2020)
• [Review] THE RETREAT is A Bitterly Cold And Masterful Tale of Wendigo Horror - Nightmare on Film Street (November 10, 2020)
• [FAFF 2020 Review] Ambitious Halloween Anthology BAD CANDY Looks Good But Leaves A Bad Taste - Nightmare on Film Street (November 9, 2020)
• [Saturday Morning Scares] DRAK PACK is a Wacky Monster Mash and A Perfect Stress-Free Watch - Nightmare on Film Street (November 7, 2020)
• [Review] Psychological Thriller KINDRED Confirms That Pregnancy and Evil In-Laws Should Not Mix - Nightmare on Film Street (November 6, 2020)
• [FAFF 2020 Review] Enter A Strange Dark Universe Where Humans Are Hunted And Killed By ANONYMOUS ANIMALS - Nightmare on Film Street (November 6, 2020)
• [Review] THE OLD WAYS Takes on Addiction, Brujas, and Cultural Identity Crisis - Nightmare on Film Street (November 5, 2020)
• [Podcast] Monster Mash-ups: VAN HELSING vs. THE LEAGUE OF EXTRAORDINARY GENTLEMEN - Nightmare on Film Street (November 5, 2020)
• [FAFF 2020 Review] Punk Rock Girls Become Gladiators in The Action-Packed SPARE PARTS - Nightmare on Film Street (November 4, 2020)
• [Review] Stoner Ghost Comedy DEAD is About The Friends You Make While Solving A Murder - Nightmare on Film Street (November 3, 2020)
• [Review] Vince Vaughn Kills in Bodyswap Slasher FREAKY - Nightmare on Film Street (October 31, 2020)
• [Review] Queer Psycho-Horror MY DEAD ONES Hides Its Evil Behind a Smile - Nightmare on Film Street (October 31, 2020)
• Pour A Bowl of Sugary Cereal And Get Ready For The Saturday Morning Scares Halloween Special!!! 🎃 - Nightmare on Film Street (October 31, 2020)
• [Review] THE CRAFT: LEGACY Casts A Topical Spell But Lacks A Bewitching Bite - Nightmare on Film Street (October 30, 2020)
• [Review] Imaginary Friend Horror COME PLAY Hides Its Horror but Plays on Heartstrings - Nightmare on Film Street (October 29, 2020)
• [Podcast] Nightmare Alley: GREMLINS 2: THE NEW BATCH 30th Anniversary Reunion ("Live" From Salem Horror Fest 2020) - Nightmare on Film Street (October 29, 2020)
• [Making a Monster] The Practical Effects Masterpiece That is John Carpenter's THE THING - Nightmare on Film Street (October 28, 2020)
• [Exclusive Interview] A Perfectly Splendid Chat with THE HAUNTING OF BLY MANOR Composing Duo The Newton Brothers - Nightmare on Film Street (October 28, 2020)
• [Review] Hulu's BAD HAIR is A Timely and Hairy Tale of Horror - Nightmare on Film Street (October 23, 2020)
• [Nightstream Review] BLACK BEAR Weaponizes Cringe in the Absolute Best Way - Nightmare on Film Street (October 23, 2020)
• [Review] Move Over CONJURING Fans, There's A New Ghost In Town And She's Haunting 32 MALASANA STREET - Nightmare on Film Street (October 22, 2020)
• [Podcast] ROCKTOBER! 🎸 THE ROCKY HORROR PICTURE SHOW vs. PHANTOM OF THE PARADISE - Nightmare on Film Street (October 22, 2020)
• [Screaming in Harmony] THE PHANTOM OF THE PARADISE is a Gothic Rock 'N Roll Masterpiece - Nightmare on Film Street (October 19, 2020)
• [Nightstream Review] MAY THE DEVIL TAKE YOU TOO Will Put A Smile On Your Face...When You're Not Screaming Your Head Off - Nightmare on Film Street (October 16, 2020)
• [Exclusive Interview] FRANK AND ZED Director Jesse Blanchard Explains Just What Goes Into Making a Puppet's Head Explode - Nightmare on Film Street (October 16, 2020)
• [Review] LOVE AND MONSTERS is A Perfect Pick-Me-Up Movie for the End of Times - Nightmare on Film Street (October 15, 2020)
• [Podcast] Nightmare Alley: In Conversation with Ryan Spindell, Writer/Director of THE MORTUARY COLLECTION - Nightmare on Film Street (October 15, 2020)
• [Awfully Good] TRICK OR TREAT is A Hellishly Heavy Metal Horror! - Nightmare on Film Street (October 14, 2020)
• [Nightstream Review] THE DOORMAN Is A Hotel Full Of Eighties Action Tropes - Nightmare on Film Street (October 14, 2020)
• [Review] Karma Kills in FINAL DESTINATION Creator's Directorial Debut DON'T LOOK BACK - Nightmare on Film Street (October 14, 2020)
• [Exclusive Interview] THE CALL Composer Samuel Joseph Smythe Talks Synths, Scares and Sonic Inspiration - Nightmare on Film Street (October 14, 2020)
• [Nightstream Review] HONEYDEW is A Slightly Unbalanced Nightmare of Anxiety and Rural Madness - Nightmare on Film Street (October 13, 2020)
• [Review] 'Welcome To The Blumhouse' Builds A Second Story On Revenge And Rivalry With EVIL EYE And NOCTURNE - Nightmare on Film Street (October 13, 2020)
• [Review] THE HAUNTING OF BLY MANOR is An Eerie, Emotional Look At Trauma and the Afterlife - Nightmare on Film Street (October 12, 2020)
• [Nightstream Review] Get You Heart and Your Brains Ripped Out in Puppet Horror-Comedy FRANK AND ZED - Nightmare on Film Street (October 10, 2020)
• [Nightstream Review] Cannibal Comedy BLOODY HELL Raises A Few Eyebrows But It's A Goofy Good Time - Nightmare on Film Street (October 10, 2020)
• [Exclusive Interview] THE WOLF OF SNOW HOLLOW's Jim Cummings Talks Small Towns, Serial Killers, and Sub-Zero Filming - Nightmare on Film Street (October 10, 2020)
• [Nightstream Review] Sarah Paulson is a MISERY of a Mother in Hulu Thriller RUN - Nightmare on Film Street (October 9, 2020)
• [Review] A Small-Town Murder Mystery Undergoes A Monstrous Transformation in THE WOLF OF SNOW HOLLOW - Nightmare on Film Street (October 9, 2020)
• [Exclusive Interview] Director Mary Harron Discusses Making Horror For The Modern Age With Quibi’s THE EXPECTING - Nightmare on Film Street (October 9, 2020)
• [Podcast] Forgive Me Lord, For I Have Synth: IT FOLLOWS vs. MANDY - Nightmare on Film Street (October 8, 2020)
• [Review] Hulu's Horror Anthology BOOKS OF BLOOD is A One-Stop Shop To Kick Your Halloween Vibes Into High Gear - Nightmare on Film Street (October 7, 2020)
• [Exclusive Interview] BLACK BOX Director Emmanuel Osei-Kuffour Jr on Crafting An Emotional Sci-Fi Thriller - Nightmare on Film Street (October 7, 2020)
• [Review] 'Welcome To The Blumhouse' Opens The Doors To Familial Horror With THE LIE and BLACK BOX - Nightmare on Film Street (October 6, 2020)
• [Fantastic Fest 2020 Review] THE QUEEN OF BLACK MAGIC is a Creepy Crawly Spookfest - Nightmare on Film Street (October 6, 2020)
• [Exclusive Interview] Sound Supervisor Jacob Bloomfield-Misrach Talks 12 HOUR SHIFT, Sound Design and Working with David Arquette - Nightmare on Film Street (October 5, 2020)
• [Exclusive Interview] Making Noises And Improvising A Horror Anthology With SCARE ME Director Josh Ruben - Nightmare on Film Street (October 5, 2020)
• [Review] A Pack of Bloodsuckers Bite Off More Than They Can Chew in VAMPIRES VS. THE BRONX - Nightmare on Film Street (October 5, 2020)
• [Review] Spice Up Your Halloween Playlist...Again! With Sean Keller's REVENGE OF THE KILLER SOUNDS OF HALLOWEEN - Nightmare on Film Street (October 4, 2020)
• [Saturday Morning Scares] GROOVIE GOOLIES Is A Rockin' Monster Mash! - Nightmare on Film Street (October 3, 2020)
• [Review] Brandon Cronenberg's POSSESSOR (UNCUT) is A Visceral, Violent Trip Into The Darkest Depths of The Human Psyche - Nightmare on Film Street (October 2, 2020)
• [Exclusive Interview] Brea Grant & Nikea Gamby-Turner Talk About The Psychopaths and Urban Legends In 12 HOUR SHIFT - Nightmare on Film Street (October 2, 2020)
• [Review] SCARE ME Conjures A Triple Threat of Imaginative And Scary Storytelling - Nightmare on Film Street (October 1, 2020)
• [Review] Creature Feature TAR is A Sticky Mess With An Original Monster - Nightmare on Film Street (October 1, 2020)
• [Podcast] Nightmare Alley: In Conversation with POSSESSOR Writer/Director, Brandon Cronenberg - Nightmare on Film Street (October 1, 2020)
• [Making a Monster] Annabelle: From Harmless Child's Toy To Deadly Demon Doll - Nightmare on Film Street (September 29, 2020)
• [Gut the Punks!] Charlie Sheen Is A Ghost Driver Getting Revenge On A Gang Of Street-Racing Punks In THE WRAITH - Nightmare on Film Street (September 28, 2020)
• [Fantastic Fest 2020 Review] THE BOY BEHIND THE DOOR is An Anxiety-Inducing Thriller Straight Out Of Every Parent's Nightmares - Nightmare on Film Street (September 28, 2020)
• [Fantastic Fest 2020 Review] THE STYLIST is A Shaggy Serial Killer Story Despite Its Razor Sharp Lead - Nightmare on Film Street (September 28, 2020)
• [Fantastic Fest 2020 Review] Teenage Tragedy is Alive And Well in Indie Werewolf Horror TEDDY - Nightmare on Film Street (September 25, 2020)
• [Exclusive Interview] SURVIVAL SKILLS Director Quinn Armstrong Talks Bizarre VHS Tapes and The Dark Nature of Police Training - Nightmare on Film Street (September 25, 2020)
• [Podcast] Haunted Hotels: THE INNKEEPERS vs. 1408 - Nightmare on Film Street (September 24, 2020)
• [Review] Historical Horror ANTEBELLUM is Not The Call To Arms It May Have Intended To Be - Nightmare on Film Street (September 19, 2020)
• [Screaming in Harmony] HILLBILLYS IN A HAUNTED HOUSE is the Original Comedy Horror Musical! - Nightmare on Film Street (September 18, 2020)
• [Review] ALONE Braves The Open Road Against A Nameless, Unstoppable Predator - Nightmare on Film Street (September 18, 2020)
• [Review] Escape Room Thriller NO ESCAPE Illustrates The False Reality of Social Media - Nightmare on Film Street (September 18, 2020)
• [Review] Netflix Thriller THE DEVIL ALL THE TIME is A Hell of A Vengeance Tale - Nightmare on Film Street (September 17, 2020)
• [Review] Modern Slasher THE LAST LAUGH Has A Good Setup But Can't Quite Pull Off The Delivery - Nightmare on Film Street (September 16, 2020)
• Are you Ready for the #31DAYHORRORCHALLENGE? The Halloween Horror Movie Marathon Kicks Off October 1st! - Nightmare on Film Street (September 15, 2020)
• [Review] RENT-A-PAL Visualizes Loneliness in a Terrifying Way - Nightmare on Film Street (September 11, 2020)
• [Exclusive Interview] Director McG On Pulling Together The Mixtape Sequel That Is THE BABYSITTER: KILLER QUEEN - Nightmare on Film Street (September 11, 2020)
• [Podcast] Ghostnapped! POLTERGEIST vs. HOUSE - Nightmare on Film Street (September 10, 2020)
• [Exclusive Interview] Brea Grant & Natasha Kermani Talk About What Went Into Making LUCKY - Nightmare on Film Street (September 9, 2020)
• [Review]People Just Won’t Die in The Anthology Film IMMORTAL - Nightmare on Film Street (September 8, 2020)
• [Exclusive Interview] COME TRUE Director Anthony Scott Burns Talks The Scary Science of Dreams and the Future of Genre Filmaking - Nightmare on Film Street (September 5, 2020)
• [Fantasia 2020 Retrospective] Paying Tribute To The Boogeyman of Brazil José Mojica Marins - Nightmare on Film Street (September 5, 2020)
• [Exclusive Interview] CLIMATE OF THE HUNTER's Mickey Reece Talks Keeping Filmmaking Fun - Nightmare on Film Street (September 4, 2020)
• [Fantasia 2020 Review] UNDERGODS is a Strange, Bleak Trip Between Truth and Fiction - Nightmare on Film Street (September 3, 2020)
• [Fantasia 2020 Review] Trick-r-Treaters From Hell Come Knocking in Indie Action Film FOR THE SAKE OF VICIOUS - Nightmare on Film Street (September 3, 2020)
• [Exclusive Interview] #SHAKESPEARESSHITSTORM Director Lloyd Kaufman Talks About The Challenges of Keeping Troma Alive For Nearly Half A Century - Nightmare on Film Street (September 2, 2020)
• [Fantasia 2020 Review] Troma Masterpiece #SHAKESPEARESSHITSTORM is Possibly The Best Film Adaptation of The Tempest - Nightmare on Film Street (September 1, 2020)
• [Fantasia 2020 Review] SLAXX Takes A Simple Concept Like Killer Jeans And Weaves in A Dark Commentary on The Fashion Industry - Nightmare on Film Street (September 1, 2020)
• [Fantasia 2020 Review] Nightmares COME TRUE in Anthony Scott Burns' Neon Drenched Sci-Fi Horror - Nightmare on Film Street (August 31, 2020)
• [Exclusive Interview] Ryan Kruger Shares His Wild, Crazy Adventures Directing FRIED BARRY - Nightmare on Film Street (August 31, 2020)
• [Fantasia 2020 Review] Ghosts of Buried Evil Haunt Two Families in SANZARU - Nightmare on Film Street (August 30, 2020)
• [Exclusive Interview] LA LLORONA Writer and Director Jayro Bustamante Explains The Magic of Horror - Nightmare on Film Street (August 30, 2020)
• [Review] Marvel's Foray Into Horrorland with THE NEW MUTANTS is Plagued By High Expectations and Studio Hesitation - Nightmare on Film Street (August 29, 2020)
• [Making a Monster] How Filmmaking Frustrations Yielded Clive Barker's "Super-Butchers" in HELLRAISER - Nightmare on Film Street (August 28, 2020)
• [Review] GET DUKED! is A Satirical British Horror That Takes Shots at the Generational Gap - Nightmare on Film Street (August 28, 2020)
• [Gut The Punks!] Heavy Metal Jeff’s Guide To Avoiding Hell In PORNO - Nightmare on Film Street (August 27, 2020)
• [Review] The Band is Back Together Again in BILL AND TED FACE THE MUSIC - Nightmare on Film Street (August 27, 2020)
• [Review] Megan Fox Battles a Ferocious Lion in Action-Thriller ROGUE - Nightmare on Film Street (August 27, 2020)
• [Fantasia 2020 Review] Meeting Your Partner's Family Has Never Been Scarier than in KRIYA - Nightmare on Film Street (August 27, 2020)
• [Fantasia 2020 Review] BLEED WITH ME is a Slow Burn Stress Test of Paranoia and Isolation - Nightmare on Film Street (August 26, 2020)
• [Fantasia 2020 Review] Smells Like Evil Teen Spirits in THE CURSE OF AUDREY EARNSHAW - Nightmare on Film Street (August 26, 2020)
• [Fantasia 2020 Review] Natasha Kermani's LUCKY is An Uncommon Slice of Perceptive Horror - Nightmare on Film Street (August 26, 2020)
• [Fantasia 2020 Review] DINNER IN AMERICA Is An Adorable And Darkly Funny Punk Rock Rom-Com - Nightmare on Film Street (August 26, 2020)
• [Fantasia 2020 Review] John Hsu's Video-Game-Based DETENTION Reimagines Taiwan's White Terror as Fantasy Horror - Nightmare on Film Street (August 25, 2020)
• Blood, Batman, and Beetlejuice: Happy Birthday, Tim Burton! - Nightmare on Film Street (August 25, 2020)
• [Fantasia 2020 Review] Kaiju Comedy MONSTER SEAFOOD WARS Will Make Your Lungs Laugh And Your Mouth Water - Nightmare on Film Street (August 25, 2020)
• [Fantasia 2020 Review] Ghosts are Expected, But Evil Takes Rein in THE UNDERTAKER'S HOME (La Funeraria) - Nightmare on Film Street (August 23, 2020)
• [Fantasia 2020 Review] The Late Night Shift Becomes A Living Nightmare in Brea Grant's Organ Harvesting Comedy 12 HOUR SHIFT - Nightmare on Film Street (August 23, 2020)
• [Exclusive Interview] CRUISER Director Randy Ser Talks Found Footage Terror and How He Designed DARKMAN's World - Nightmare on Film Street (August 23, 2020)
• [Fantasia 2020 Review] HUNTED is An Allegorical Tale of Survival From Big Bad Wolves - Nightmare on Film Street (August 22, 2020)
• [Fantasia 2020 Review] FRIED BARRY Takes You On A Kaleidoscope Bender Through the Neon Nightlife of Cape Town - Nightmare on Film Street (August 21, 2020)
• [Fantasia 2020 Review] ONE CUT OF THE DEAD Director Shinichiro Ueda's SPECIAL ACTORS is A Cult-Tastic Comedy - Nightmare on Film Street (August 21, 2020)
• [Fantasia 2020 Review] Neil Marshall's THE RECKONING Conjures Up a Confused Witchhunt During Ye Olde Pandemic - Nightmare on Film Street (August 21, 2020)
• [Review] The West Gets Wild in Aaron B. Koontz's Witchy Western Horror THE PALE DOOR - Nightmare on Film Street (August 20, 2020)
• [Fantasia 2020 Review] Get Sucked Into A Grim and Goofy 80's Videocassette in SURVIVAL SKILLS - Nightmare on Film Street (August 20, 2020)
• [Review] The Stylized Cycle of Trauma in Jay Baruchel’s RANDOM ACTS OF VIOLENCE - Nightmare on Film Street (August 19, 2020)
• [Screaming in Harmony] This is Just A Tribute To The Greatest Musical in The World, TENACIOUS D IN THE PICK OF DESTINY - Nightmare on Film Street (August 18, 2020)
• [Fantasia 2020 Review] CLIMATE OF THE HUNTER is Psychedelic Soul for a Soulless Creature - Nightmare on Film Street (August 18, 2020)
• [Fantasia 2020 Review] Hollywood North Documentary CLAPBOARD JUNGLE is A Must-See For Aspiring Filmmakers - Nightmare on Film Street (August 16, 2020)
• [Awfully Good] Why Nicolas Cage's DRIVE ANGRY is A Better GHOST RIDER Movie Than GHOST RIDER - Nightmare on Film Street (August 14, 2020)
• [Review] Aliens Threaten To Invade Your Inner Most Space in Russian Sci-Fi Horror SPUTNIK - Nightmare on Film Street (August 14, 2020)
• [Fantasia 2020 Review] Murder, Mayhem, and Social Media Collide in Dutch Serial Killer Comedy THE COLUMNIST - Nightmare on Film Street (August 14, 2020)
• [Fantasia 2020 Review] SLEEP (SCHLAF) is Nancy Drew on Nightmares - Nightmare on Film Street (August 13, 2020)
• [Rewind] Come for the Story, Stay for the Gory: Revisiting DRAG ME TO HELL - Nightmare on Film Street (August 11, 2020)
• [Review] MONSTROUS is An Unconventional Yet Worthwhile Bigfoot Horror Movie - Nightmare on Film Street (August 11, 2020)
• [Review] A Murderer Is Put On Trial By Angels And Demons In The Divine Comedy LIMBO - Nightmare on Film Street (August 8, 2020)
• [Review] A Crocodile Makes a Meal of Spelunkers in BLACK WATER: ABYSS - Nightmare on Film Street (August 6, 2020)
• [Review] UNCLE PECKERHEAD Delivers a Side-Splitting, Gory Road Trip From Hell - Nightmare on Film Street (August 6, 2020)
• [Review] LA LLORONA is a Politically Poignant Adaptation of the Famous Ghost Story - Nightmare on Film Street (August 5, 2020)
• [Review] Religion Turns Deadly in The Dark Indie NOTHING BUT THE BLOOD - Nightmare on Film Street (August 3, 2020)
• [Review] Death is An Infectious Thought in Amy Seimetz's Neon Lit SHE DIES TOMORROW - Nightmare on Film Street (August 1, 2020)
• [Saturday Morning Scares] JIMMY TWO-SHOES is One Hell of A Cartoon About The Devil - Nightmare on Film Street (August 1, 2020)
• [Review] DEEP BLUE SEA 3 Doesn't Hold A Fin To The Original, But Blows The Last Sequel Out of the Water - Nightmare on Film Street (July 30, 2020)
• [Review] Shudder's "HOST" Isn't Just A Quarantine Horror Movie, It's THE PERFECT Quarantine Horror Movie - Nightmare on Film Street (July 30, 2020)
• [Exclusive Interview] Writer And Director Jeffrey A. Brown's Worst-Case Scenario Conversation With Viewers in THE BEACH HOUSE - Nightmare on Film Street (July 29, 2020)
• [Making a Monster] Resurrecting The Deadly Prehistoric Menaces of JURASSIC PARK - Nightmare on Film Street (July 28, 2020)
• [Gut The Punks!] THE RETURN OF THE LIVING DEAD Is The Greatest Punk Horror Movie Of All Time (But It Could Have Been A Disaster) - Nightmare on Film Street (July 27, 2020)
• [Exclusive Interview] THE CURRENT OCCUPANT’s Alston Ramsay on Going From Political Speechwriter To Horror Screenwriter - Nightmare on Film Street (July 25, 2020)
• [Review] Dave Franco's THE RENTAL Unlocks Airbnb Horror - Nightmare on Film Street (July 24, 2020)
• [Review] Joko Anwar Masterfully Pulls The Strings of Superstitious Horror in IMPETIGORE - Nightmare on Film Street (July 23, 2020)
• [Review] INTO THE DARK: THE CURRENT OCCUPANT Is A Topical Experiment In Brainwashing Politics - Nightmare on Film Street (July 20, 2020)
• [Review] Cerebral Science-Fiction Thriller PARALLAX Requires All Of Your Brain Power - Nightmare on Film Street (July 17, 2020)
• [Review] A Crisis-of-Age Goes Cosmic in Sci-Fi Comedy USELESS HUMANS - Nightmare on Film Street (July 14, 2020)
• [Exclusive Interview] Sun, Sand and Soundscapes: A Chat with THE BEACH HOUSE Composer Roly Porter - Nightmare on Film Street (July 13, 2020)
• [Exclusive Interview] Precious Chong Expands The Family Business To Terrifying New Heights in HOMEWRECKER - Nightmare on Film Street (July 11, 2020)
• [The Cocktail-A-Torium] HAPPY BIRTHDAY TO ME Inspired Vanilla Sky with Raspberry-Lime Kabob - Nightmare on Film Street (July 10, 2020)
• [Review] A Bad Drug Trip is The Least of Your Worries in Sci-Fi Horror THE BEACH HOUSE - Nightmare on Film Street (July 9, 2020)
• [Review] RELIC Runs Generational Horror Through A Beautiful and Unsettling Vicious Cycle - Nightmare on Film Street (July 8, 2020)
• [Exclusive Interview] FOLLOWED Composer Jason Soudah on Finding The Film's Elevated Sound - Nightmare on Film Street (July 8, 2020)
• [Exclusive Interview] A Chat with Sonya Belousova and Giona Ostinelli: The Dynamic Composing Duo Behind THE WITCHER, DARLING, THE MIST and More - Nightmare on Film Street (July 6, 2020)
• [Saturday Morning Scares] SECRETS OF THE CRYPTKEEPER'S HAUNTED HOUSE is a Game Show... of DEATH! - Nightmare on Film Street (July 4, 2020)
• [Review] Found Footage Takes us From the Desert to the Stars in SKYMAN - Nightmare on Film Street (July 1, 2020)
• [Making a Monster] VFX Breakthroughs Release Nature's Most Destructive Monster in TWISTER - Nightmare on Film Street (June 30, 2020)
• How Steven Spielberg's WAR OF THE WORLDS Has Aged Into A Horrifyingly Timely Sci-Fi Classic - Nightmare on Film Street (June 29, 2020)
• [Review] Found Footage Horror FOLLOWED Portrays the Danger of Internet Fame - Nightmare on Film Street (June 29, 2020)
• [Gut The Punks!] Post-Prom Troma Disorder In RETURN TO RETURN TO NUKE ‘EM HIGH aka VOL. 2 - Nightmare on Film Street (June 27, 2020)
• [REVIEW] Cody Callahan's THE OAK ROOM Delivers a Gothic Thriller Straight from the Depths of Darkness - Nightmare on Film Street (June 27, 2020)
• [Game Review] THE LAST OF US PART II Takes Some Unexpected Turns - Nightmare on Film Street (June 26, 2020)
• [Review] The TWILIGHT ZONE Reboot's Second Season Improves on the First's Weaknesses - Nightmare on Film Street (June 26, 2020)
• [Review] Haunted House Horror YOU SHOULD HAVE LEFT Gets Lost In Its Own Maze of Dead-Ends and Detours - Nightmare on Film Street (June 19, 2020)
• [Review] Horror Anthology SCARE PACKAGE is Made With Lifelong Horror Fans in Mind - Nightmare on Film Street (June 17, 2020)
• [Review] INTO THE DARK: GOOD BOY Takes A Clean Bite Out of Pet Appreciation - Nightmare on Film Street (June 12, 2020)
• [Review] Home Intruders Pick the Wrong BECKY to Mess With - Nightmare on Film Street (June 5, 2020)
• [Review] Come For the Haute-Cuisine, Stay For The Buckets of Blood in THE DINNER PARTY - Nightmare on Film Street (June 5, 2020)
• [Exclusive Interview] Visiting DREAMLAND With Canadian Punk Rock Director Bruce McDonald - Nightmare on Film Street (May 30, 2020)
• [Making a Monster] Romancing The Merman in Guillermo del Toro's THE SHAPE OF WATER - Nightmare on Film Street (May 28, 2020)
• [Chattanooga 2020 Review] JUMBO is the Woman Meets Carnival Ride Love Story You Never Knew You Needed - Nightmare on Film Street (May 25, 2020)
• [Chattanooga 2020 Review] Brutal Brazilian Slasher SKULL: THE MASK Is A Feast Of Gory Goodness - Nightmare on Film Street (May 24, 2020)
• [Chattanooga 2020 Review] HOMEWRECKER is An Amusingly Twisted Girls' Day - Nightmare on Film Street (May 24, 2020)
• [Chattanooga 2020 Review] THE VICE GUIDE TO BIGFOOT is a Monster of a Mockumentary Well Worth Seeking Out - Nightmare on Film Street (May 24, 2020)
• [Review] SURVIVE THE NIGHT Finds Bruce Willis in a Deadly If Not Familiar Home Invasion Thriller - Nightmare on Film Street (May 23, 2020)
• [Chattanooga 2020 Review] THE WANTING MARE is an Achingly Beautiful, Original Take on Fantasy - Nightmare on Film Street (May 22, 2020)
• [Review] Supernatural Cop Horror BODY CAM Finds Mary J. Blige Haunted by More Than Just Personal Demons - Nightmare on Film Street (May 20, 2020)
• [Exclusive Interview] Emma Tammi Talks Nurturing And Growing INTO THE DARK: DELIVERED - Nightmare on Film Street (May 15, 2020)
• [Exclusive Interview] All Aboard The CONSPIRACY CRUSE with Director Brad Abrahams - Nightmare on Film Street (May 13, 2020)
• [Review] INTO THE DARK: DELIVERED Gives Birth To Every Mother’s Worst Nightmare - Nightmare on Film Street (May 7, 2020)
• [Exclusive Interview] PORNO Composer Carla Patullo on Creating The Film's Unique and Seductive Sound - Nightmare on Film Street (May 6, 2020)
• [Saturday Morning Scares] Do The Monster Mash with Rick Moranis at GRAVEDALE HIGH - Nightmare on Film Street (May 2, 2020)
• [Exclusive Interview] THE WRETCHED Composer Devin Burrows Talks About Casting The Film's Sonic Spell - Nightmare on Film Street (May 1, 2020)
• [Review] THE SIREN is Exactly What a Monster Movie Should Be, and More - Nightmare on Film Street (May 1, 2020)
• [Exclusive Interview] Kirill Sokolov Brings Home Gore and Humor in WHY DON'T YOU JUST DIE! - Nightmare on Film Street (April 30, 2020)
• [Exclusive Interview] Crawl Inside The Practical Magic of THE WRETCHED with Makeup FX Artist Erik Porn - Nightmare on Film Street (April 29, 2020)
• [Making a Monster] Sweet Dreams Are Made of Cheese: How Pizza and Tragedy Came Together To Create Freddy Krueger - Nightmare on Film Street (April 28, 2020)
• [Review] THE JACK IN THE BOX Cranks Out a Scary Clown But Never Thinks Outside Its Own Box - Nightmare on Film Street (April 28, 2020)
• [Gut The Punks!] The Deadly Mind of THE RANGER Versus the Anti-Police Mentality of Punk Rock - Nightmare on Film Street (April 27, 2020)
• [Exclusive Interview] Felissa Rose Spreads Industry Positivity and Shares The Joys of Being A Horror Icon - Nightmare on Film Street (April 26, 2020)
• [Exclusive Interview] Radha Mitchell Talks Her Prolific Career and Motherhood Horror in DREAMKATCHER - Nightmare on Film Street (April 24, 2020)
• [Review] Shorts Festival CABANE À SANG Goes Online To Fill The Void Of Cancelled Screenings - Nightmare on Film Street (April 22, 2020)
• [Exclusive Interview] SpectreVision CEO Lisa Whalen Talks Genre Film Production Outside The Box - Nightmare on Film Street (April 21, 2020)
• [Review] WHY DON’T YOU JUST DIE! Buries The Hatchet in Family Discord With Rebellious Action - Nightmare on Film Street (April 19, 2020)
• [Review] BEHIND YOU is A Spooky Supernatural Story Perfect For Your Rainy Day Watchlist - Nightmare on Film Street (April 16, 2020)
• [Awfully Good] I KNOW WHO KILLED ME: The Murder Mystery Starring Lindsay Lohan *AND* Lindsay Lohan - Nightmare on Film Street (April 14, 2020)
• [Sorta SXSW 2020 Review] The Midnight Shorts Collection is Short But Sharp - Nightmare on Film Street (April 12, 2020)
• [Review] Tyler Cornack's Absurdist Comedy-Thriller BUTT BOY is A Movie Made Where The Sun Don't Shine - Nightmare on Film Street (April 12, 2020)
• [Exclusive Interview] There Ain't No Rest For The Wicked, or WE SUMMON THE DARKNESS Director Marc Meyers - Nightmare on Film Street (April 11, 2020)
• [Exclusive Interview] WE SUMMON THE DARKNESS Editor Jamie Kirkpatrick Talks Tech, Process and the Magic of Cinema - Nightmare on Film Street (April 10, 2020)
• [Review] Heavy Metal Horror WE SUMMON THE DARKNESS is A Wild And Wickedly Fun Throwback To The Satanic Panic - Nightmare on Film Street (April 9, 2020)
• [Review] RESIDENT EVIL 3 Trades Claustrophobic Corridors for Tense Pursuits - Nightmare on Film Street (April 8, 2020)
• [Exclusive Interview] Connecting With Felicia Day on The Fun and Self-Aware Fantasy INTO THE DARK: POOKA LIVES - Nightmare on Film Street (April 7, 2020)
• [Review] Found-Footage Movie MURDER DEATH KOREATOWN is A Disturbing Documentation of Paranoid Descent - Nightmare on Film Street (April 6, 2020)
• [Saturday Morning Scares] SCOOBY-DOO is a Mystery Classic Perfect For Young Horror Fans in Training - Nightmare on Film Street (April 4, 2020)
• [Review] INTO THE DARK: POOKA LIVES Kicks Off National Pooka Day With A Trendy and Creepy Campaign - Nightmare on Film Street (April 3, 2020)
• [Exclusive Interview] On Kickstarting An Erotic Creature Feature with LAST CALL Director Winnie Cheung - Nightmare on Film Street (April 2, 2020)
• [Exclusive Interview] From the Cast & Crucible: NOFS Chats with the Team Behind Witchy Horror-Comedy MASS HYSTERIA - Nightmare on Film Street (March 31, 2020)
• [Review] Salem Set Horror-Comedy MASS HYSTERIA is a Quick Shot of Halloween Fun - Nightmare on Film Street (March 31, 2020)
• [Making a Monster] How Tim Burton Took MARS ATTACKS! from Trading Card Terrors to Stars of Sci-Fi Cinema - Nightmare on Film Street (March 30, 2020)
• [Exclusive Interview] Production Designer Erin Magill Dishes About Designing SWALLOW's Deliciously Beautiful World - Nightmare on Film Street (March 29, 2020)
• [Review] DOOM ETERNAL is A Constant Flow of Metal and Gore - Nightmare on Film Street (March 27, 2020)
• [Sorta SXSW Review] REMINISCENCES OF THE GREEN REVOLUTION is a Melancholy Nontraditional Ghost Story - Nightmare on Film Street (March 25, 2020)
• [Review] TO YOUR LAST DEATH is An Animated Story About Trauma Wrapped in A Gore Fest - Nightmare on Film Street (March 22, 2020)
• [Interview] Director Jason Axinn and Actor Dani Lennon Talk Animated Violence in TO YOUR LAST DEATH - Nightmare on Film Street (March 22, 2020)
• The Ultimate (Unnerving) Trip: Why 2001: A SPACE ODYSSEY is The Scariest Movie Ever Made - Nightmare on Film Street (March 21, 2020)
• [Screaming in Harmony] LITTLE SHOP OF HORRORS is the Best Movie Ever Made! - Nightmare on Film Street (March 18, 2020)
• [Exclusive Interview] Netflix's LOCKE AND KEY Composer Torin Borrowdale Unlocks the Magical Power of Musical Exploration - Nightmare on Film Street (March 18, 2020)
• Fate in Effed Up Times: Why FINAL DESTINATION Matters 20 Years Later - Nightmare on Film Street (March 17, 2020)
• [Exclusive Interview] Brandon Zuck Embraces Movement and Action With INTO THE DARK: CRAWLERS - Nightmare on Film Street (March 17, 2020)
• [Sorta-SXSW 2020 Review] Indie Neo-Noir Series BEACHED is A Whale of A Superhero Tale - Nightmare on Film Street (March 16, 2020)
• [Sorta-SXSW 2020 Review] Dystopian Horror Comedy WAFFLE is Short and Sweet!! - Nightmare on Film Street (March 13, 2020)
• [Review] THE HUNT Moves In For The Kill But Can't Quite Make The Shot - Nightmare on Film Street (March 13, 2020)
• [Review] Glenn Danzig’s ...Unique... Debut VEROTIKA Will Make You Laugh, But Mostly Cringe - Nightmare on Film Street (March 6, 2020)
• [Review] INTO THE DARK: CRAWLERS is A Topical Alien Invasion That Will Make You A Believer - Nightmare on Film Street (March 5, 2020)
• [Review] Carlo Mirabella-Davis’ SWALLOW and The Fight For Control Over Your Own Life - Nightmare on Film Street (March 5, 2020)
• [Making a Monster] Looks Aren't Everything with DONNIE DARKO's Time-Warping Rabbit - Nightmare on Film Street (February 29, 2020)
• [Exclusive Interview] BLOOD ON HER NAME Star Bethany Lind on Letting Women Be Messy in Horror - Nightmare on Film Street (February 28, 2020)
• [Review] The Truth Goes Over The Falls in DISAPPEARANCE AT CLIFTON HILL - Nightmare on Film Street (February 28, 2020)
• [Review] THE INVISIBLE MAN is the Most Suspenseful 'Where's Waldo?' that Ever Was - Nightmare on Film Street (February 28, 2020)
• [FGBFF 2020] ASMR and Horror Meet in Alexandra Serio's TINGLE MONSTERS - Nightmare on Film Street (February 26, 2020)
• [Review] Japanese Folklore Gets Funny in Netflix's SPECTROS - Nightmare on Film Street (February 26, 2020)
• [Review] BRAHMS: THE BOY II Is All Dolled Up With Nowhere To Go - Nightmare on Film Street (February 20, 2020)
• [Review] In AFTER MIDNIGHT, Being Alone is Scary, but So is Being Together - Nightmare on Film Street (February 15, 2020)
• [Review] Blumhouse's FANTASY ISLAND (2020) is No Sweet, Sweet Fantasy, Baby - Nightmare on Film Street (February 15, 2020)
• [Exclusive Interview] Writer/Director/Actor Toby Poser Talks Family Filmmaking in THE DEEPER YOU DIG - Nightmare on Film Street (February 14, 2020)
• [Exclusive Interview] Director Maggie Levin Explores Reality, References, and Relationships Through INTO THE DARK: MY VALENTINE - Nightmare on Film Street (February 14, 2020)
• [FGBFF 2020 REVIEW] Queer Horror Shorts Program ReImagines the Genre as a Place of Fluidity, Sex, and Terror - Nightmare on Film Street (February 13, 2020)
• [FGBFF 2020 Review] #MeToo Shorts Program Tackles The Many Faces of Sexual Assault - Nightmare on Film Street (February 11, 2020)
• [Review] Netflix's LOCKE AND KEY Delivers a Promising But Uneven Adaptation - Nightmare on Film Street (February 10, 2020)
• Saturday Morning Scares: Goosebumps is the Perfect Intro to Horror! - Nightmare on Film Street (February 8, 2020)
• [Review] INTO THE DARK: MY VALENTINE Is A Heart-Shaped Piece Of Cathartic Candy - Nightmare on Film Street (February 7, 2020)
• [Exclusive Interview] Composer Ben Lovett On THE NIGHT HOUSE, David Bruckner and His Deep Cut Connection to Alkaline Trio - Nightmare on Film Street (February 6, 2020)
• [Exclusive Interview] Producer Doug McKay Shares Info on The Upcoming 'LaLaurie Mansion Franchise' with CONJURING Screenwriters Chad & Carey Hayes - Nightmare on Film Street (February 6, 2020)
• [Exclusive Interview] Director Ant Timpson Explains Why He's Slept Like A Baby Since Filming His Absurd Black-Comedy COME TO DADDY - Nightmare on Film Street (February 5, 2020)
• Horror-Themed Valentines Day Cards for Your Sick & Twisted Sweetie! [Printable] - Nightmare on Film Street (February 5, 2020)
• [Exclusive Interview] How Tragedy and Psychedelic Drugs Inspired Gille Klabin and Carl W. Lucas To Make THE WAVE - Nightmare on Film Street (February 5, 2020)
• [Sundance 2020 Review] Horror Doc LEAP OF FAITH: WILLIAM FRIEDKIN ON THE EXORCIST is a Not-So Vulgar Display of Powerful Filmmaking - Nightmare on Film Street (February 4, 2020)
• [Review] GRETEL & HANSEL Tastefully Transforms A Grimm Fairy Tale - Nightmare on Film Street (January 31, 2020)
• [Sundance 2020 Review] Romola Garai's AMULET is A New Breed of Midnight Madness - Nightmare on Film Street (January 30, 2020)
• [Making a Monster] FRANKENSTEIN: How a Legendary Make-Up Artist Stitched Together History's Most Iconic Monster - Nightmare on Film Street (January 29, 2020)
• [Exclusive Interview] Composer Nathan Barr Talks THE TURNING, Eli Roth and Collecting Bits of History - Nightmare on Film Street (January 27, 2020)
• [Review] THE TURNING is a Lot of Fun if You Completely Ignore That Jarring Ending - Nightmare on Film Street (January 26, 2020)
• [Review] CHILLING ADVENTURES OF SABRINA: PART 3 Offers A Hell of a Third Season - Nightmare on Film Street (January 25, 2020)
• [Review] The Risk of Indulgence and Hallucinogens in THE WAVE - Nightmare on Film Street (January 18, 2020)
• [Review] KIPO AND THE AGE OF WONDERBEASTS Takes Place In The Cutest Post-Apocalyptic Dystopia - Nightmare on Film Street (January 17, 2020)
• [Review] Black And White And Read All Over: SCARED SACRED Honors Horror And Religion - Nightmare on Film Street (January 16, 2020)
• [Review] Shudder's THE DEAD LANDS is Original Horror for Mythology Buffs - Nightmare on Film Street (January 16, 2020)
• [Review] EXTRACURRICULAR Proves High School Can Be Murder - Nightmare on Film Street (January 15, 2020)
• [Awfully Good] THE HORROR OF PARTY BEACH is a Beachy B-Movie Bonanza! - Nightmare on Film Street (January 14, 2020)
• [Review] UNDERWATER is a Fun but Familiar Trip Down the Monstrous Rabbit Hole - Nightmare on Film Street (January 10, 2020)
• [Review] BBC/Netflix's DRACULA is a Delectable But Frustrating Feast for Fans of the Count - Nightmare on Film Street (January 6, 2020)
• [Review] 2020's THE GRUDGE is As Messy As Kayako's Hair - Nightmare on Film Street (January 3, 2020)
• [Exclusive Interview] INTO THE DARK: MIDNIGHT KISS's Augustus Prew Talks Slasher Fun and Mainstream Queer Horror - Nightmare on Film Street (January 2, 2020)
• [Gut The Punks!] GREEN ROOM and the Frightening Reality of Neo-Nazi Gangs - Nightmare on Film Street (December 27, 2019)
• [Review] INTO THE DARK: MIDNIGHT KISS is A Sexy Love Note to Queer Slasher Horror - Nightmare on Film Street (December 26, 2019)
• [Making a Monster] How Common Household Insects Inspired The Design of THE COLLECTOR - Nightmare on Film Street (December 25, 2019)
• [Review] Netflix's THE WITCHER Fulfills its Destiny as One of the Best (Not-So-Subtle) Fantasy Adaptations - Nightmare on Film Street (December 22, 2019)
• [Awfully Good] JACK FROST is the Coldest of Cold-Blooded Killers.. by Several Degrees! - Nightmare on Film Street (December 14, 2019)
• [Review] BLACK CHRISTMAS is a Hammy Reboot with Too Much Intention - Nightmare on Film Street (December 13, 2019)
• [Review] Netflix's V WARS is Fun When it Remembers it's a Vampire Show - Nightmare on Film Street (December 9, 2019)
• [Review] Fairy-Tale Beliefs And Real-World Dangers Collide in Cult Holiday Horror DEADLY GAMES - Nightmare on Film Street (December 7, 2019)
• [Review] INTO THE DARK: A NASTY PIECE OF WORK Combats Christmas Cheer With Cut-Throat Competition - Nightmare on Film Street (December 6, 2019)
• [Review] A Robot Shoots To Kills But Fails To Thrill in AUTOMATION - Nightmare on Film Street (December 3, 2019)
• [Awfully Good] BLOOD FREAK is The Anti-Drug Killer Turkey Film We Should All Be Thankful For - Nightmare on Film Street (November 28, 2019)
• [Exclusive Interview] INTO THE DARK: PILGRIM Patriarch Kerr Smith on Gratitude And What NOT To Do on Thanksgiving - Nightmare on Film Street (November 7, 2019)
• [Review] INTO THE DARK: PILGRIM Graciously Provides Appreciation For Traditional Holiday Horror - Nightmare on Film Street (November 1, 2019)
• [Brooklyn Horror 2019 Review] Explore Pre-Dracula Vampirism in The Beautiful CARMILLA - Nightmare on Film Street (November 1, 2019)
• [Exclusive Interview] THE BLAIR WITCH PROJECT Director Dan Myrick Talks Aliens and His Upcoming Film SKYMAN - Nightmare on Film Street (November 1, 2019)
• [Exclusive Interview] Director Chelsea Stardust talks Women in Film, SATANIC PANIC and Living a Halloween-365 Life - Nightmare on Film Street (October 30, 2019)
• [Review] Squeamish Be Warned, Horror-Comedy RED LETTER DAY is Carrying a Shipment of Grotesque Practical Gore - Nightmare on Film Street (October 30, 2019)
• [Brooklyn Horror 2019 Review] THE YELLOW NIGHT is A Slow Burn that Goes Nuclear - Nightmare on Film Street (October 29, 2019)
• [Review] Phone App Horror COUNTDOWN is Smarter Than Your Stereotypical Scary Movie - Nightmare on Film Street (October 28, 2019)
• Talking Bigfoot & The Mysterious Patterson-Gimlin Film with Scott Philbrook & Forrest Burgess - Nightmare on Film Street (October 27, 2019)
• [Brooklyn Horror 2019 Review] BLOOD MACHINES is Original Sci-Fi by Way of Party Drugs - Nightmare on Film Street (October 25, 2019)
• [Review] THE GALLOWS: ACT II Takes an Unexpected Departure From its Found Footage Roots - Nightmare on Film Street (October 25, 2019)
• [Brooklyn Horror 2019 Review] Indie Zombie Horror BLOOD QUANTUM Isn't Revolutionary But Its Passion is Undeniable - Nightmare on Film Street (October 23, 2019)
• [Exclusive Interview] WOUNDS Director Babak Anvari Discusses His "Cronenbergian-Lovecraftian" Nightmare - Nightmare on Film Street (October 23, 2019)
• [Review] WOUNDS Oozes With Eldritch Horror, Sweat, and Cockroaches - Nightmare on Film Street (October 22, 2019)
• [Review] Disney Tries Something Different with MALEFICENT Sequel: Originality! - Nightmare on Film Street (October 21, 2019)
• [Review] THE DRONE Hovers Just Below Over-the-Top Greatness - Nightmare on Film Street (October 15, 2019)
• [Review] THE DEAD CENTER is A Bleak and Intriguing Slow Burn - Nightmare on Film Street (October 14, 2019)
• [Exclusive Interview] Director Paul Davis Returns To The Dark With A Game Of UNCANNY ANNIE - Nightmare on Film Street (October 14, 2019)
• [Review] SHE NEVER DIED Kicks Ass but Leaves Many Mysteries Unsolved - Nightmare on Film Street (October 11, 2019)
• [Review] DEMENTER is A Dizzying and Hypnotic Look At Cult Trauma - Nightmare on Film Street (October 10, 2019)
• [Review] LITTLE MONSTERS is A Teachable Moment in Modern Zombie Horror & Humor - Nightmare on Film Street (October 10, 2019)
• [Review] ALONG CAME THE DEVIL 2 Delivers More Scares and More Gore Than it's Possessed Predecessor - Nightmare on Film Street (October 9, 2019)
• [Exclusive Interview] For the Fans, By The Fans: Director David Weiner Discusses 80's Horror Documentary IN SEARCH OF DARKNESS - Nightmare on Film Street (October 8, 2019)
• [Review] Creepy Clown Documentary WRINKLES THE CLOWN Takes You Behind The Mask That Has Scared an Entire Generation of Children - Nightmare on Film Street (October 8, 2019)
• [Review] ALIEN Documentary MEMORY: THE ORIGINS OF ALIEN is A Showcase of Abstract Inspirations But Offers Few New Details - Nightmare on Film Street (October 7, 2019)
• [Review] THE FURIES Rains Bloody Vengeance in A Battle of Beauty vs. Beast - Nightmare on Film Street (October 7, 2019)
• [Sitges 2019 Review] Don’t Open The Door! There’s A Vampire in THE SHED - Nightmare on Film Street (October 4, 2019)
• [Fantastic Fest 2019 Review] THE MORTUARY COLLECTION is the Greatest Horror Anthology Since TRICK R' TREAT - Nightmare on Film Street (October 3, 2019)
• [Review] INTO THE DARK: UNCANNY ANNIE is A Well Played Game Full of Guts and Ghouls - Nightmare on Film Street (October 2, 2019)
• [Fantastic Fest 2019 Review] IN THE TALL GRASS Adapts Stephen King & Joe Hill's Novella into A Quick, Clean "Netflix Movie" - Nightmare on Film Street (October 1, 2019)
• [Fantastic Fest 2019 Review] Subtle and Surprising Sci-Fi SYNCHRONIC is a Mind-Breaking Mixture of Hallucinogens and Horrors - Nightmare on Film Street (September 29, 2019)
• [Fantastic Fest 2019 Review] THE PLATFORM Is a Delicious Dystopian Morsel - Nightmare on Film Street (September 29, 2019)
• [Exclusive Interview] BLISS Director Joe Begos Talks Drugs, Vampirism, and the Creative Process - Who Knew There Was a Difference! - Nightmare on Film Street (September 28, 2019)
• [Exclusive Interview] FREAKS Directors Adam Stein and Zach Lipovsky on How Governments Stoke Fear and Redefining the Superhero Genre - Nightmare on Film Street (September 26, 2019)
• [Fantastic Fest 2019 Review] VFW is A Hyper-Violent Paradise by the Barroom Light - Nightmare on Film Street (September 24, 2019)
• [Review] Sink Your Teeth into Patrick Brice's Horror-Comedy CORPORATE ANIMALS - Nightmare on Film Street (September 24, 2019)
• [Interview] Barbara Crampton Discusses The Roles Of Acting And Motherhood In REBORN - Nightmare on Film Street (September 23, 2019)
• [Fantastic Fest 2019 Review] The Cosmic Insanity of COLOR OUT OF SPACE Will Creep Into Your Life and Feast on Your Mind - Nightmare on Film Street (September 21, 2019)
• [Fantastic Fest 2019 Interview] Taika Waititi and Stephen Merchant Discuss The Idiocy of Hatred and The Power of Humor - Nightmare on Film Street (September 21, 2019)
• [Review] POLAROID Captures High School Horror at its Best - Nightmare on Film Street (September 21, 2019)
• [Fantastic Fest 2019 Review] JOJO RABBIT Finds Heart & Humor in the Horrors of War - Nightmare on Film Street (September 20, 2019)
• 31 Days of Halloween 2019 - Horror Movie Marathon List [PRINTABLE!] - Nightmare on Film Street (September 19, 2019)
• [Review] Rob Zombie Sets The Firefly's Past Ablaze and Rides The Flames Like A Tidal Wave of Terror in 3 FROM HELL - Nightmare on Film Street (September 19, 2019)
• [Exclusive Interview] Director Rose Glass and Producer Andrea Cornwell Discuss The Madness of SAINT MAUD - Nightmare on Film Street (September 17, 2019)
• [TIFF 2019 Review] Takashi Miike Combines Boxing, Samurai Swords, and Guns in FIRST LOVE - Nightmare on Film Street (September 16, 2019)
• [TIFF 2019 Review] Turkish Film THE ANTENNA Oozes Creepy Atmosphere and Political Commentary - Nightmare on Film Street (September 16, 2019)
• [Review] CANDY CORN is A Rocky But Entertaining Halloween Movie Perfect for Your Next Horror Marathon - Nightmare on Film Street (September 15, 2019)
• [Review] HAUNT Masks Genuine Thrills In A Glorious Maze of Paranoia And Terror - Nightmare on Film Street (September 15, 2019)
• [Review] We All Scream for Ice Cream in Mutant Film FREAKS - Nightmare on Film Street (September 15, 2019)
• [TIFF 2019 Review] Spend One Terrifying Night with a Mischievous Demon in THE VIGIL - Nightmare on Film Street (September 14, 2019)
• [Review] RIOT GIRLS is a Post-Apocalyptic Showdown Between Punks and Jocks - Nightmare on Film Street (September 14, 2019)
• [TIFF 2019 Review] The Search for God Has Never Been More Haunting in SAINT MAUD - Nightmare on Film Street (September 13, 2019)
• [TIFF 2019 Review] Parental Paranoia and Danish Doom Reign in RESIN - Nightmare on Film Street (September 13, 2019)
• [TIFF 2019 Review] Enter Violent, Ridiculous Madness in GUNS AKIMBO - Nightmare on Film Street (September 12, 2019)
• [Review] SEEDS Hides An Ugly Controversial Meaning Behind A Sinister Monster - Nightmare on Film Street (September 12, 2019)
• [TIFF 2019 Review] Join the Flock in The Disturbingly Erotic Cult Movie THE OTHER LAMB - Nightmare on Film Street (September 11, 2019)
• [Exclusive Interview] SEA FEVER Director Neasa Hardiman on Irish Mythology and Fishing for Horror on The High Seas - Nightmare on Film Street (September 9, 2019)
• [TIFF 2019 Review] Rian Johnson's Murder Mystery Comes After American Politics with KNIVES OUT - Nightmare on Film Street (September 8, 2019)
• [TIFF 2019 Review] PARASITE Is A Darkly Funny and Deeply Horrifying Look At Wealth - Nightmare on Film Street (September 7, 2019)
• [TIFF 2019 Review] SEA FEVER Makes Waves with - Gasp! - More Than One Female Character - Nightmare on Film Street (September 7, 2019)
• [Review] Find Shelter Because B-Movie CLOWNADO is Blowing A Bloodbath Through Town - Nightmare on Film Street (September 7, 2019)
• [Review] INTO THE DARK: PURE Wages a Powerful Rebellion Built on A Foundation of Feminism - Nightmare on Film Street (September 6, 2019)
• [Review] IT: CHAPTER 2 Gazes Long and Hard at the Past, Leaving Pennywise Juggling Scares - Nightmare on Film Street (September 6, 2019)
• [Review] TONE DEAF is A Goofy, Gory Generational Story of Stranger Danger - Nightmare on Film Street (August 31, 2019)
• [Review] JACOB'S LADDER (2019) Treads New Territory While Attempting to Change the Past - Nightmare on Film Street (August 26, 2019)
• [Review] GWEN Reminds Us of The Darkness and The Beauty of Folk Horror - Nightmare on Film Street (August 26, 2019)
• [North Bend 2019 Review] In KOKO-DI KOKO-DA, Nothing Brings A Couple Together Like Psychological Torture - Nightmare on Film Street (August 24, 2019)
• [Exclusive Interview] Cinematographer Guy Pooles Talks Technique, Collaboration and The CW's TWO SENTENCE HORROR STORIES - Nightmare on Film Street (August 23, 2019)
• [Review] READY OR NOT is Agatha Christie on Acid - Nightmare on Film Street (August 22, 2019)
• [North Bend 2019 Review] MONUMENT Is A Surreal Spell That Will Engulf and Disgust You - Nightmare on Film Street (August 22, 2019)
• [North Bend 2019 Review] VILLAINS Is A Strange, Over-The-Top, and Darkly Funny Home Invasion Film - Nightmare on Film Street (August 20, 2019)
• [North Bend 2019 Review] Documentary THE EL DUCE TAPES Dives Into a Story of Sleaze, Tragedy, and Punk Rock - Nightmare on Film Street (August 19, 2019)
• [North Bend 2019 Review] THE INCREDIBLE SHRINKING WKND Sets Millennial Melancholy to the Tune of Time Travel - Nightmare on Film Street (August 17, 2019)
• [Review] 47 METERS DOWN: UNCAGED is Almost Not a Shark Infested Good Time - Nightmare on Film Street (August 16, 2019)
• [Review] Vampy Queer Horror BIT Stakes a Claim in Feminism and Transgender Inclusion - Nightmare on Film Street (August 15, 2019)
• [Review] THE DIVINE FURY Blends Religious Horror, Mixed Martial Arts And Superhero Origins - Nightmare on Film Street (August 12, 2019)
• [Review] The Demons Are Coming From Inside the Internet in Australian Gorefest NEKROTRONIC - Nightmare on Film Street (August 9, 2019)
• [Review] SCARY STORIES TO TELL IN THE DARK is Tween-Friendly Horror at its Spookiest - Nightmare on Film Street (August 9, 2019)
• [Exclusive Interview] Munro Chambers Talks HARPOON, RIOT GIRLS, and (of course) TURBO KID 2 - Nightmare on Film Street (August 7, 2019)
• [Fantasia 2019 Review] Friendships Fall Apart in the Darkly Funny Survival Thriller HARPOON - Nightmare on Film Street (August 7, 2019)
• [Interview] HARPOON Director Rob Grant Talks About Spear Guns, Red Heads, and Friendship in His New Killer Comedy - Nightmare on Film Street (August 3, 2019)
• [Fantasia 2019 Review] THE SOUL COLLECTOR Explores Life, Death, and Forgiveness Through South African Folk Lore - Nightmare on Film Street (August 2, 2019)
• [Review] INTO THE DARK: SCHOOL SPIRIT Passes The Slasher Test With Teenage Thrills and Old School Kills - Nightmare on Film Street (August 1, 2019)
• [Fantasia 2019 Review] A GOOD WOMAN IS HARD TO FIND is A Familiar But Ferocious Story of Self-Defense And Slippery Slopes - Nightmare on Film Street (July 31, 2019)
• [Exclusive Interview] Building New Rules Into The Witch Mythology with THE WRETCHED Directors Brett & Drew Pierce - Nightmare on Film Street (July 30, 2019)
• [Review] Summer-Fun Horror Gets a Dose of Witchy Goodness in THE WRETCHED - Nightmare on Film Street (July 29, 2019)
• [Review] The Game is Far From Over in Hulu's LIGHT AS A FEATHER Season 2, Part 1 - Nightmare on Film Street (July 29, 2019)
• [Fantasia 2019 Review] SATOR is a A Slow Burn Nightmare 5 Years in The Making - Nightmare on Film Street (July 29, 2019)
• [Exclusive Interview] BLOOD ON HER NAME Director Matthew Pope Shares How He Made An "Edge-of-Your-Seat" Southern Gothic Thriller - Nightmare on Film Street (July 29, 2019)
• [Fantasia 2019 Review] JESUS SHOWS YOU THE WAY TO THE HIGHWAY is the Most Bizarre Spy Film You’ll Ever See - Nightmare on Film Street (July 27, 2019)
• Gut the Punks!! How Horror Has Shaped Mohawked Misfits From ‘80s Movie Villains to Modern Victims - Nightmare on Film Street (July 26, 2019)
• [Fantasia 2019 Review] Southern Gothic Neo-Noir BLOOD ON HER NAME is 10 Pounds of Tension in A 5 Pound Bag - Nightmare on Film Street (July 26, 2019)
• [Review] California Dreamin' and Historical Healin' in Quentin Tarantino's ONCE UPON A TIME...IN HOLLYWOOD - Nightmare on Film Street (July 26, 2019)
• [Fantasia 2019 Review] J-Horror STARE Brings New Terror to a Saturated Format - Nightmare on Film Street (July 25, 2019)
• [Exclusive Interview] PHANTOM OF WINNIPEG Directors Talk About The Love of True Fans and The Healing Power of Art - Nightmare on Film Street (July 25, 2019)
• [Review] Finding Paradise in The Phantom with Fandom Documentary PHANTOM OF WINNIPEG - Nightmare on Film Street (July 24, 2019)
• [Exclusive Interview] Unpacking 1BR's Alluring Score with Composer Ronen Landa - Nightmare on Film Street (July 24, 2019)
• [Fantasia 2019 Review] 1BR is A Subgenre Sideshow For Modern Cult Fans - Nightmare on Film Street (July 23, 2019)
• [Review] ROCK, PAPER, SCISSORS is a Fun Return From Director Tom Holland - Nightmare on Film Street (July 23, 2019)
• [Comic Review] It's Fun-Loving Teens and Aliens Who Rip Spleens in ARCHIE VS. PREDATOR II - Nightmare on Film Street (July 23, 2019)
• [Exclusive Interview] Horror Comic Artist Robert Hack Talks ARCHIE VS. PREDATOR II & CHILLING ADVENTURES OF SABRINA - Nightmare on Film Street (July 22, 2019)
• [Fantasia 2019 Review] Bruce McDonald’s DREAMLAND is a Trip To a Dark And Strange Underworld - Nightmare on Film Street (July 20, 2019)
• [Review] The DEADTECTIVES is A Seamless Mixture of Comedy and Terror - Nightmare on Film Street (July 20, 2019)
• [Exclusive Interview] Joe Bob Briggs Tells Us How Rednecks Saved Hollywood and Why We Need Joe Bob Now More Than Ever - Nightmare on Film Street (July 19, 2019)
• [Exclusive Interview] Paul Williams Reflects on A Storied Career and Humbly Traces His Successes Back To PHANTOM OF THE PARADISE - Nightmare on Film Street (July 18, 2019)
• [Fantasia 2019 Review] Emma Roberts Fights Fantastical Flower Power in PARADISE HILLS - Nightmare on Film Street (July 18, 2019)
• [Review] FRANKENSTEIN'S MONSTER'S MONSTER, FRANKENSTEIN is Weird and Delightful - Nightmare on Film Street (July 18, 2019)
• [Review] DARLIN' is an Imperfect But Emotional Feminist Folktale - Nightmare on Film Street (July 17, 2019)
• [Fantasia 2019 Review] CRITTERS ATTACK! Retains the Cheesy Goodness Of the 80s Franchise - Nightmare on Film Street (July 17, 2019)
• [Exclusive Interview] THE DEEPER YOU DIG Directors Discuss DIY Filmmaking and Embracing The Darkness of Family Life - Nightmare on Film Street (July 17, 2019)
• [Fantasia 2019 Review] SADAKO Serves Scares from a Well that's Nearly Drained - Nightmare on Film Street (July 15, 2019)
• [Fantasia 2019 Review] DIY Supernatural Thriller THE DEEPER YOU DIG is a Hallucinatory Exploration of Grief and Loss - Nightmare on Film Street (July 15, 2019)
• [Review] CRAWL is as Biting, Sleek, and Deadly as the Gators on the Poster - Nightmare on Film Street (July 13, 2019)
• This Man, He's Not Human! How HALLOWEEN II Delivered "The Shape" of Evil Like No Other Film - Nightmare on Film Street (July 11, 2019)
• [Exclusive Interview] I'LL TAKE YOUR DEAD Stars Jess Salueiro & Ava Preston Talk Building Strong Female Characters in A World Filled with Ghosts and Death - Nightmare on Film Street (July 11, 2019)
• [Review] Chad Archibald's I'LL TAKE YOUR DEAD is a Personal and Poignant Trip Through The Dark Recesses of Loss and Grief - Nightmare on Film Street (July 11, 2019)
• [Exclusive Interview] PORNO Director Keola Racela Talks Satanic Queer Cinema Inspirations and Gory Gross-Out Gags - Nightmare on Film Street (July 9, 2019)
• [Exclusive Interview] Actor Creed Bratton Talks Bad Guys, Practical Effects, And The Horrors Of Reality Around INTO THE DARK: CULTURE SHOCK - Nightmare on Film Street (July 6, 2019)
• States of Horror: Creepy Folk Legends Across the US [Part 4] - Nightmare on Film Street (July 6, 2019)
• [Review] HEAD COUNT is a Subgenre-Blending Monster Movie That Will Mess with Your Head - Nightmare on Film Street (July 5, 2019)
• [Review] Ari Aster's MIDSOMMAR is a Sun-Soaked Exploration of Grief.. and One Helluva Horror Film - Nightmare on Film Street (July 4, 2019)
• [Review] SLAUGHTERHOUSE RULEZ is a Gory Giggle-Fest that's Slow to Rouse - Nightmare on Film Street (July 3, 2019)
• [Exclusive Interview] Adam Seybold Talks Zombie Outbreaks and Unlikely Heroes in DEADSIGHT - Nightmare on Film Street (July 3, 2019)
• [Exclusive Interview] Is Found Footage Dead? We Asked Jerôme Cohen-Olivar, Writer/Director of the 16TH EPISODE - Nightmare on Film Street (June 29, 2019)
• [Review] PERFECT Is A Beautiful Film, Yet Only Delves Skin Deep - Nightmare on Film Street (June 29, 2019)
• [Review] ANNABELLE COMES HOME - I Laughed, I Gasped, I Jumped - Nightmare on Film Street (June 24, 2019)
• [Cinepocalypse 2019 Review] Wake Up To the American Nightmare in INTO THE DARK: CULTURE SHOCK - Nightmare on Film Street (June 22, 2019)
• What The F*ck is BOOK OF SHADOWS: BLAIR WITCH 2's "The Secret of Esrever"? - Nightmare on Film Street (June 22, 2019)
• [Exclusive Interview] David Slade on Directing Dark Dreamscapes and Resurrecting An Old Script For NIGHTMARE CINEMA - Nightmare on Film Street (June 22, 2019)
• [Awfully Good] BOOK OF SHADOWS: BLAIR WITCH 2 is a Supernatural Mess and I Love It - Nightmare on Film Street (June 21, 2019)
• [Review] CHILD'S PLAY (2019) Is the Feel-Good Slasher of the Year - Nightmare on Film Street (June 21, 2019)
• [Cinepocalypse 2019 Review] Ghosts of Social Media Past Haunt YouTubers in DEADCON - Nightmare on Film Street (June 20, 2019)
• [Exclusive Interview] Chloë Sevigny Talks Zombies, The Giggles, and Why THE DEAD DON'T DIE - Nightmare on Film Street (June 19, 2019)
• [Cinepocalypse 2019 Review] Who Cares About JURASSIC PARK When There’s TAMMY AND THE T-REX! - Nightmare on Film Street (June 19, 2019)
• [Cinepocalypse 2019 Review] ATTACK OF THE DEMONS is A Charming Zombie Movie Made Entirely of Paper - Nightmare on Film Street (June 18, 2019)
• [Cinepocalypse 2019 Review] Nothing is Sacred and No One is Safe in Mexican Horror BELZEBUTH - Nightmare on Film Street (June 17, 2019)
• States of Horror: Creepy Folk Legends Across the US [Part 3] - Nightmare on Film Street (June 15, 2019)
• [Exclusive Interview] DANIEL ISN'T REAL Director Adam Egypt Mortimer Talks Monsters, Mania, and Movie Making - Nightmare on Film Street (June 13, 2019)
• [Overlook 2019 Review] Psychological Horror DANIEL ISN'T REAL is An Inescapable Nightmare of Mental Illness and Imaginary F(r)iends - Nightmare on Film Street (June 11, 2019)
• [Review] Creepy Post-Apocalyptic Sci-Fi I AM MOTHER Decodes The Fragility of Motherhood and The Value of Human Life - Nightmare on Film Street (June 10, 2019)
• [Exclusive Interview] Producer Adam Dietrich on The Art of Storytelling and The Patient Precision of THE VAST OF NIGHT - Nightmare on Film Street (June 8, 2019)
• [Exclusive Interview] GRADY HENDRIX Chats SATANIC PANIC, Paperbacks From Hell II, and We Sold Our Souls - Nightmare on Film Street (June 8, 2019)
• [Review] Hulu Serves Up Ghouls and Grief in Fathers' Day Themed INTO THE DARK: THEY COME KNOCKING - Nightmare on Film Street (June 7, 2019)
• [Review] BLACK MIRROR SEASON 5 is a Triple-Feature of Techno Dystopian Turmoil That's Par For the Course - Nightmare on Film Street (June 7, 2019)
• [Review] Come for the Cult, Stay for the Queer Representation in HALLOWED GROUND - Nightmare on Film Street (June 7, 2019)
• [Exclusive Interview] Z Director Brandon Christensen Talks Building A Good Scare, and Finding Horror Close To Home. - Nightmare on Film Street (June 6, 2019)
• [Overlook 2019 Review] Terrifying Imaginary Friend Horror "Z" Manifests a Myriad of Frights - Nightmare on Film Street (June 5, 2019)
• [Exclusive Interview] GIRL ON THE THIRD FLOOR Director Travis Stevens Talks Filming in A Haunted House and Honoring The History of Real-Life Trauma - Nightmare on Film Street (June 5, 2019)
• [Overlook 2019 Review] THE LODGE is a Deeply Effective Film that Explores the Terrifying Consequences of Trauma - Nightmare on Film Street (June 4, 2019)
• [Exclusive Interview] SATANIC PANIC Director Chelsea Stardust Talks High Fashion Satanists, Practical Effects, and Working With Fangoria - Nightmare on Film Street (June 4, 2019)
• [Exclusive Interview] Writer Scott Duvall Talks Comic Horror Mash-Up ARMY OF DARKNESS/BUBBA HO-TEP - Nightmare on Film Street (June 4, 2019)
• [Overlook 2019 Review] SATANIC PANIC is a Quirky Ride of Pizza, Murder, and Coven Chaos - Nightmare on Film Street (June 3, 2019)
• [Overlook 2019 Review] Will Forte Makes A Pact with The Devil in the Goofy and Ghost-Filled Love Story EXTRA ORDINARY - Nightmare on Film Street (June 3, 2019)
• [Review] Shudder Welcomes Home The Grand Goriness of Creature-Feature BOAR - Nightmare on Film Street (June 3, 2019)
• [Review] MA is A Cool and Hip Flick, But Something Isn't Quite Right - Nightmare on Film Street (June 2, 2019)
• [Overlook 2019 Review] THE VAST OF NIGHT Plays with Your Ears and Imagination to Broadcast an Engrossing Film - Nightmare on Film Street (June 1, 2019)
• [Review] Michael Dougherty Proves Godzilla is King of the Summer in GODZILLA: KING OF THE MONSTERS - Nightmare on Film Street (June 1, 2019)
• [Review] THE DEAD DON'T DIE Packs a Star-Studded Cast into the Weirdest Little Zombie Town in America - Nightmare on Film Street (May 31, 2019)
• [Exclusive Interview] THE NIGHTSHIFTER Director Dennison Ramalho Trades Secrets on Brazilian Horror and The Dead - Nightmare on Film Street (May 31, 2019)
• [Overlook 2019 Review] There Are No Prayers To Protect You From the Goofy, Gory Horror-Comedy PORNO - Nightmare on Film Street (May 31, 2019)
• States of Horror: Creepy Folk Legends Across the US [Part 2] - Nightmare on Film Street (May 31, 2019)
• [Fantaspoa 2019 Review] DEODATO HOLOCAUST Chronicles The Cannibalistic Cult Classic and its Controversial Director - Nightmare on Film Street (May 28, 2019)
• [Review] Horror/Superhero Hybrid BRIGHTBURN is a Squealworthy Gorefest - Nightmare on Film Street (May 24, 2019)
• [Interview] Director Richard Shepard Talks About What It Takes To Create THE PERFECTION - Nightmare on Film Street (May 21, 2019)
• States of Horror: Creepy Folk Legends Across the US [Part 1] - Nightmare on Film Street (May 17, 2019)
• [Review] JOHN WICK CHAPTER 3 - PARABELLUM is an Equestrian Ballet of Kick-Assery - Nightmare on Film Street (May 17, 2019)
• [Exclusive Interview] THRILLER Director Dallas Jackson Talks Horror, Inspiration and Working with RZA - Nightmare on Film Street (May 16, 2019)
• [Review] Season One of THE SOCIETY is RIVERDALE Meets Lord of the Flies - Nightmare on Film Street (May 14, 2019)
• [Tribeca Film Review] Vampire Horror BLISS Will Drain Your Blood and Annihilate Your Senses (May 4, 2019)
• [Windy City Horrorama Review] Dinosaurs Inherit The Earth in B-Movie Gold, THE VELOCIPASTOR - Nightmare on Film Street (May 4, 2019)
• [Review] Dennis Quaid Steals the Show in THE INTRUDER - Nightmare on Film Street (May 3, 2019)
• [Review] Zombie film DEAD TRIGGER is All Brains, No Bite - Nightmare on Film Street (May 3, 2019)
• [Review] INTO THE DARK: ALL THAT WE DESTROY Experiments With Modern Motherhood - Nightmare on Film Street (May 2, 2019)
• [Review] Lin Shaye Horror ROOM FOR RENT is an Eerie and Effective Character Story - Nightmare on Film Street (May 2, 2019)
• SOMETHING ELSE's Jeremy Garnder, Brea Grant, & Christian Stella (May 2, 2019)
• [Exclusive Interview] THE INTRUDER Composer Geoff Zanelli Talks Sonic Foundations, Dennis Quaid and Working with Pirates - Nightmare on Film Street (May 1, 2019)
• SOMETHING ELSE: Tribeca's Monster Movie Offers Heart and Horror (April 30, 2019)
• [Review] Two Horns Up For Delightfully Devilish Documetary HAIL SATAN? - Nightmare on Film Street (April 30, 2019)
• Tribeca Film Festival's Genre Shorts are Weird, Wild, and Wonderful (April 30, 2019)
• [Tribeca Film Review] Elijah Wood Nails Neurotic in Gory, Psychedelic COME TO DADDY (April 29, 2019)
• [Review] Roxanne Benjamin's BODY AT BRIGHTON ROCK is A Tight and Terrifying Story of Survival - Nightmare on Film Street (April 27, 2019)
• [Review] Enter Disgusting and Bewitching Madness in HAGAZUSSA - Nightmare on Film Street (April 23, 2019)
• [Review] Indie Horror Comic BLOOD & GOURD is A Gory Great Time - Nightmare on Film Street (April 23, 2019)
• [Review] Evil Refuses To Be Contained in Josh Lobo's I TRAPPED THE DEVIL - Nightmare on Film Street (April 20, 2019)
• [Review] THE CURSE OF LA LLORONA Screeches Loud n' Lackluster - Nightmare on Film Street (April 19, 2019)
• [Review] BUNNYMAN: GRINDHOUSE EDITION Re-Delivers the Killer Bunny Mayhem - Nightmare on Film Street (April 18, 2019)
• [Review] A DARK PLACE is a Provocative Blue-Collar Noir - Nightmare on Film Street (April 16, 2019)
• [REVIEW] Netflix’s THE SILENCE is A Creative Creature-Feature But Leaves Much Undeveloped - Nightmare on Film Street (April 15, 2019)
• [Review] Claire Denis’ HIGH LIFE is a Stellar Yet Disturbing Meditation on Sexual Power - Nightmare on Film Street (April 13, 2019)
• [Review] Neil Marshall's HELLBOY is Big, Loud, and Thoroughly Convinced There's a Whole Franchise Ahead of It - Nightmare on Film Street (April 12, 2019)
• [Review] THRILLER Brings Back The Slasher With A Sharp Blade, But Dulls The Details - Nightmare on Film Street (April 12, 2019)
• [Review] THE HAUNTING OF SHARON TATE is More Misconceived Than Haunting - Nightmare on Film Street (April 10, 2019)
• [Review] CHILLING ADVENTURES OF SABRINA Part 2 is Wicked Fun - Nightmare on Film Street (April 9, 2019)
• [Sarasota Film Festival Review] Andrew Wonder's FERAL is a Dark and Intimate Character Study - Nightmare on Film Street (April 8, 2019)
• [Boston Underground Review] THE UNTHINKABLE is a Bleak, Character Driven Disaster Film - Nightmare on Film Street (April 5, 2019)
• [Review] PET SEMATARY is a Spooky Update to Well Traveled Soil - Nightmare on Film Street (April 5, 2019)
• [Boston Underground Review] ASSASSINAUT Is A Surprisingly Dark And Effective SciFi Horror - Nightmare on Film Street (April 2, 2019)
• [Exclusive Interview] Writer Jordie Bellaire Talks BUFFY THE VAMPIRE SLAYER's Comic Book Reboot - Nightmare on Film Street (April 2, 2019)
• [Review] INTO THE DARK: I'M JUST F*CKING WITH YOU Executes The Perfect Prank on The April Fool - Nightmare on Film Street (April 1, 2019)
• [Review] WHITE CHAMBER is A Dystopian Depiction of Post-Brexit Britain - Nightmare on Film Street (March 29, 2019)
• [Review] DIVISION 19 Is an Interesting But Failed Attempt At Dystopian Thriller - Nightmare on Film Street (March 26, 2019)
• [Fund This] Slasher Inspired Party Card Game Has One Rule: DON'T GET STABBED! - Nightmare on Film Street (March 26, 2019)
• [Exclusive Interview] RELAXER Director Joel Potrykus Can’t Relax When He’s Directing - Nightmare on Film Street (March 23, 2019)
• [Review] Larry Fessenden's DEPRAVED Proves That Frankenstein Will Live Forever - Nightmare on Film Street (March 23, 2019)
• [Review] LOVE, DEATH, & ROBOTS Is a NSFW Cyberpunk Fever Dream - Nightmare on Film Street (March 22, 2019)
• [Review] Jordan Peele's US Goes For a Sinister Stroll Down the Boardwalk - Nightmare on Film Street (March 22, 2019)
• [Review] BOOK OF MONSTERS Summons Party Crashers and Killer Monsters - Nightmare on Film Street (March 21, 2019)
• [Exclusive Interview] Larry Fessenden Discusses Creating A Modern Frankenstein in DEPRAVED - Nightmare on Film Street (March 21, 2019)
• [Exclusive Interview] INTO THE DARK: TREEHOUSE Director James Roday & Producer Julianna Guill Discuss A Modern Movement In Paying Debts - Nightmare on Film Street (March 20, 2019)
• [Review] Priests Hunt For A Killer in Filipino Murder Mystery SMALLER AND SMALLER CIRCLES - Nightmare on Film Street (March 16, 2019)
• [Review] 2050 Grapples With Sex Bots, Love, and Relationships In a World Obsessed with Technology - Nightmare on Film Street (March 14, 2019)
• [Fund This] Escape From Tall Oaks in a MIXTAPE MASSACRE! - Nightmare on Film Street (March 14, 2019)
• [Review] Netflix's THE ORDER Summons a Bit of Magic In Spite of a Familiar Premise - Nightmare on Film Street (March 11, 2019)
• [Review] Queer Horror DEVIL'S PATH Is a Twisted Tale that Takes a While to Wind Up - Nightmare on Film Street (March 9, 2019)
• [Review] GRETA is Surprisingly Dark but Not The Horror-Thriller You're Expecting - Nightmare on Film Street (March 5, 2019)
• [Awfully Good] SLUMBER PARTY MASSACRE III is Stupendous Slasher Trash - Nightmare on Film Street (March 1, 2019)
• [Review] INTO THE DARK: TREEHOUSE Stands Strong On Branches Of Shock And Retribution - Nightmare on Film Street (February 28, 2019)
• The Sanity of THE CRAZIES: How a Remake Grounded in Reality Brought a Different Type of Scare - Nightmare on Film Street (February 26, 2019)
• [Review] Magic, Mystery and Horror Abound in Indie Coming-of-Age Flick THE CHANGEOVER - Nightmare on Film Street (February 23, 2019)
• [Review] Dysfunctional Superhero Series THE UMBRELLA ACADEMY is Drenched in Style - Nightmare on Film Street (February 21, 2019)
• [Review] It's Mathematically Impossible To Not Enjoy THE LAPLACE'S DEMON - Nightmare on Film Street (February 15, 2019)
• [Review] HAPPY DEATH DAY 2U is a Creative Ball of Chaos - Nightmare on Film Street (February 14, 2019)
• [Exclusive Interview] Darren Lynn Bousman Gives a Lesson in the Art of Torture with ST. AGATHA - Nightmare on Film Street (February 13, 2019)
• [REVIEW] THE HOLE IN THE GROUND is Deep on Atmosphere Despite A Surface Level Story - Nightmare on Film Street (February 8, 2019)
• [Review] HORROR NOIRE is A Can't Miss Examination of Black History in Horror - Nightmare on Film Street (February 6, 2019)
• [Review] THE PRODIGY is Heavy on Jump Scares, Light on Substance - Nightmare on Film Street (February 6, 2019)
• [Review] INTO THE DARK: DOWN Sets Up A Hot Date Between Love And Horror - Nightmare on Film Street (January 31, 2019)
• [Sundance Review] VELVET BUZZSAW Paints a Paranormal Slasher set in the Art World - Nightmare on Film Street (January 30, 2019)
• [Review] Dark Thriller DRY BLOOD Will Give You the Shakes - Nightmare on Film Street (January 22, 2019)
• [Review] Anti-Found Footage Film WRETCH Wreaks Havoc - Nightmare on Film Street (January 21, 2019)
• [Awfully Good] CLASS OF NUKE 'EM HIGH is a Body Horror Bonanza!!! - Nightmare on Film Street (January 18, 2019)
• [Review] M. Night Shyamalan's GLASS is a Fragile Denouement - Nightmare on Film Street (January 18, 2019)
• [Review] MANDAO OF THE DEAD Projects A Promising Cult Favorite - Nightmare on Film Street (January 14, 2019)
• [Exclusive Interview] NEW YEAR, NEW YOU Director Sophia Takal Talks Kubrick, Toxic Relationships, and Social Media - Nightmare on Film Street (January 8, 2019)
• [Review] ESCAPE ROOM Dials a Tense, Action-Packed Thriller - Nightmare on Film Street (January 5, 2019)
• [REVIEW] RUST CREEK Rethinks The Final Girl And 'Scary Redneck' Trope - Nightmare on Film Street (January 2, 2019)
• [Exclusive Interview] Finding the Cues With ESCAPE ROOM Composer John Carey - Nightmare on Film Street (January 2, 2019)
• [Review] INTO THE DARK: NEW YEAR, NEW YOU Mirrors The Ugly Side Of Friendship and Social Media - Nightmare on Film Street (December 29, 2018)
• [Review] BLACK MIRROR: BANDERSNATCH Blurs the Lines Between Media, Gaming, & Free Will - Nightmare on Film Street (December 28, 2018)
• [Exclusive Interview] GOBLIN's Maurizio Guarini Talks DAWN OF THE DEAD, SUSPIRIA and Working With Some of Horror's Best - Nightmare on Film Street (December 28, 2018)
• [Exclusive Interview] LIFECHANGER Director Justin McConnell Reveals The Challenges of Ambitious Indie Filmmaking - Nightmare on Film Street (December 28, 2018)
• [Awfully Good] SILENT NIGHT, DEADLY NIGHT Will Slash It's Way Into Your Heart - Nightmare on Film Street (December 21, 2018)
• [Exclusive Interview] Nacho Vigalondo Shares The Inspiration Behind Pooka And The Influence Of Humor - Nightmare on Film Street (December 21, 2018)
• [Review] LEPRECHAUN: RETURNS is a Ludicrously Funny Romp - Nightmare on Film Street (December 14, 2018)
• [Exclusive Interview] CAM's Gavin Brivik Talks Composing For A Digital Dream - Nightmare on Film Street (December 11, 2018)
• [Exclusive Interview] ALL THE CREATURES WERE STIRRING Producer and Actor Morgan Peter Brown Talks Christmas Terror and the Magic of Indie Horror - Nightmare on Film Street (December 10, 2018)
• [Review] INTO THE DARK: POOKA Is An Unpredictable, Modern Christmas Carol - Nightmare on Film Street (December 8, 2018)
• [Interview] BUTTERFLY KISSES' Rachel Armiger Discusses Urban Legends and Found Footage - Nightmare on Film Street (December 6, 2018)
• [Review] Cadavers Can't Keep Still in THE POSSESSION OF HANNAH GRACE - Nightmare on Film Street (November 30, 2018)
• [Blood In The Snow Review] Reality TV Parody THE HOARD is Crazy Stupid Funny - Nightmare on Film Street (November 27, 2018)
• [Blood In The Snow Review] HAMMER OF THE GODS is A Unique Take On A Conventional Story - Nightmare on Film Street (November 26, 2018)
• [Blood In The Snow Review] Captive Horror ALIVE is A Hard Pill To Swallow But Just What The Doctor Prescribed - Nightmare on Film Street (November 24, 2018)
• [Review] HIGH VOLTAGE Rocks Soundtrack, But Lacks Storyline Buzz - Nightmare on Film Street (November 21, 2018)
• [Review] LUCIFERINA Struggles to Bring A Singular Focus to Light - Nightmare on Film Street (November 18, 2018)
• [Exclusive Interview] Director Duncan Skiles Taps Into the Mind of THE CLOVEHITCH KILLER - Nightmare on Film Street (November 17, 2018)
• [Review] Shudder Has Supernatural on Spin in Vinyl Horror Series DEADWAX - Nightmare on Film Street (November 14, 2018)
• Deck the Halls with Spooky Sweaters: NOFS Limited Edition Holiday Merch Returns! - Nightmare on Film Street (November 12, 2018)
• [Ithaca Fantastik Review] KEEP AN EYE OUT is a Quirky, Bloody Meta Comedy - Nightmare on Film Street (November 12, 2018)
• [Review] THE GIRL IN THE SPIDER’S WEB Turns Cyber-Goth Hacker Lisbeth Salander Into An Action Hero - Nightmare on Film Street (November 11, 2018)
• [Ithaca Fantastik Review] PIERCING is a Stylishly Surreal, Unpredictable Giallo Homage - Nightmare on Film Street (November 7, 2018)
• [Exclusive Interview] Actress Tembi Locke Talks INTO THE DARK, Blumhouse, and Blood! - Nightmare on Film Street (November 7, 2018)
• [Review] INTO THE DARK: FLESH AND BLOOD Makes For A Tense Thanksgiving Meal - Nightmare on Film Street (November 6, 2018)
• [Exclusive Interview] Speaking with THE SPIRIT OF HADDONFIELD's Rene Rivas and Bryan Goff - Nightmare on Film Street (November 1, 2018)
• [Review] KILLER KATE! is a Killer Debut - Nightmare on Film Street (October 29, 2018)
• Luke Jaden: BOO! Creator Talks Horror & Philosophy at BHFF (October 27, 2018)
• [Exclusive Interview] The Creatives Behind Horror Doc IN SEARCH OF DARKNESS Talk The Allure of the 80s and the Power of Horror Fans - Nightmare on Film Street (October 26, 2018)
• [Exclusive Interview] KNUCKLEBALL Director Michael Peterson Isn’t Playing Games Anymore - Nightmare on Film Street (October 26, 2018)
• [Review] Universal Classic Monsters: Complete 30-Film Collection - Nightmare on Film Street (October 25, 2018)
• BHFF's THE RUSALKA is 2018's Best Monster Movie (October 24, 2018)
• [Brooklyn Horror Review] Sink Your Teeth Deep Into Brazilian Dark Satire THE CANNIBAL CLUB - Nightmare on Film Street (October 24, 2018)
• The Field Guide to Evil is an Enchanting Collection of Folklore Horror (October 22, 2018)
• [Toronto After Dark Review] Possession Movie THE INHABITANT is Plagued By Plot Twists and A Manipulative Demon - Nightmare on Film Street (October 21, 2018)
• [Toronto After Dark Review] THE DARK is Heartfelt Film but a Drawn-Out Premise - Nightmare on Film Street (October 20, 2018)
• [Exclusive Interview] Scream Queen LINNEA QUIGLEY Talks Horror, Music and that Infamous Workout Tape - Nightmare on Film Street (October 20, 2018)
• Party Hard, Die Young: Brooklyn Horror Film Festival's Teen Slasher (October 19, 2018)
• Eddie Alcazar & "Perfect" Come to the Brooklyn Horror Film Festival (October 19, 2018)
• [Brooklyn Horror Review] Evil Infiltrates Sacred Spaces in WELCOME TO MERCY - Nightmare on Film Street (October 18, 2018)
• [Toronto After Dark Review] Manga Adapted Zombie Flick I AM A HERO Brings The Brains - Nightmare on Film Street (October 17, 2018)
• [Brooklyn Horror Review] THE CLOVEHITCH KILLER Exposes Darkness Within the All-American Family - Nightmare on Film Street (October 17, 2018)
• [Toronto After Dark Review] Deck The Halls With Blood And Headshots in Zombie-Musical ANNA AND THE APOCALYPSE - Nightmare on Film Street (October 16, 2018)
• [Exclusive Interview] A.T. White Opens Up About Grief, Space and Music In His Debut STARFISH - Nightmare on Film Street (October 16, 2018)
• [Toronto After Dark Review] Sci-Fi Western PROSPECT is A Bonafide Genre-Bender - Nightmare on Film Street (October 15, 2018)
• [Review] THE HAUNTING OF HILL HOUSE Netflix Series is Eerily Impressive - Nightmare on Film Street (October 15, 2018)
• Joe Bob Briggs: The Last Drive-In Host Talks Exploitation Film & Shudder (October 12, 2018)
• [Review] Anti-Superhero Flick VENOM is Fine, But it Should Have Been Fun - Nightmare on Film Street (October 10, 2018)
• Don Coscarelli Interview: "Phantasm" Creator Talks to NOFS (October 9, 2018)
• [Fantastic Fest Review] TERRIFIED is Scary. Really Scary. - Nightmare on Film Street (October 9, 2018)
• [Fantastic Fest Review] Descend Down Into Darkness with Indian Horror-Fantasy TUMBBAD - Nightmare on Film Street (October 9, 2018)
• [Review] INTO THE DARK: THE BODY Is Wrapped in a Few Flaws, Hiding A Bloody Core - Nightmare on Film Street (October 8, 2018)
• [Fantastic Fest Review] THE BOAT is a Slowburn Survival Thriller With a Supernatural.. Boat - Nightmare on Film Street (October 6, 2018)
• [Fantastic Fest Review] ONE CUT OF THE DEAD is Standard Zombie Fare... and Then it Really, Really Isn't - Nightmare on Film Street (October 5, 2018)
• [Fantastic Fest Review] LORDS OF CHAOS is a Confronting Glimpse into the Rise of Norwegian Black Metal - Nightmare on Film Street (October 3, 2018)
• [Fantastic Fest Review] THE PERFECTION is a Unique Experience that Struggles to Perform - Nightmare on Film Street (October 2, 2018)
• [Fantastic Fest Review] MURDER ME, MONSTER is A Dark Fairytale With A Very Gross Monster - Nightmare on Film Street (October 2, 2018)
• [Fantastic Fest Review] Gaspar Noé's CLIMAX is Choreographed Chaos - Nightmare on Film Street (October 1, 2018)
• [Fantastic Fest Review] By-The-Books Cop Thriller DESTROYER is A Grim, Suspenseful Tale Of Redemption - Nightmare on Film Street (October 1, 2018)
• [Fantastic Fest Interview] Jeremy Saulnier & Macon Blair Discuss HOLD THE DARK And Their Approach To Violence - Nightmare on Film Street (October 1, 2018)
• [Exclusive Interview] Director Gregory Plotkin and Producer Gale Anne Hurd Discuss The Creation of HELL FEST - Nightmare on Film Street (October 1, 2018)
• [Fantastic Fest Review] THE STANDOFF AT SPARROW CREEK is A Brilliantly Tense Noir Fueled By Paranoia - Nightmare on Film Street (September 30, 2018)
• [Fantastic Fest Review] OPEN 24 HOURS Is Okay for a Quick Stop - Nightmare on Film Street (September 29, 2018)
• [Fantastic Fest Review] BAD TIMES AT THE EL ROYALE is a Glimmering Ensemble Crime Thriller - Nightmare on Film Street (September 29, 2018)
• [REVIEW] Amusement Park Slasher HELL FEST is Heavy in Style But Light on Scares - Nightmare on Film Street (September 27, 2018)
• [Fantastic Fest Review] BLOODLINE is Easy to Anticipate, but Delightfully Hard to Stomach - Nightmare on Film Street (September 27, 2018)
• [Fantastic Fest Review] BORDER is A Dark And Unsettling Slow Burn For The Patient Viewer - Nightmare on Film Street (September 26, 2018)
• [Exclusive Interview] Horror Icon Tony Todd Talks HELL FEST and Gives His Blessing To CANDYMAN Remake - Nightmare on Film Street (September 26, 2018)
• [Exclusive Interview] SUSPIRIA's Jessica Harper and Screenwriter David Kajganich - Nightmare on Film Street (September 25, 2018)
• [Fantastic Fest Review] THE NIGHT SHIFTER is A Macabre and Maniacal Morality Tale of Vengeance From Beyond The Grave - Nightmare on Film Street (September 25, 2018)
• [Review] LIZZIE Attempts An Interesting Reimagining, But Misses the Mark - Nightmare on Film Street (September 25, 2018)
• [Fantastic Fest Review] THE GUILTY is the Most Gripping and Emotional Film of 2018 - Nightmare on Film Street (September 24, 2018)
• [Fantastic Fest Review] HOLD THE DARK is A Brutal, Dread-Filled Tale That Chills to The Bone - Nightmare on Film Street (September 24, 2018)
• [Fantastic Fest Review] BURNING Is a Slow Building Mystery of Hitchcockian Proportions - Nightmare on Film Street (September 24, 2018)
• [Fantastic Fest Review] FERAL Explores Misguided Religious Conviction through Found Footage - Nightmare on Film Street (September 24, 2018)
• [Fantastic Fest Review] Luca Guadagnino’s SUSPIRIA Dances Complicated Steps Over Well-Tread Footprints - Nightmare on Film Street (September 24, 2018)
• [Fantastic Fest Review] Cosmic, Lovecraftian Horror STARFISH is Dangerously Ambitious - Nightmare on Film Street (September 23, 2018)
• [Review] ASSASSINATION NATION is A Biting And Unsettling Social Commentary - Nightmare on Film Street (September 23, 2018)
• [Fantastic Fest Review] OVERLORD is A Pulse-Pounding Adrenaline Fueled Nightmare - Nightmare on Film Street (September 23, 2018)
• [Fantastic Fest Review] Gareth Evans' Period Horror APOSTLE is Brutally and Deliciously Twisted - Nightmare on Film Street (September 22, 2018)
• [Fantastic Fest Review] Meta Horror Comedy YOU MIGHT BE THE KILLER Gets Gore, but Little Else - Nightmare on Film Street (September 22, 2018)
• [Fantastic Fest Review] Jim Hosking's AN EVENING WITH BEVERLY LUFF LINN is Strange And Unpredictable Insanity - Nightmare on Film Street (September 21, 2018)
• [REVIEW] THE PREDATOR Delivers Amplified Gore and Violence on a Familiar Playing Field - Nightmare on Film Street (September 17, 2018)
• [TIFF Review] Horror Western THE WIND Explores the Haunting Isolation of Prairie Life - Nightmare on Film Street (September 14, 2018)
• [REVIEW] A24 Delivers a Delightful Hot Mess With Horror Comedy SLICE - Nightmare on Film Street (September 12, 2018)
• [Review] CAMP DEATH III IN 2D Is Campy As Hell - Nightmare on Film Street (September 12, 2018)
• [TIFF Review] All-Female Zombie Film ENDZEIT (EVER AFTER) Seeks To Evolve The Sub-Genre - Nightmare on Film Street (September 11, 2018)
• [TIFF Review] Like Michael Myers' Mask, David Gordon Green's HALLOWEEN is Nostalgic, Iconic, But Not Something We Haven't Seen Before - Nightmare on Film Street (September 9, 2018)
• 31 DAYS OF HALLOWEEN 2018 – Horror Movie Marathon List [PRINTABLE!] - Nightmare on Film Street (September 8, 2018)
• [REVIEW] John Cho Gives A Cutting Edge Performance in Techno-Thriller SEARCHING - Nightmare on Film Street (September 4, 2018)
• [Review] Lenny Abrahamson's THE LITTLE STRANGER Brings the Gothic Goods - Nightmare on Film Street (September 1, 2018)
• [North Bend Review] Joel Potrykus' RELAXER is a Clever Genre-Bending Surprise - Nightmare on Film Street (August 27, 2018)
• [North Bend Review] MODEL HOME Transforms a Real Estate Dream Into A Real Life Nightmare - Nightmare on Film Street (August 25, 2018)
• "What Keeps You Alive:" Colin Minihan & Brittany Allen Talk New Thriller (August 24, 2018)
• [Review] So Long And Thanks For All The Fins - THE LAST SHARKNADO: IT'S ABOUT TIME - Nightmare on Film Street (August 20, 2018)
• [Review] A Struggling Artist is Haunted By A Specter of Inspiration in MUSE - Nightmare on Film Street (August 17, 2018)
• [Review] Even Zombies Love Hockey In Latest Zom-Com AHOCKALYPSE - Nightmare on Film Street (August 16, 2018)
• [Review] Creepypasta-Inspired SLENDER MAN Is Thin On Both Style And Substance - Nightmare on Film Street (August 13, 2018)
• [Review] THE MEG is just Chum in the Water - Nightmare on Film Street (August 10, 2018)
• [Fantasia Review] Evil Spirits Haunt an Entire City in Horror Anthology MONTREAL DEAD END - Nightmare on Film Street (August 5, 2018)
• [Fantasia Review] Danny McBride Goes On An Accidental Killing Spree in ARIZONA - Nightmare on Film Street (August 4, 2018)
• [Fantasia Review] Panos Cosmatos' MANDY is A Beautiful, Blood-Soaked Nightmare - Nightmare on Film Street (August 2, 2018)
• [Exclusive Interview] CHUCK STEEL: NIGHT OF THE TRAMPIRES IS a Teenage Fantasy Come True For Director Mike Mort - Nightmare on Film Street (August 1, 2018)
• [Fantasia Review] PARALLEL Exposes the Dangers of Exploring Alternate Dimensions - Nightmare on Film Street (July 29, 2018)
• [Fantasia Review] HEAVY TRIP is Finnish Death Metal at its Friendliest - Nightmare on Film Street (July 27, 2018)
• [Fantasia Review] THE WITCH PART 1 – THE SUBVERSION Is an Explosive Beginning To a Female-Fronted Action Franchise - Nightmare on Film Street (July 27, 2018)
• [Fantasia Review] Survival Story PLEDGE is A Familiar Frat House Of Horrors - Nightmare on Film Street (July 26, 2018)
• [Fantasia Review] KNUCKLEBALL is a Snowy Story of Survival that will Give You Chills - Nightmare on Film Street (July 26, 2018)
• [Exclusive Interview] LUZ Director and Producer Talk Inspiration And The Power of The Supernatural - Nightmare on Film Street (July 25, 2018)
• [Fantasia Review] Raunchy Comedy CHUCK STEEL: NIGHT OF THE TRAMPIRES Is Bloody Entertaining! - Nightmare on Film Street (July 25, 2018)
• [Exclusive Interview] Aislinn Clarke talks THE DEVIL'S DOORWAY, Horror and Stephen King - Nightmare on Film Street (July 25, 2018)
• [Fantasia Review] THE WITCH IN THE WINDOW Reflects Nothing New - Nightmare on Film Street (July 24, 2018)
• [Fantasia Review] LUZ is An Eerie and Hypnotic Possession Story That Wants To Break Your Mind - Nightmare on Film Street (July 24, 2018)
• [Review] Crackle's OFFICE UPRISING Offers A Killer Severance Package - Nightmare on Film Street (July 24, 2018)
• [Fantasia Review] THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT Will Assassinate Your Expectations - Nightmare on Film Street (July 23, 2018)
• [Fantasia Review] OUR HOUSE Manifests an Effective, Empathetic Ghost Story - Nightmare on Film Street (July 23, 2018)
• [Fantasia Review] THE VANISHED Unravels a Puzzling Mystery Birthed of the Morgue's Cold Slab - Nightmare on Film Street (July 21, 2018)
• [Fantasia Review] Love Can't Change Shape in Body Horror Film LIFECHANGER - Nightmare on Film Street (July 21, 2018)
• [Fantasia Review] Mystery and Obsession Await You UNDER THE SILVER LAKE - Nightmare on Film Street (July 20, 2018)
• [Fantasia Review] CAM is A Psychological Struggle With Digital Doppelgängers - Nightmare on Film Street (July 19, 2018)
• [Fantasia Review] THE LAST WARRIOR is an Epic Journey of Honor, Outcasts, and Mayhem - Nightmare on Film Street (July 19, 2018)
• [Review] THE DEVIL'S DOORWAY Keeps the Found Footage Faith - Nightmare on Film Street (July 19, 2018)
• [Fantasia Review] TALES FROM THE HOOD 2 Is A Biting Social Commentary - Nightmare on Film Street (July 16, 2018)
• [Fantasia Review] COLD SKIN is a Remote Tale of Monsters and Mermen - Nightmare on Film Street (July 15, 2018)
• [Fantasia Review] Find Your Fears On The Marquee in Horror Anthology NIGHTMARE CINEMA - Nightmare on Film Street (July 14, 2018)
• [Fantasia Review] French Disaster Thriller DANS LA BRUME Will Leave You Breathless - Nightmare on Film Street (July 14, 2018)
• [Review] TAU Reaches For Sentience, But Falls Short With Faulty Wiring - Nightmare on Film Street (June 30, 2018)
• [Cinepocalypse Review] EMPATHY, INC. Plugs You In and Twists Your Mind - Nightmare on Film Street (June 28, 2018)
• [Cinepocalypse Review] THE RUSSIAN BRIDE is a Promising Gothic Chiller in Search of Focus - Nightmare on Film Street (June 26, 2018)
• [Review] JURASSIC WORLD: FALLEN KINGDOM - There's Still Meat on These Bones - Nightmare on Film Street (June 25, 2018)
• [Review] INCIDENT IN A GHOST LAND Delivers a Heavy Dose of Gothic Brutality - Nightmare on Film Street (June 24, 2018)
• Bring The Scares To Your Vacation Destination with Bryce Gibson's 'The Resort' - Nightmare on Film Street (June 23, 2018)
• [Review] SEQUENCE BREAK Oozes Style, Literally and Figuratively - Nightmare on Film Street (May 30, 2018)
• [Review] FERAL is A Nail Biting Creature In The Woods Story - Nightmare on Film Street (May 28, 2018)
• [Review] Netflix's CARGO Proves That Even A Zombie Movie Can Break Your Heart - Nightmare on Film Street (May 26, 2018)
• MARY SHELLEY Review: Haifaa Al-Mansour's Biopic is Flawed & Beautiful (May 22, 2018)
• [Review] BAD SAMARITAN is A Modern Thriller With A Truly Menacing Villain - Nightmare on Film Street (May 7, 2018)
• [Review] Blumhouse's STEPHANIE is A Tense Supernatural Thriller - Nightmare on Film Street (May 3, 2018)
• [Overlook Review] BLUE MY MIND is an Ethereal, Slow-Burn Body Horror - Nightmare on Film Street (May 2, 2018)
• [Overlook Review] MONSTER SQUAD Documentary WOLFMAN'S GOT NARDS Has Heart, Humor...And Nards - Nightmare on Film Street (May 2, 2018)
• [Overlook Review] DON'T LEAVE HOME is an Atmospheric Irish Mystery - Nightmare on Film Street (May 1, 2018)
• [Overlook Review] Cannibal Documentary CANIBA Earns Its Title As Scariest Feature at Overlook Film Festival - Nightmare on Film Street (April 29, 2018)
• [Overlook Review] SATAN'S SLAVES is a Relentlessly Frightening Haunted Horror - Nightmare on Film Street (April 27, 2018)
• [Overlook Review] GOOD MANNERS is a Heartfelt Horror-Fantasy Fable - Nightmare on Film Street (April 27, 2018)
• [Overlook Review] HEREDITARY is the Most Unsettling Movie-Going Experience Since THE EXORCIST - Nightmare on Film Street (April 26, 2018)
• [Overlook Review] Revenge Gets an UPGRADE in Leigh Whannell's Futuristic Body-Horror - Nightmare on Film Street (April 26, 2018)
• [Overlook Review] UNFRIENDED: DARK WEB Knows How to Use a Laptop Better Than I Do - Nightmare on Film Street (April 26, 2018)
• [Overlook Review] PUPPET MASTER: THE LITTLEST REICH is Uproarious and Bloodthirsty - Nightmare on Film Street (April 25, 2018)
• [Overlook Review] Rooster Teeth's BLOOD FEST Opens the Flood Gates on F-U-N - Nightmare on Film Street (April 25, 2018)
• [Review] TRUTH OR DARE is A Fun Ride Full of Spooky Goodness - Nightmare on Film Street (April 15, 2018)
• [Review] Sergio S. Sanchez's MARROWBONE is a Haunting Tale of Family and Fear - Nightmare on Film Street (April 13, 2018)
• [Exclusive Interview] Director Jenn Wexler Talks Horror, Punk, and THE RANGER - Nightmare on Film Street (April 12, 2018)
• [Review] A QUIET PLACE Silently Sets The Bar For A New Year of Horror - Nightmare on Film Street (April 7, 2018)
• [Exclusive Interview] Director Orson Oblowitz and Star Rosemary Hochschild Talk THE QUEEN OF HOLLYWOOD BLVD - Nightmare on Film Street (April 6, 2018)
• [Boston Underground Review] THE RANGER is a Wild, Punk Rock, Blood Splattered Ride - Nightmare on Film Street (March 29, 2018)
• [Boston Underground Review] REVENGE is a Transcendent and Cathartic Take on a Divisive Genre - Nightmare on Film Street (March 26, 2018)
• [Boston Underground Review] THE QUEEN OF HOLLYWOOD BLVD is A Triumph of Grindhouse Style and Story - Nightmare on Film Street (March 25, 2018)
• [Review] Netflix Thriller BAD MATCH is "FATAL ATTRACTION For The Tinder Generation" - Nightmare on Film Street (March 25, 2018)
• [Review] Cory Finley's Dark Thriller THOROUGHBREDS is Quiet, Reserved, and Dangerous - Nightmare on Film Street (March 19, 2018)
• [Review] CHILDREN OF THE CORN: RUNAWAY Struggles to Return to its Roots - Nightmare on Film Street (March 16, 2018)
• [Review] THE STRANGERS: PREY AT NIGHT Chooses Tropes over Terror - Nightmare on Film Street (March 9, 2018)
• [Exclusive Interview] MOHAWK Director Ted Geoghegan Gives A History Lesson In Horror - Nightmare on Film Street (March 5, 2018)
• [Review] MOHAWK is a Tense, Blood-Soaked Tale of Retribution - Nightmare on Film Street (February 28, 2018)
• [Review] ANNIHILATION Is a Slow Introduction to a Sci-Fi Spectacle - Nightmare on Film Street (February 24, 2018)
• We Have Such Awful Sights To Show You - HELLRAISER: JUDGEMENT Review - Nightmare on Film Street (February 17, 2018)
• [Exclusive Interview] Writer/Director Brandon Christensen Talks STILL/BORN - Nightmare on Film Street (February 13, 2018)
• [REVIEW] STILL/BORN Brings the Fear of Parenthood to Life - Nightmare on Film Street (February 10, 2018)
• [Review] Surprise! THE CLOVERFIELD PARADOX Is One Big Paradox! - Nightmare on Film Street (February 8, 2018)
• [Review] Fans Demanded Blood And VICTOR CROWLEY Delivers! - Nightmare on Film Street (February 6, 2018)
• [Exclusive Interview] Caleb Emery of SUMMER OF '84 (February 6, 2018)
• [SUNDANCE REVIEW] The Suburbs Are Only An Illusion of Safety in SUMMER OF '84 - Nightmare on Film Street (February 4, 2018)
• [Exclusive Interview] SUMMER OF '84 Directors Talk Serial Killers and Sundance - Nightmare on Film Street (February 2, 2018)
• [Review] PSYCHOTIC! Brings A Whole New Meaning to the term 'Killer Party' - Nightmare on Film Street (January 27, 2018)
• [Review] INSIDIOUS: THE LAST KEY is As Ambitious As it is Flawed - Nightmare on Film Street (January 6, 2018)
• [Review] Delightfully Naughty Thriller BETTER WATCH OUT Makes the Nice List - Nightmare on Film Street (December 12, 2017)
• [Exclusive] The Sounds of SAW: An Interview with Composer CHARLIE CLOUSER - Nightmare on Film Street (December 11, 2017)
• [Review] THE SHAPE OF WATER is a Perfect Collision of the Strange and Beautiful - Nightmare on Film Street (December 11, 2017)
• [Ithaca Fantastik Review] Fantasy Comes To Life in the Slums of Mexico in TIGERS ARE NOT AFRAID - Nightmare on Film Street (November 19, 2017)
• [Cinepocalypse Review] TRENCH 11: Zombies in the First World War - Nightmare on Film Street (November 14, 2017)
• [Review] Corporate Capitalism Kills in Action-Comedy MAYHEM - Nightmare on Film Street (November 13, 2017)
• [Cinepocalypse Review] On the Trail of a Serial Killer in CHARISMATA - Nightmare on Film Street (November 10, 2017)
• [Ithaca Fantastik Review] Samurai Mockumentary TOP KNOT DETECTIVE (November 9, 2017)
• [Review] THE AXIOM is a Creative Take on a Cabin in the Woods Chiller - Nightmare on Film Street (November 1, 2017)
• [Review] Peachfuzz Delivers the Jitters in CREEP 2 - Nightmare on Film Street (October 26, 2017)
• [Exclusive] Interview With MAYHEM Director Joe Lynch - Nightmare on Film Street (October 24, 2017)
• [Review] Jayne Mansfield Doc MANSFIELD 66/67 is a Kooky Look at a Campy Starlet - Nightmare on Film Street (October 23, 2017)
• [Review] LEATHERFACE is a Violent Origin Story to a Brutal Franchise - Nightmare on Film Street (October 21, 2017)
• [Toronto After Dark Review] THE ENDLESS is About Brotherhood, and Maybe Also a Cult in the Woods - Nightmare on Film Street (October 20, 2017)
• [Brooklyn Horror Review] INHERITANCE Uncovers a Dark Family Secret - Nightmare on Film Street (October 19, 2017)
• [Toronto After Dark Review] GAME OF DEATH Explodes In A New Era of Millenial Horror - Nightmare on Film Street (October 19, 2017)
• [Brooklyn Horror Review] GET MY GUN is a Gritty Tale of Revenge - Nightmare on Film Street (October 16, 2017)
• [Toronto After Dark Review] MY FRIEND DAHMER Will Melt Your Heart.. With Acid - Nightmare on Film Street (October 15, 2017)
• [Review] HAPPY DEATH DAY Brings the SCREAM Back to Teen Horror - Nightmare on Film Street (October 12, 2017)
• [Brooklyn Horror] Interview With the Makers of Kane Hodder Documentary, TO HELL AND BACK - Nightmare on Film Street (October 9, 2017)